Résultats de "Megan McDowell" dans Toutes les catégories

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

Experience the blazing, surreal sensation of a fever dream...A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale.

Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women.

A powerful, eerily unsettling story collection from a major international literary star. Unearthly and unexpected, the stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection. Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of in Sierra Leone, town squares in Oaxaca, schools in Tel Aviv, bedrooms in Indiana. They're everywhere. They're here. They're us. They're not pets, or ghosts, or robots. They're real people, but how can a person living in Berlin walk freely through the living room of someone in Sydney? How can someone in Bangkok have breakfast with your children in Buenos Aires, without your knowing? Especially when these people are completely anonymous, unknown, unfindable.

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

The seven houses in these seven stories are empty. Some are devoid of love or life or furniture, of people or the truth or of memories. But in Samanta Schweblin’s tense, visionary tales, something always creeps back in: a ghost, a fight, trespassers, a list of things to do before you die, a child’s first encounter with a dark choice or the fallibility of parents.

From the author of My Documents and Chilean Poet, a wise, humorous, and captivating literary exploration of the delights and absurdities of childhood, fatherhood, and family life.

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

Deep in a maze of hallways, Mudito rummages through piles of old newspapers. The mute caretaker of the crumbling former abbey, he is hounded by a coven of ancient witches who are bent on transforming him into the terrifying imbunche: a twisted monster with all of its orifices sewn up, buried alive in its own body. Once, Mudito walked upright and spoke clearly; once he was the personal assistant to one of Chile's most powerful politicians, Jerónimo de Azcoitía.

Mariana Enriquez—called by The New York Times a “sorceress of horror”—has been fascinated by the haunting beauty of cemeteries since she was a teenager. She has visited them frequently, a goth flaneur taking notes on her aesthetic obsession as she walks among the headstones, “where dying seems much more interesting than being alive.”

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

The characters of Good and Evil find themselves at a point of no return, dazzled by the glare of impending tragedy. Vulnerable and profoundly human, they become trapped in the instant in which the uncanny has lurched into their lives. Some are transformed, some are isolated, others waver between guilt or tenderness. All of them are riven by uncertainty.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.

Pablo, a failed Argentine novelist-turned-screenwriter, has been kidnapped by the greatest Latin American film director of all time and is kept in a basement where he works, day after day, on what he is told must at all costs be a great, world-changing screenplay. Every night, after finishing work on the script, Pablo writes in his notebook, and every morning he crosses out what he wrote the night before. The Crossed-Out Notebook is Pablo’s diary of this time.

My Favorite Girlfriend Was a French Bulldog is a novel told in 15 stories, linked by the same protagonist, our narrator, who - in her own voice and channeling the voices of others - creates an unsparing, multigenerational portrait of her native Cuba.