Résultats de "Maureen Jennings" dans Toutes les catégories

Following the disastrous retreat of the British army from Dunkirk in 1940, England is plunged into a state of fear. The threat of a German invasion is real, and many German Nationals are interned in camps across the country. One such camp is on the ancient moor land of Prees Heath, near the small town of Whitchurch in Shropshire, where Tom Tyler is the sole detective inspector. Young women from all walks of life have joined the Land Army, to help desperate farmers keep the country fed. Then one turns up dead.

It's late 1942; World War II is still raging. Detective Inspector Tom Tyler is settling into his placement in Ludlow, Shropshire, a small town jammed with people sent there by the conflict. On the outskirts is an Italian PoW camp. Tyler's job is both to keep the peace and to enforce wartime regulations. Then a troubled old man goes missing in a winter storm. The next day his body is discovered in a secret hideout supposedly known to very few. It soon becomes clear that a crime has been committed, and there is no shortage of suspects.

In the cold Toronto winter of 1895, the naked body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Detective William Murdoch soon discovers that many of those connected with the girl's life have secrets to hide. Was her death on attempt to cover up a scandal in one of the city's influential families?

It's summer, 1942, and after a tough couple of years, DI Tom Tyler is making a fresh start in Ludlow, Shropshire. On the outskirts of town, St. Anne's Convalescent Hospital, staffed by nursing sisters who are Anglican nuns, has been established in an old manor house to help victims of the war to recover. After a horrifying double murder is discovered on the grounds, Tyler must figure out how the crime could have occurred in such a secluded and presumably impenetrable place.

November, 1940. Tom Tyler, Detective Inspector of the small Shropshire town of Whitchurch, is a troubled man. The preceding summer had been a dark one for Britain, and even darker for Tom's own family and personal life. So he jumps at the opportunity to help out in the nearby city of Birmingham, where an explosion in a munitions factory has killed or badly injured several of the young women who have taken on dangerous work in support of the war effort.

In Let Loose the Dogs, Murdoch’s life and work overlap tragically. His sister, who long ago fled to a convent to escape their abusive father, is on her deathbed. Meanwhile, Harry Murdoch, the father whom Murdoch long ago shut out of his life, has been charged with murder and calls on his estranged son to prove his innocence. But, knowing his father, what is Murdoch to believe?

Women rich and poor come to her, desperate and in dire need of help – and discretion. Dolly Merishaw is a midwife and an abortionist in Victorian Toronto, but although she keeps quiet about her clients’ condition, her contempt for them and her greed leaves every one of them resentful and angry. So it comes as no surprise to Detective William Murdoch when this malicious woman is murdered. What is a shock, though, is that a week later a young boy is found dead in Dolly’s squalid kitchen.

On a cold winter morning in 1873, a crowd gathers on the shore of a Nova Scotia fishing village. A stormy sea has thrown a ship onto the rocks. The villagers work bravely to save the ship's crew. But many die. When young Will Murdoch and the local priest examine the bodies, they discover gold and diamonds. They suspect that the shipwreck was not responsible for all of the deaths. With the priest's help, Will - who grows up to be a famous detective - solves his first mystery.

In his forties, the Reverend Charles Howard still cut an impressive figure. A married Presbyterian minister in Toronto’s east end, Howard was popular with the congregation that elected him, especially with the ladies, and most particularly with Miss Sarah Dignam. Respected in the community, Howard, as Visitor for the House of Industry, sat in judgment on the poor, assessing their applications for the workhouse. But now Howard is dead, stabbed and brutally beaten by someone he invited into his office.

After thirteen-year-old Agnes Fisher faints at school, her teacher, the young and still idealistic Amy Slade, is shocked to discover in the girl’s desk two stereoscopic photographs. One is of a dead baby in its cradle, and on the back Agnes has scrawled a terrible message. Worse, the other photograph is of Agnes in a pose captioned “What Mr. Newly Wed Really Wants.”

In this, his third adventure, the lovable detective William Murdoch becomes involved with the apparent suicide of Constable Oliver Wicken, a man who was the sole support of his mother and invalid sister. But further investigation by Detective Murdoch takes him far afield, and he begins to suspect that the Eakin family, whose house adjoins the one where Wicken died, is more involved with the case than they admit. Here, once again, Maureen Jennings brings the period vividly to life.

In 1858, a young woman on her honeymoon is forcibly abducted and taken across the border from Canada and sold into slavery. Thirty-eight years later, Detective Murdoch is working on a murder case that will take all of his resourcefulness to solve. The owner of one of Toronto’s livery stables has been found dead. He has been horsewhipped and left hanging from his wrists in his tack room, and his wife claims that a considerable sum of money has been stolen.

Christine Morris has been sent to Edinburgh to attend a conference on the latest in police methodology. There she is tracked down by the Northern Constabulary, Stornoway, Outer Hebrides, who inform her that her estranged mother has been involved in a vehicular homicide and has gone missing. Reluctantly, Christine agrees to fly up to Stornoway, where her mother was last seen. Her arrival is followed by the suspicious death of one of the islanders.

Gritty glamour in 1980s New York City doesn't come cheap. To afford even her fifth-floor walkup, Rose Leary needs a gig. Bartending at a neighborhood joint subsidizes her writing career, even if she does fill a dead woman's platforms. Rose speculates about who killed her predecessor, but her novel's looming deadline demands she dedicate all creativity to her fiction. When another bartender dies, Rose pictures her name scrawled at the top of the murderer's hit list. Even sarcasm can't shield her from this coming danger.

Rose Leary writes murder mysteries, but she never wants to see another real corpse. She tends bar to buy time to write in 1980s New York City, until her gruesome discovery of a murdered colleague derails those plans. As threats escalate, Rose fears for her next novel, her safety, and even her trust in Detective Frank Butler.