Résultats lu par "Tim Curry" dans Toutes les catégories

A Signature Performance: Tim Curry, the source of our inspiration, returns – this time, he captures the quirky enthusiasm of this goofily visionary adventure.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Before she went to join Sam and Mogget downstairs, Lirael paused for a moment to look at herself in the tall silver mirror that hung on the wall of her room. The image that faced her bore little resemblance to the Second Assistant Librarian of the Clayr. She saw a warlike and grim young woman, dark hair bound back with a silver cord rather than hanging free to disguise her face. She no longer wore her librarian's waistcoat, and she had a long Nehima at her side rather than a library-issue dagger.

Lirael has never felt like a true daughter of the Clayr. Abandoned by her mother, ignorant of her father's identity, Lirael resembles no one else in her large extended family living in the Clayr's glacier. She doesn't even have the Sight, the ability to See into the present and possibly futures, that is the very birthright of the Clayr.

A star-studded cast of readers present unabridged tales of horror and suspense from Stephen King's classic best-selling short story collection.

Like a car alarm, bagpipe music, or a doorbell ringing in the middle of the night, hearing this all-new audio edition of The Bad Beginning will only upset you. This unique multi-voice recording brings the first book in Lemony Snicket's alarming A Series of Unfortunate Events to such terrible life that no one should really have to experience it.

You are presumably looking here for clues to the shocking conclusion of this terminal audiobook, or the ending of the end. The end of the end is the best place to begin the end, because if you listen to the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope.

In a sweeping saga of music and vengeance, the acclaimed author of The Vampire Chronicles draws listeners into 18th-century Italy, bringing to life the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius. This is the story of the castrati, the exquisite and otherworldly sopranos whose graceful bodies and glorious voices win the adulation of royal courts and grand opera houses throughout Europe. These men are revered as idols - and, at the same time, scorned for all they are not.

Like the previous books in A Series of Unfortunate Events, there is nothing to be heard here but misery, despair, and discomfort, and you still have time to choose something else to listen to.

Like handshakes or housepets, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up, and down, a range of strange and distressing mountains.

Unless you are a slug, a sea anemone, or mildew, you probably prefer not to be damp. You might also prefer not to listen to this audiobook, in which the Baudelaire siblings descend into the depths of despair, underwater. The horrors they encounter are too numerous to list, and include mushrooms, a mechanical monster, a distressing message from a lost friend, and tap dancing.

Regardless of how they pass their time while at a hotel, the three siblings will be sure to take in all the interesting sights and sounds, and write them down, just in case this episode turns out to be the darkest yet in a series of unfortunate events.

A Signature Performance: Tim Curry rescues Charles Dickens from the jaws of Disney with his one-of-a-kind performance of the treasured classic. Our listeners loved this version so much that it inspired our whole line of Signature Classics.

Ever since she was a tiny child, Sabriel has lived outside the walls of the Old Kingdom, away from the random power of Free Magic, and away from the Dead who won't stay dead. But now her father, the Mage Abhorsen, is missing, and to find him Sabriel must cross back into that world.

The word "carnivorous", which appears in the title of this book, means "meat-eating", and once you have read such a bloodthirsty word, there is no reason to read any further. This carnivorous volume contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal.

A star-studded cast of readers present unabridged tales of horror and suspense from Stephen King's classic best-selling short story collection.

Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odor.

Nobody in their right minds would listen to this particular book about the lives of Violet, Klaus, and Sunny Baudelaire on purpose, because each dismal moment of their stay at the village of V.F.D. has been faithfully and dreadfully recorded on this program.

Now, in his memoir, Curry takes listeners behind-the-scenes of his rise to fame from his early beginnings as a military BRAT with difficult family dynamics, to his formative years in boarding school and university, to the moment when he hit the stage for the first time.

On Sarah Whitfield's 75 birthday, memories take her back to New York in the 1930s. To a marriage that ends after a year, leaving Sarah shattered. A trip to Europe with her parents does little to raise her spirits, until she meets William, Duke of Whitfield. In time, despite her qualms, William insists on giving up his distant right to the British throne to make Sarah his duchess and his wife. On their honeymoon, the newlyweds buy an old French château, but not long after, the war begins. William joins the allied forces, leaving Sarah; their first child, an infant; and their second child on the way, in France.