Résultats pour "John Keats" dans Littérature mondiale

'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection The Complete Poetry of John Keats contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the Odes and of the uncompleted epic Hyperion, and work which only came to light after his death including his attempts at drama and comic verse. It all demonstrates the extent to which he tested his own dictum throughout his short creative life.

One of the most distinctive periods in English poetry was the age of Romanticism, a movement which rebelled against the neoclassical forms and celebrated the imagination as a spiritual force

John Keats' letters paint an unforgettably vivid and moving picture of the richly productive but also tragic final years of the poet's life. As he ponders on the nature of the writer's craft, he must first confront his brother's death from tuberculosis and then the imminent prospect of his own, tormented by the fear that he will not live to consummate his relationship with Fanny Brawne.

John Keats was largely unappreciated during his lifetime and died in Rome at the age of 26. Most of his 150 poems were written in just nine extraordinary months in 1819. This selection contains some of his finest works, including the principal "Odes", "La Belle Dame Sans Merci", "Old Meg", and "Much Have I Travelled".

These crisply narrated sonnets are the best way to enjoy the work of John Keats. This collection contains nearly ever poem by Keats. Poems are meant to be enjoyed through audio. Whether you're a student or a fan of Keats, please enjoy!

John Keats, the last of the Romantic School, was born in 1795 and died at age 25 in 1821. He was a "Poet's Poet", developing his themes from a high artistic faith, and his aesthetic philosophy from his love of beauty.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Mort de tuberculose à vingt-cinq ans, John Keats eut une carrière poétique d'une fulgurante brièveté, suffisamment intense pour faire de lui un des poètes romantiques anglais les plus importants de sa génération. Nourries de la perte d'un amour premier dont Keats ne put jamais faire le deuil, ses écritures se placent sous le soleil noir de la Mélancolie, que la prescience de la mort exacerbe jusqu'à toucher au sublime. Une immense richesse symbolique transparaît sous la lumière de ses accents intemporels.

Award-winning narrator Mike Vendetti reads "Ode to a Nightingale", a personal poem that describes Keats's journey into a state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience, and mortality, the latter being particularly relevant to Keats.

Seien Sie, Hörer ohne Furcht und Tadel, herzlich eingeladen zu einer akustischen Erlebnisreise der besonderen Art, auf welcher Ihnen in einzigartigen Interpretationen Lyrik der weltberühmtesten Dichterinnen und Dichter präsentiert wird. Musikalisch untermalt mit semi-akustischen Instrumenten (Gitarren + Bass) und intuitiver Percussion. Fusionierende Harmonien aus dem lyrischen Wort und inspirierendem Sound kitzeln Ihren Geist, animieren Ihren Humor, erregen Ihren Verstand und versetzen Sie in das Universum unserer neuen Hörbuch-Reihe "Lyrikalische Lesung".

Keats Gedichte bergen nicht nur eine unglaubliche Leichtigkeit und Unbeschwertheit in ihrem anmutigen voluminös-poetischen Klangbild, sondern laufen überdies vor Leidenschaft und Energie fast über und man fühlt sofort, dass hier ein überragender Künstler etwas reflektiert, was so manchen bereits in jungen Jahren verloren geht: Herz, Seele und eine unbändige Freude am Leben. Der Gedichte John Keats zweiter Teil (inkl. "Hyperion").

Keats Gedichte bergen nicht nur eine unglaubliche Leichtigkeit und Unbeschwertheit in ihrem anmutigen voluminös-poetischen Klangbild, sondern laufen überdies vor Leidenschaft und Energie fast über und man fühlt sofort, dass hier ein überragender Künstler etwas reflektiert, was so manchen bereits in jungen Jahren verloren geht: Herz, Seele und eine unbändige Freude am Leben. Der Gedichte John Keats erster Teil.

In this radiant dual biography, Jonathan Bate explores the fascinating parallel lives of John Keats and F. Scott Fitzgerald, writers who worked separately - on different continents, a century apart, in distinct genres - but whose lives uncannily echoed. Using Plutarch’s ancient model of “parallel lives”, Jonathan Bate recasts the inspired lives of two of the greatest and best‑known Romantic writers. Commemorating both the bicentenary of Keats’ death and the centenary of the Roaring Twenties, this is a moving exploration of literary influence.

It is hard to top the pleasure of a woodland walk in Spring unless of course you have a lyric poet as your guide. Now that is possible with Poets of Nature. Let Walt Whitman, John Keats, Emily Dickinson, Henry David Thoreau, Emily Bronte, and Ralph Waldo Emerson take you into that realm of Nature "where we seldom wander".

John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output, the majority of his best-known works being written in the year 1819. The six odes composed during this year are among his most famous and well-regarded poems. The first five were composed during the spring of 1819, while 'To Autumn' was composed in September. The exact order of composition of the first five is unknown.

Lamia is a tragic narrative poem in two parts. It was written in 1819 and first published in 1820 with "Isabella" and "The Eve of St. Agnes". The Greek god Hermes has left Olympus in search of a beautiful nymph. He comes across Lamia, a woman trapped in the form of a snake, who promises to reveal the nymph to him if he, in exchange, restores her human form so she may seek the love of Lycius, a youth of Corinth.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Award-winning narrator Mike Vendetti reads "Ode on a Grecian Urn", a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in Annals of the Fine Arts for 1819. The poem is one of several "Great Odes of 1819", which includes "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche".

"The Eve of St. Agnes" was written in January 1819 and first published in 1820. It is a Romantic Narrative poem written in 42 Spenserian stanzas. John Keats based his poem on the superstition that a girl could see her future husband in a dream if she performed certain rites on the eve of the feast of St. Agnes (the patron saint of virgins who died a martyr in 4th century Rome.) The eve falls on January 20th; the feast day on the 21st.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.