Titres dans Récits initiatiques

A little deer walks into the wolf’s den. I want answers. I know nothing of love, family, or stability, having been raised in the foster system and spat out at eighteen, pregnant, and with no memory of how that came to be. I try to find my estranged father, a man rumoured to be in the Mafia, hopeful he will use his influence to discover what really happened the night someone took my innocence. But I don’t find my father. I walk straight into the den of his associate, the Don of the Cosa Nostra.

The quiet 1960s midwestern life of the Land family is upended when son Davy kills two marauders who have come to harm the family. The morning of his sentencing, Davy (a hero to some, a cold-blooded murderer to others) escapes from his cell, and the Lands set out in search of him. Their journey is touched by serendipity and the kindness of strangers, and they cover territory even more extraordinary than the Badlands, where they search for Davy from their Airstream trailer.

She might not have a famous name, funding, or her family’s support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating—and each other—to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and roller-coaster relationship.

Twenty-eight-year-old Kiki Banjo hosts the popular podcast The HeartBeat, solving romantic conundrums and dishing out life advice. But behind the mic, career setbacks and a devastating breakup have left her hanging on by a thread. As she’s preparing to be the Maid of Honor in her best friend’s wedding, everything starts to unravel, and Kiki is left wondering if she ever had the answers. Then Kiki finds herself face-to-face with the Best Man, her ex-boyfriend, Malakai—the smooth-talking, absurdly handsome, annoyingly perceptive man who stole her heart and then shattered it.

Oliver Dalrymple est un garçon de treize ans à la peau pâle et au cœur troué. Tout le monde l’appelle Boo, en raison de sa blancheur fantomatique. Il est capable de réciter la table de Mendeleïev de mémoire sans omettre un élément, un atout malheureusement négligeable pour développer son réseau social. Boo, surtout, est mort devant son casier. Son cœur, croit-il.

London, November 1941. Following the departure of the formidable Henrietta Bird from Woman’s Friend magazine, things are looking up for Emmeline Lake as she takes on the new challenges as a wartime advice columnist. Her relationship with boyfriend Charles is blossoming, while Emmy’s best friend Bunty, still reeling from the very worst of the Blitz, is bravely looking to the future. Together, the friends are determined to Make a Go of It.

A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself. The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary.

Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader.

At the center of this affluent suburban universe is Emily Vidal, a smart and snarky teenager, who gets involved in a dangerous relationship. Among the cast of unforgettable characters are Emily’s father, whose fiftieth birthday party has the adults descending upon the Vidals’ patio; her mother, who has orchestrated the elaborate party even though she and her husband are getting a divorce; and an assortment of eccentric neighbors, high school teachers, and teenagers who teem with anxiety and an unbridled desire to be noticed, and ultimately loved.

In Argus, North Dakota, a collection of people revolve around a fraught wedding. Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his. Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker. Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels.

Fourteen-year-old Sofia Bottom lives in a small country that Europe has forgotten. But inside its borders, the old myths of trees that come alive and fairies who live among their roots have given way to an explosion of the arts and the consolations of philosophy. No one, from the clarinetists to the cabaret singers, is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can Sofia, with a tin ear and an enduring love of the old myths, ever hope to win her mother’s love?

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

Adam Coryell is your average high-school student—well, except for that obsession with fountain pens—when his life changes forever. Based on a study by a quirky Swedish professor that claims that every human being, regardless of athletic inclination, has a body that is suited to excel in at least one sport, it turns out that Adam is good—very good, in fact—at golf

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

Likened to the works of Faulkner and Dickens when it was first published 20 years ago, this extraordinarily accomplished debut novel is a brilliantly plotted story of forbidden love and piercing political drama, centered on the tragic decline of an Indian family in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family.

Carson McCullers was all of 23 when she published her first novel, The Heart Is a Lonely Hunter. She became an overnight literary sensation, and soon such authors as Tennessee Williams were calling her "the greatest prose writer that the South [has] produced." The Heart Is a Lonely Hunter tells an unforgettable tale of moral isolation in a small southern mill town in the 1930s.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.

Despite the oddballs that keep turning up on her dates, Anna couldn’t be happier. As a 30-something with a job she loves, life has turned out better than she dared dream. However, things weren’t always this way, and her years spent as the ‘Italian Galleon’ of an East London comprehensive are ones she’d rather forget. So when James Fraser – the architect of Anna’s final humiliation at school – walks back into her life, her world is turned upside down. But James seems a changed man. Polite. Mature. Funny, even. People can change, right? So why does Anna feel like she’s a fool to trust him?

Shy. A troubled teen, a "dangerous young man," a reject from the social structures that no longer wish to nurture him. Shy knows that society has not failed him, he has failed it—parents, schooling, friends and sometime girlfriends. Judged and found wanting, he now lives at Last Chance, a boarding school for boys like him. Set over a few hours of a single evening, Shy exists between the stillness and beauty of a nocturne and the exhilarating shout of simultaneous teenage joy and anguish.