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Stranded on the distant planet Tschai, young Adam Reith is the sole survivor of a space mission who discovers the world is inhabited - not only by warring alien cultures but by human slaves as well, taken early in Earth's history. Reith must find a way off the planet to warn Earth of Tschai's deadly existence.

The Elder Isles, located in what is now the Bay of Biscay off the coast of Old Gaul, are made up of 10 contending kingdoms, all vying with each other for control. At the centre of much of the intrigue is Casmir, the ruthless and ambitious king of Lyonnesse. His beautiful but otherworldly daughter, Suldrun, is part of his plans. He intends to cement an alliance or two by marrying her well. But Suldrun is as determined as he and defies him.

The Eyes of the Overworld is the first of Vance’s picaresque novels about the scoundrel Cugel. Here he is sent by a magician he has wronged to a distant unknown country to retrieve magical lenses that reveal the Overworld. Conniving to steal the lenses, he escapes and, goaded by a homesick monster magically attached to his liver, starts to find his way home to Almery. The journey takes him across trackless mountains, wastelands, and seas.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Alors qu'il effectuait une mission de reconnaissance autour de la planète Tschaï, le vaisseau Explorateur IV a été abattu par un missile d'origine inconnue. Unique survivant du crash, Adam Reith découvre un monde d'une beauté et d'une âpreté sans pareilles, une terre d'aventures aussi dangereuse qu'attachante. Obsédé par l'idée de rentrer chez lui, le Terrien va traverser d'immenses et splendides paysages, rencontrer d'autres humains aux moeurs baroques et des extraterrestres belliqueux, vivre mille péripéties, perdre ses certitudes et trouver l'amitié.

Five intergalactic criminal masterminds raid the tranquil world of Mount Pleasant, leaving behind only ruin and slaughter - and the orphaned child Kirth Gersen, who comes to manhood swearing to take bloody revenge. Now Gersen roams the galaxy, bringing vengeance to the Demon Princes one by one, in Jack Vance's classic series of hardboiled space opera.

In The Green Pearl, King Aillas of Troicinet defends the peace of the Elder Isles against both the Ska marauders who once enslaved him and the wicked King Casmir. While organizing the unruly barons in the frontiers of his land, Aillas goes out of his way to capture the lovely Ska noblewoman who once stung him with her disregard.

In the interlocking Tales of the Dying Earth Vance explores the world at the end of time when sun is guttering. Light itself is different and Vance’s landscapes —described in language that is lyrical, seductive, and partly self-invented —are wild and surreal, full of opportunity and danger. On the Dying Earth, the rules of physics as we know them have been amended and replaced by magic. The laws of evolution have spun out creatures that are humanoid, hybrid, and often terrifying.

Someone is stealing the children of the galaxy’s elite, and Kirth Gersen suspects that the kidnapper is Kokor Hekkus—second of the Demon Princes. Deciphering a complex pattern of clues and coincidences, Gersen tracks his quarry to a barbaric world, where Hekkus is protected by an invincible war machine. To confront Hekkus, Gersen must resort to a desperate plan.

Le beau pays de Lyonesse ne suffit pas au roi Casmir : il veut régner sur toutes les Isles Anciennes, ce qui l'oblige à vaincre son rival Audry, roi de Dahaut. Une histoire fourmillant de malice et merveilles, hantée par la superbe et mélancolique figure de Suldrun, princesse à la beauté mélancolique, désirée par tous.

Gavin Waylock had waited seven years for the scandal surrounding his former immortal self to be forgotten and had kept his identity concealed so that he could once again join the ranks of those who lived forever. He had been exceedingly careful about hiding his past. Then he met the Jacynth. She was a beautiful 19-year-old, and Gavin wanted her. But he recognized that a wisdom far beyond her years marked her as one who knew too much about him to live.

Among worlds populated by slave-takers and poisoners, Kirth Gersen is hunting the third Demon Prince, Viole Falushe, an Earthman who conceals his true identity while ruling a remote planet from his decadent Palace of Love. Posing as a journalist and accompanied by the mad poet Navarth, Gersen infiltrates the palace and uncovers a history of erotic obsession. Somewhere among the revelers lurks Falushe, whom Gersen schemes to identify, before delivering harsh justice.

The Pnume were an ancient race of the planet Tschai, living underground in a vast network of caverns with their human slave species, the Pnumekin. The Pnume were the historians of Tschai, collecting its past with ruthless and scholarly dedication. Surface dwellers never saw the Pnume - if they were lucky. Adam Reith was not so fortunate. The Pnume had heard rumors of a strange man claiming to have come from the planet Earth, and they wanted him for Foreverness, the museum of Tschai life.

The fourth Demon Prince, Lens Larque, combines murderous criminality with a taste for horrific practical jokes. Escaping Gersen once, Larque flees to his home world of Dar Sai, known for its strange mating rituals and the violent winner-take-all game of hadaul. Gersen follows his quarry to the milder world of Methel, where Larque plans a revengeful prank on a wealthy man. Gersen has a more final vengeance in mind.

Five intergalactic criminal masterminds raid the tranquil world of Mount Pleasant, leaving behind only ruin and slaughter—and the orphaned child Kirth Gersen, who comes to manhood swearing to take bloody revenge. Now Gersen roams the galaxy, bringing vengeance to the Demon Princes one by one, in Jack Vance's classic series of hard-boiled space opera.

The World Fantasy Award-winning third volume of the Lyonesse trilogy brings attention to the faerie changeling Madouc. Where princess Suldrun once meekly endured the proprieties of Castle Haidion, Madouc defends herself with rotten fruit. Vexed, King Casmir arranges a contest to marry her off, but Madouc has other ideas, and enlists the stableboy "Sir Pom-pom" on an impromptu quest to find her father.

Ajena a las maquinaciones diplomáticas y las artes oscuras del rey Casmir de Lyonesse, la princesa Madouc, determinada a conocer el secreto de su linaje, se aventura en una intensa búsqueda personal... que de algún modo se relaciona con el misterio de Dhrun, hijo de Aillas de Troicinet, de...

When someone sent distress signals to outer space from the planet Tschai, it was Adam Reith's misfortune to be sent from Earth to investigate. Because when his ship came close to Tschai, it was torpedoed - and Adam escaped to the surface with his life and nothing else.

Getting back to Earth from the planet Tschai involved either stealing a spaceship or having one built to order - for Tschai was home to several intelligent star-born races, and so they had spaceyards. But Adam Reith's problem was not so simple. He'd already been lucky to escape the Chasch and the Wankh and a dozen different types of humans, and now his course led directly to the Grand Sivishe Spaceyards in the domains of the Dirdir.

Marooned on the strange planet Tschai, Adam Reith agreed to lead an expedition to return the princess Ylin Ylan, the Flower of Cath, to her homeland halfway around the globe. Monsters of land and sea lay before them, as well as beings both human and alien who might rob, kill, or enslave them. Tschai was a large planet - an ancient planet - where four powerful alien races struggled for mastery while humans were treated as pawns; nothing would be easy for Reith on this journey.