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Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.

Between 1923 and 1954, Weird Tales magazine shaped the landscape of modern horror, fantasy, and science fiction. It was the crucible of cosmic terror, sword-and-sorcery, and supernatural fiction, a publication that launched the careers of some of the twentieth century’s most enduring genre writers. Weird Tales presents a carefully curated selection of standout stories from the magazine’s golden age. This anthology brings together a wide spectrum of speculative fiction, ranging from mythic fantasy and Gothic mystery to tales of metaphysical horror and existential dread.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This second volume of the series brings together 20 of his fantasy stories.

This series presents Clark Ashton Smith's fiction chronologically, based on composition rather than publication. Editors Scott Connors and Ron Hilger have compared original manuscripts, various typescripts, published editions, and Smith's notes and letters in order to prepare a definitive set of texts. The Maze of the Enchanter includes, in chronological order, all of his stories from The Mandrakes (February, 1933) to The Flower-Women (May, 1935). This volume also features an introduction and extensive notes on each story.

Zothique est le nom d'un continent. Un monde mythique de sortilèges, de prodiges, d'incongruités, de maléfices et de terreurs innombrables. Dans cet univers, l'amour et la mort ont les couleurs de l'illusion, et les hallucinations sont toujours moins effrayantes que la réalité. Dans les villes et villages, dans les forêts et les campagnes, les morts, les momies, les squelettes ne laissent aux vivants aucun répit et, sans cesse, les assaillent et les poursuivent.

Over four hours of strange and chilling tales of horror, science fiction, fantasy, and the surreal, including the classics Master of the Crabs by Clark Ashton Smith and Black God's Kiss by C.L. Moore. A unique blend of short stories for fans of all audio genres!

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This third volume of the series brings together 21 of his fantasy stories.

The Last Hieroglyph is the fifth of the five-volume Collected Fantasies series. Editors Scott Connors and Ron Hilger have compared original manuscripts, various typescripts, published editions, and Smith's notes and letters, in order to prepare a definitive set of texts. The Last Hieroglyph includes, in chronological order, all of Clark Ashton Smith's stories from "The Dark Age" to "The Dart of Rasasfa".

A collection of Smith's apace adventure stories featuring Captain Volmar, including the never before published novella, "Red World of Polaris."

A story from the acclaimed tales of "Hyperborea": A grotesque, deadly black form undulated toward them. Closer and closer it came, almost toying with the frightened, fleeing men who sought treasure in the long-deserted Hyperborean capital....

Dive into the captivating world of Clark Ashton Smith through his complete works featured in The Fantasy Fan Magazine. This cherished periodical celebrated the love of fantasy and weird fiction, showcasing not only opinion pieces and non-fiction articles but also a rich collection of short stories and poems from iconic authors like H. P. Lovecraft, Robert E. Howard, and of course, Smith, a favorite of editor Charles D. Hornig. Over its brief two-year run, Smiths contributions spanned a wide array of styles, from the eerie explorations in stories like The Kingdom of the Worm and The Primal City...

We’ve recorded some 400+ stories since 2015 here at HorrorBabble. This collection comprises some of our very favorites. From Blackwood's evocative "The Transfer", through to Smith's terrifying visit to the vaults of Yoh-Vombis, there’s something here to strike fear into the heart of any horror enthusiast....

The plague of the "silver death" descended hard upon the land or Yoros, exactly as foretold by ancient astrologers. Countless victims fell instantly where they were stricken, including messengers racing to tell of itscoming. Young King Fulbra, protected from the plague by a magic ring, fled Yoros by ship in search of an island his advisors believed would welcome him. Before long, however, a sudden hurricane set the king on course for another island with a very different reputation.

Zothique is Earth's last continent in the very distant future when the sun has grown dim, the work has grown old and the remorseless seas have overwhelmed all other continents. The sciences have been forgotten as the shadowy arts of sorcery and magic have been reborn. The result: a dark world of older mystery where luxurious kings and wandering heroes venture across dim landscapes, pitting their strength and wisdom against powerful wizards, necromancers and alien gods all under a dying sun.

Zothique is Earth's last continent in the very distant future when the sun has grown dim, the world has grown old, and the remorseless seas have overwhelmed all other continents. The sciences have been forgotten as the shadowy arts of sorcery and magic have been reborn. The result: a dark world of mystery in which luxurious kings and wandering heroes venture across dim landscapes, pitting their strength and wisdom against powerful wizards, necromancers, and alien gods.

In the depths of human imagination lies a realm where ancient gods stir in their slumbers, where forbidden knowledge teeters on the edge of consciousness, and where cosmic horror casts its suffocating veil over reality. This is the world of the Cthulhu Mythos, a tapestry woven from the mind of one of the most enigmatic and influential writers of the 20th century, H. P. Lovecraft.

Deep in the sweltering jungles of South America, two explorers — Falmer and Thone — stumble upon a forgotten ruin, hidden beneath centuries of tangled growth and silence. Within its shadowed chambers lies an ancient tomb, undisturbed, its secrets sealed in stone and time. But something lingers in the sepulchre. Something old. Something alive. Something that does not sleep. As one of the men becomes obsessed with a strange, unidentifiable seed found within the tomb, the boundary between plant and predator, dream and nightmare, begins to rot and dissolve.

Fifteen nautical nightmares: from the discovery and subsequent investigation of a mysterious vessel in The Derelict, to the terrifying ordeal of a lighthouse keeper stationed at the remote Three Skeleton Key...

Clark Ashton Smith was a poet, sculptor, painter, and author of fantasy, horror, and science fiction short stories. It is for these stories and his literary friendship with H. P. Lovecraft, from 1922 until Lovecraft's death in 1937, that he is mainly remembered today.

King Hoaraph chose two of his most valiant warriors to search through desolate lands for a ravenously beautiful maiden rumored to be living among the far-off pastures. After locating the king's newest desire, mighty Zobal and Cushara headed back home, both with their own eyes on the girl! Priorities changed suddenly when the crew veered off course into mysterious weather and found themselves staring into the eyes of a tall, horrific-looking creature approaching them from the mist ahead!