Résultats de "Julie Mulhern" dans Toutes les catégories

A dead body in the trunk of a car. It's the Kansas City mob's signature. So why is a member of Ellison's circle found shot to death in a sedan at the country club? Did Baxter Phelps have ties to the mafia? Did they make him an offer he couldn't refuse? Is Baxter's widow Helen in danger? As Ellison is drawn into a dangerous investigation, she can't help but think maybe this time Mother is right. She should mind her own business.

When Ellison Russell is nearly killed at a benefactors' party, she brushes the incident aside as an unhappy accident. But when her house is fire-bombed, she's shot at, and the person sitting next to her at a gala is poisoned, she must face facts. Someone wants her dead. But why? And can Ellison find the killer before he strikes again? Add in an estranged sister, a visiting aunt with a shocking secret, and a handsome detective staying in her guesthouse, and Ellison might need more than cream in her coffee.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

When Detective Anarchy Jones investigates a friend's husband's murder, Ellison can't help but get involved. Now she's waist-deep in toxic gossip, struggling with the soaring heights and nocuous lows of her teenager's mood swings, fending off the advances of her first love, planning a wedding, and (of course) tripping over fresh corpses. With her life a whirlwind of conflict, can Ellison unmask a devious killer, or will death poison her future?

When Ellison Russell, reluctant finder of bodies, chairs a gala in conjunction with the museum's Chinese funerary exhibit, she expects disaster. So, she's not remotely surprised when a body turns up. Ellison is willing to leave the investigation to the police till an attempt is made on her life. Now she's juggling evading a killer, her aunt's overly-amorous beau, her dog's new love interest, and Mother's displeasure. With bodies piling up, if Ellison's not careful, staying alive might be impossible.

Prudence Davies is one of Ellison Jones's least favorite people on earth. She's vindictive. She's mean. And the two share a twisted history. Or, they did. When Prudence is murdered after a very public spat, Ellison finds herself a murder suspect. Worse, the investigating officer has it in for Ellison's homicide detective husband.

Haunted houses are scary enough without knife-wielding clowns. Especially murderous knife-wielding clowns. So thinks Ellison Russell, single mother, artist, and reluctant sleuth. Now death wears a red nose, and Ellison is up to the blood-stained collar of her new trench coat in costumes, caffeine, and possible killers. Who stabbed Brooks Harney, and why? Money? Jealousy? Drugs?

Inspired by one of the first real-life female columnists at the New Yorker, this enticing historical mystery follows Freddie Archer as she solves crimes while reporting on the glamorous world of the rich and famous in 1920s Manhattan. This writer just found her next scoop . . . and it’s deadly...

Ellison Jones is used to sirens in the night (unfortunately, they're usually coming to her house). So, it's a surprise when the sirens that wake her from the dead come from across the street. Nosy neighbor Marian Dixon's house is on fire. Luckily, the Dixons are out of town. Unluckily, there's a body found in the ashes—a body not killed by the fire. With Ellison's husband, Detective Anarchy Jones, investigating, the neighbors are eager for a quick resolution. But a cunning killer has other plans.

Get me to the church on time! Not so much the church as the patio. And not if Ellison can’t stop finding bodies. She’s finding corpses in pairs now, and planning a wedding, and trying (truly, she is) to steer clear of the murder investigation. But when she finds a third body, Ellison becomes a suspect.

Poppy Fields, Hollywood IT girl extraordinaire, accompanies her A-list mother to Paris, and why not? It's Paris! What her mother doesn't know is Poppy's on assignment. Her mission? To help bankrupt a drug cartel. To do that, she must access encrypted account numbers, evade a drug lord with a grudge, dodge a Russian oligarch, and align herself with a man who looks like a Norse god. Oh, and there's that plot - the one to launch a massive attack on the City of Lights.

Poppy Fields has a movie-star mother, 84 million Instagram followers, paparazzi following her every move, and a problem. Her Mexican vacation just went sideways (abducted-by-a-drug-lord sideways). Suddenly her life resembles one of her mother's movies, except the bullets are real, people are dying, and there's no guarantee of a happy ending. Surrounded by trained killers and unsure who she can trust, only one thing is certain - if Poppy doesn't escape, this vacation will be her last.

It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes - kinky sex, petty cruelties, and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer.

It isn't easy having Hollywood's biggest, brightest star for a mother - especially when her Russian oligarch boyfriend has been kidnapped. When Poppy Fields flies to London to be with her mother, she finds nothing but fog, danger, and phenomenal shopping. Too bad half the city wants Poppy dead, and she has no idea why. The odds against her are high, the menace is real, and if she doesn't find answers quickly, a dirty bomb will send global financial markets plummeting.

More murder. More mayhem. More Ellison and anarchy.

When Ellison's friend Kay Morrison visits Kansas City from New York, there are certain women who turn green with envy. After all, Kay works in the fashion industry, she actually attended the Battle of Versailles, and her clothes are to die for. Maybe literally. Ellison is convinced someone is trying to kill her friend. Kay is convinced that finding too many bodies has made Ellison paranoid. Both of them are right. Can Ellison catch a killer before it's too late?

Ellison Russell Jones's best friend Libba has a questionable track record when it comes to men. But finally—finally—she's selected a good one.

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased.

Ellison Russell wanted a decorator, not a corpse. Too bad she finds Mrs. White in the study killed with a revolver. Things go from bad to worse when she finds Mr. White in the dining room killed with a candlestick. With so many bodies, is it any wonder Detective Anarchy Jones' new partner considers Ellison a suspect? With the country club gossips talking a minute, an unexpected cocktail party, a visit from Aunt Sis, and a romantic decision, Ellison hardly has time to think about murder. Unfortunately, the killer has plenty of time to think about her.

Ellison Russell's life resembles a rollercoaster ride. And rollercoasters make her ill. Her daughter Grace has a crush on a boy Ellison doesn't trust and she's taken to hosting wild parties when Ellison goes out for the evening. Worse, the bank which represents Grace's inheritance from her father may be in trouble. When a meeting with the chef at the country club leads to the discovery of a body, Ellison can't afford cold feet. She must save the bank, find the killer, and convince Grace (and herself) that powerful women don't need men to rescue them.