Titres dans Récits initiatiques

Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother - the only parent who raised her - is dead. Searching through her mother's belongings one day, Anna finds clues about the African father she never knew. His student diaries chronicle his involvement in radical politics in 1970s London. Anna discovers that he eventually became the president - some would say dictator - of a small nation in West Africa. And he is still alive.

I decided that Orion Lake needed to die after the second time he saved my life. Everyone loves Orion Lake. Everyone else, that is. Far as I’m concerned, he can keep his flashy combat magic to himself. I’m not joining his pack of adoring fans. I don’t need help surviving the Scholomance, even if they do. Forget the hordes of monsters and cursed artifacts; I’m probably the most dangerous thing in the place. Just give me a chance and I’ll level mountains and kill untold millions, making myself the dark queen of the world.

The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction - but assassins are getting closer to her door. Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic.

“Guerra's portrayals of the principal female characters bring the story alive. Her natural-sounding delivery captures the intimate voices and personal stories of a strong-willed grandmother, a mother who is willing to adapt to 'fly-over country,' and a daughter who is injured during a...

In the acclaimed first novel from short story virtuoso and Pulitzer Prize finalist Kelly Link, three teenagers become pawns in a supernatural power struggle.

Sam Hill always saw the world through different eyes. Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered. Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls. Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design.

I kissed my father’s best friend, and it kind of didn’t go well. Not only because he’s 18 years older than me - but he also didn’t like it. Not one bit. In my defense, I didn’t mean to fall for him. It just happened. Nathaniel Weaver is the most attractive man I’ve ever seen with enough charisma to blind the sun. He’s bigger than the world, owns half of it, and conquered the other half. He was forbidden. Wrong. So I totally got over him. Or so I told myself. Until we’re forced to get married.

Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry.

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car.

Purple-haired, sharp-tongued Reese MacKay knows all about making the wrong choice; she's made plenty of them in her twenty-odd-years. She moves to Miami with the intention of hitting reset on her irresponsible life, and she does quite well...aside from an epically humiliating one-night stand in Cancun with a hot blond bouncer named Ben. After three long years of balancing law school with his job as a bouncer at Penny's Palace, Ben's ready to lead a more mature life - until his first day of work, when he finds himself in the office of that crazy, hot chick he met in Cancun.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

They'll tell you I seduced them. Used my looks and body to lure them into my playground. They'll tell you I'm a sinner. A demon who held them captive with temptation and lust. They'll tell you I'm evil. A monster obsessed with the both of them. They'll tell you they made a deal with the devil. What they won't tell you...is how much they liked it.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

In rural 1930s Virginia, a young immigrant mother fights for her dignity and those she loves against America’s rising eugenics movement—when widespread support for policies of prejudice drove imprisonment and forced sterilizations based on class, race, disability, education, and country of origin—in this tragic and uplifting novel of social injustice, survival, and hope for listeners of Susan Meissner, Kristin Hannah, and Christina Baker Kline.

BOOK RIOT’S BEST BOOKS OF 2021 “This is a novel of great empathy, about connections and coming-of-age, built families and self-acceptance. It contains heartbreak and redemption, and a plucky, irresistible protagonist…[A] propulsive, empathetic novel.” —Shelf Awareness Little River, New...

#1 New York Times bestselling author of Regretting You, It Starts with Us, and It Ends with Us held readers spellbound with her novel Hopeless, the story of what happened when a troubled girl named Sky encountered a long-lost childhood friend, Dean. Now, in Losing Hope, we finally learn the...