American Entertainment History

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

Buffalo Bill was an American soldier, bison hunter, and showman. He thrilled audiences far and wide with his Wild West shows, and he showed the world that the characters they read about in dime novels and magazines were real flesh and blood people. For many, Buffalo Bill has become the embodiment of the wild frontier, and both his legacy and his spirit continues to live on.

An NPR Most Anticipated Book of Fall 2025 A revealing exploration of a quarter century of cultural stagnation, examining the commercial and technological forces that have come to dominate contemporary culture—from music and fashion to art, film, TV, and beyond Over the past twenty-five years...

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

After Baz Luhrmann’s movie, Elvis, hit theaters, audiences and critics alike couldn't help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In Before Elvis: The African American Musicians Who Made the King​, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them.

Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. Historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood, the tragic death of her mother, and the year she spent in a girls' reformatory school—where she sang in its renowned choir and dreamed of being a dancer.

Washington Post staff writer Geoff Edgers takes a deep dive into the story behind "Walk This Way", Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music.

With the critically acclaimed Sin in the Second City, best-selling author Karen Abbott “pioneered sizzle history” (USA Today). Now she returns with the gripping and expansive story of America’s coming-of-age - told through the extraordinary life of Gypsy Rose Lee and the world she survived and conquered. America in the Roaring Twenties. Vaudeville was king. Talking pictures were only a distant flicker. Speakeasies beckoned beyond dimly lit doorways; money flowed fast and free.

In the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness.

In thinking about her native land, Julia Reed quotes another Southern writer, Willie Morris, who said, “It’s the juxtapositions that get you down here.” These juxtapositions are, for Julia Reed, the soul of the South and in her warmhearted and funny new audiobook, South Toward Home, she chronicles her adventures through the highs and the lows of Southern life - the Delta hot tamale festival, a masked ball, a rollicking party in a boat on a sand bar, scary Christian billboards, and the southern affection for the lowly possum.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

Tulsa, Oklahoma might not be the first place mentioned when people talk about American music history. But this bustling city has a rich and diverse legacy that spans genres, generations and cultures. Tulsa Sounds: Contributions to American Music takes you into the stories behind the songs, the artists and the venues that made Tulsa not only a musical hot spot but influenced social, cultural and political change in the city as well as the nation. There is Leon Russell and his contributions to rock and roll. There are the toe-tapping pioneers of Western Swing, Bob Wills and the Texas Playboys.

The definitive oral history of the 1967 novel for teens, turned blockbuster film turned Tony-winning musical, and commemorated with a newly opened museum. This groundbreaking story has managed to stay gold for nearly sixty years. *Includes interviews with Rob Lowe, Ralph Macchio, C. Thomas...

A reissue of Sammy Davis Jr.’s 1965 autobiography, Yes I Can chronicles this entertainment icon’s rise to stardom, and his career-spanning pursuit of racial justice, with a new foreword by Questlove. “I had to prove I was somebody. And I knew the only way to do that was to show the world...

Few actresses lived their lives in the public eye more than Marilyn Monroe, and yet her life remains shrouded in mystery to this day. While it's common knowledge that Marilyn's life is a rags-to-riches story, her life is bookended by hazy details surrounding her early life and even more mysterious death.

Since the Battle of Little Bighorn, George Armstrong Custer (1839-1876) has possessed one of the most unique places in American history. Although he was a capable cavalry officer who served honorably during the Civil War, he remains one of the most instantly identifiable and famous military men in American history due to the fact he was killed during one of the country's most ignominious defeats, the Battle of Little Bighorn.

Few people in recent memory have dedicated themselves as devotedly to the story of twentieth-century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.