Résultats de "Jack Kerouac" dans Toutes les catégories

A 50th anniversary hardcover edition of Kerouac’s classic novel that defined a generation Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open...

The legendary 1951 scroll draft of On the Road, published as Kerouac originally composed it “The sparse and unassuming scroll is the living version [of On the Road] for our time. . . . It is a dazzling piece of writing.”—The New York Times Book Review During three weeks in 1951, Jack...

A poignant masterpiece of wrenching personal expression from the author of On the Road and The Dharma Bums In this 1962 novel, Kerouac's alter ego Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the...

Jack Kerouac’s classic novel about friendship, the search for meaning, and the allure of nature “In [On the Road] Kerouac’s heroes were sensation seekers; now they are seekers after truth . . . the novel often attains a beautiful dignity.”—Chicago Tribune First published in 1958, a...

The classic novel of freedom and the search for authenticity that defined a generation One of The Atlantic’s Great American Novels of the Past 100 Years On the Road chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the...

""Avec l'arrivée de Neal a commencé cette partie de ma vie qu'on pourrait appeler ma vie sur la route. [...] Neal, c'est le type idéal, pour la route, parce que lui, il y est né, sur la route..." Neal Cassady, chauffard génial, prophète gigolo à la bisexualité triomphale, pique-assiette inspiré et vagabond mystique, est assurément la plus grande rencontre de Jack Kerouac, avec Allen Ginsberg et William Burroughs, autres compagnons d'équipées qui apparaissent ici sous leurs vrais noms."

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

In the mid-1950s, Jack Kerouac, a lifelong Catholic, became fascinated withBuddhism, an interest that had a profound impact on his ideas of spirituality andlater found expression in books such as Mexico City Blues and The Dharma Bums.Originally written in 1955 and now published for the first...

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

Ray Smith is a young man seeking a life of simplicity and truth. Another young man, Japhy Rhyder, becomes instrumental in leading Ray to Buddhism as they embark upon a spiritual quest. Their journey takes them from the Bohemian parties of San Francisco to the natural beauty of the High Sierra mountains. Through such books as Doctor Sax and The Subterraneans, Jack Kerouac was an inspiration to the beat culture, hippies, and dharma seekers of the 1950s and 60s.

While his masterpiece On the Road languished on the desks of unresponsive editors, Kerouac turned to Buddhism, and in 1953 began writing reading notes on the subject intended for his friend Allen Ginsberg. As his Buddhist study and meditation practice intensified, what had begun as notes evolved into a vast, all-encompassing work of nonfiction into which he poured his life, incorporating poems, haiku, prayers, journal entries, fragments of letters, ideas about writing, sketches, and more.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

“To read On the Road but not Visions of Cody is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac’s wildest writings.”—The New York Times Book Review “The centerpiece of all [Kerouac’s] novels.”—The Washington Post Originally written in...

Arguably his finest post- On the Road novel, Big Sur captures Kerouac (here named Jack Duluoz) trying to escape the clamor of beatnik adulation by retreating to Lawrence Ferlinghetti's peaceful cabin in Big Sur. What begins as a pastoral regeneration descends into a personal hell when Kerouac suffers an alcoholic breakdown.

Maggie Cassidy is one of Kerouac's most nostalgic recollections of his past, focusing on his first true love when he was a high school senior and a local star athlete. Filled with the sweet innocence of youth and the daily heartbreak of quarrels and unfulfilled sexual yearnings, Kerouac employs his stylishly Beat observations toward the bygone era of pre-World War II Lowell, Massachusetts, when he was torn between the companionship of his gang of buddies and the sirens' call of the opposite sex.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

Alla radice di questo romanzo, pubblicato nel 1958 e subito processato per oscenità, c'è una vicenda reale, la storia d'amore vissuta da Kerouac con una ragazza di colore, che in queste pagine rivive come in una confessione tanto difficile quanto liberatoria. Al centro, la figura di Mardou, sensuale, fascinosa, attorno alla quale gira, ossessivamente, la vita dell'amante, e la città stessa (New York nella realtà, San Francisco nella finzione letteraria): una città onirica, cupa, frenetica, piena di alcol, di droghe, di sesso, di arte e di vita.

"I vagabondi del Dharma" rappresenta il seguito ideale del romanzo più celebre di Kerouac, quel "Sulla strada" considerato fin dal suo primo apparire una sorta di "Bibbia della Beat Generation". Anche nei "Vagabondi", sempre di forte matrice autobiografica, lo scrittore racconta le avventure dei suoi discepoli e confratelli beatnik impegnati nella ricerca, disordinata ma sincera, di una nuova verità. Verità che, soprattutto grazie all'influsso della scuola Zen di San Francisco, Kerouac e i suoi identificano con gli insegnamenti buddhisti.