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In 1950s Dublin, life is hard and jobs are like gold dust. Nineteen-year-old Nell Flynn is training to be a nurse and planning to marry her boyfriend, Liam Connor, when her mother dies, leaving her younger sisters destitute. To save them from the workhouse, Nell returns to the family home - a mere two rooms at the top of a condemned tenement. Nell finds work at a biscuit factory and, at first, they scrape through each week.

After decades of dereliction and inner-city neglect, Barrack Street, Cork is finally being excavated. The work uncovers the skeletal remains of six men, scattered around the site, their hands and feet all bound, all clearly killed violently, but many decades, even centuries, ago. When a seventh body is found, Detective Garda Alice McCann knows immediately this one is different. It's female, for a start, and considerably more recent. Who was she? And who killed her?

Katie Collins has barely ever left her tiny Irish village of Ennisbawn. Why would she? With its tightknit community, friendly local pub, surrounded by glistening lakes and perfectly mysterious forests, it’s a place of peaceful beauty. Or it was peaceful. Until Callum Dempsey turned up. Part of a hotshot (and, Katie has to admit, hot is annoyingly apt for him...) development team with zero eye for beauty or charm, he’s not only building a hideous hotel just outside the village, he’s also just announced a plan to knock down Ennisbawn’s only remaining pub.

Ranka is tired of death. All she wants is to be left alone, living out her days in Witchik’s wild north with the coven that raised her, attempting to forget the horrors of her past. But when she is named Bloodwinn, the next treaty bride to the human kingdom of Isodal, her coven sends her south with a single directive: kill him. Easy enough, for a blood-witch whose magic compels her to kill. Except the prince is gentle, kind, and terrified of her. He doesn’t want to marry Ranka; he doesn’t want to be king at all. And it’s his sister who seems to be the real threat.

Empress Margaraux has had plans for her daughters since the day they were born. Princesses Sophronia, Daphne, and Beatriz will be queens. And now, age sixteen, they each must leave their homeland and marry their princes.

Princesses Daphne, Beatriz, and Sophronia have trained their entire lives for one purpose: to bring down nations. Their mother, Empress Margaraux of Bessemia, is determined to rule the continent of Vesteria, and her daughters are her weapons. Promised for marriage since birth, they are her ticket across enemy lines. And also her decoys.

Christian’s fed up of being on his own every Christmas. He doesn’t mind being alone, but he hates his family’s sad eyes and soft tones as they sit around coupled up. Because he’s actually, totally, fine. So when Megan literally bumps into Christian in a Dublin pub, they come up with a pact to see them through the holiday season. They’re going to be the very best fake dates for each other, ever. Rules are drawn up, a contract is signed on a wine-stained napkin. They will sit through each other’s family gatherings and be outrageously in love until freed from their annual obligations.

Twenty-nine-year-old Lily Buckley planned to be happily married and in her dream job by now. Instead, she’s been single since being left at the altar three years ago, and works at her local paper, writing stories about giant vegetables at the village fete and a dog who looks exactly like Chewbacca. Not quite what she was dreaming of. So when Lily’s allowed to write her own column it’s exactly what she’s always wanted - except there's a catch. She has to do one thing every week that scares her then write about it.

They were promised for marriage since birth, and raised to bring down kingdoms, but the true destiny of the triplet princesses of Bessemia has always been to die—and one of them already has. Since Sophronia’s murder, princesses Daphne and Beatriz have discovered the truth: they are pawns in their mother’s game, which will end with her as empress of not just Bessemia but the entire continent of Vesteria. Only the princesses have their own plans.

Jenna Walker has suddenly found herself with no job, no boyfriend, nowhere to live—and she's been wondering for a while now if, apart from her beloved cat Bertie, she has anything to live for. She really doesn't want to turn up on her sister's doorstep, but that feels like her only option. Already stretched between her job and the demands of looking after their mother, Rosie is not happy about having yet another person to take care of. If only one thing in her life would work out the way she wants it to.

Descendants of the founder of the Guinness beer empire, they were the toast of 1920s high society, darlings of the press, with not a care in the world. But Felicity knows better. Sent to live with them as a child because her mother could no longer care for her, she grows up as the sisters’ companion. Both an outsider and a part of the family, she witnesses the complex lives upstairs and downstairs, sees the compromises and sacrifices beneath the glamorous surface. Then, at a party one summer’s evening, something happens that sends shock waves through the entire household.

It’s Katie’s 17th birthday – the dancefloor is packed, the drink is flowing and Raven’s Hill School confession site is alight with gossip. Then a huge fight breaks out, sending guests fleeing. When Frankie, Jess and Sorcha go back to help Katie clear up her wrecked house before her parents get home, they find more than broken bottles… There’s a body on the living room floor.

Life is hard in Ireland in 1867. Eliza Carthy moves with her lighthouse-keeper husband James and sons Peter and Joseph to the remote island of Skellig Michael. When assistant keeper Edmund and his wife Ruth arrive, Eliza hopes for respite. But her new neighbours are not what she'd expected.

When Cat finds out that her cool new neighbour, Dr Becca Ryan, is a witch, she’s fascinated. Cat already loves magic – she has The Sight – and she’s sure she can learn loads from Becca. But Cat has other things on her mind – her mum has a boyfriend and Cat’s not happy. When she turns to Becca for advice, she gets more than she bargained for. Cat and her friend Shane are sent off on a perilous quest for an ancient harp that, when played, can influence the thoughts of anyone who hears it – and it seems like Cat will go to any lengths to find it …

Moving between Ireland, Scotland and London, Something About Her is a story about the fragility and transformative power of first love. With vivid insight and tenderness, it exposes the fear, hope, and longing that can consume us, particularly when there’s so much you still don’t know about love, about life, and about yourself.

Most students would kill to be selected for the prestigious Law and Literature course at Franklin University. But for Jessie Mooney, admittance into this campus inner circle is about more than social cachet and access to distinguished alumni: It’s her chance to get close to charismatic professor Jay Crane. Since the moment she discovered their secret relationship, Jessie’s been convinced Crane is to blame for the events leading to her sister’s death, and she’ll do anything to hold him accountable.

When Lily married her soul mate Connor, buffeted by the sea spray and wild winds of her coastal homeland in Maine, she never imagined she’d be planning his memorial just three years later. Connor has been lost at sea in the bleak, stormy Atlantic, leaving Lily heartbroken. But as she prepares to say good-bye to Connor for the last time, she is shocked to discover a message to him that he never told her about.

Beatrice Alright is the queen of silver linings. She can find a spark of hope in any situation. Even when her partner delivers earth-shattering news that leaves Bea and their four-year-old, Ellie, without a home, she refuses to panic. Because Bea believes that what she does have is more important–her job at St Helen’s Hospital, which offers a warm, dry shelter for her and Ellie to stay while she figures things out. By day Bea cleans the wards, by night she tucks her daughter into bed between mops and buckets. And tries so hard to hold on to hope.

Before Hisako Saski is even born, her parents make a deal on her behalf. In exchange for a first-class education and a boost out of poverty, Hisako will marry Adem Sadiq, a maintenance engineer and self-styled musician who works the trade lanes aboard his family's sub-light starship, the Hajj. Hisako is not happy when she finds out about the plan. She has little interest in the broken branch of physics the deal requires her to study and is not keen on the idea of giving up her home and everything she knows to marry a stranger.

Peggy Cassidy is a milly, working in the Belfast linen mills to just about get by. But Peggy also has another job - a secret one. She works as a handywoman - an illegal midwife, tending to the women of her community in their time of need. When Peggy is offered the chance to leave Belfast to receive formal midwifery training in Dublin, it sets off a chain of events that will change her life forever. But amongst her middle-class colleagues, Peggy must keep the truth about her past secret at all times.