Art Essays

Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick."

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

A book unlike any other, Women in Clothes is essentially a conversation among hundreds of women of all nationalities - famous, anonymous, religious, secular, married, single, young, old - on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than 50 questions designed to prompt women to think more deeply about their personal style.

Chesterton's Gateway was made for the person who has always loved Chesterton quotes, but has never been able to finish - or perhaps even start - a Chesterton book. This is because there really is no really good "first" Chesterton book. They are all hard the first time around. Chesterton was an essayist, and it is through his essays he is best discovered. Ethan Nicolle has put together this assortment of essays, a list he often gives to people who ask him where to start with Chesterton. Included are chapter introductions to help with context.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

As America's foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life - on the airwaves and in print - for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics.

Melissa Broder always struggled with anxiety. In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest feelings and that quickly gained a dedicated following. In So Sad Today, Broder delves deeper into the existential themes she explores on Twitter.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

Chanakya's Arthashastra is an unrivalled political treatise that has been used by scholars, academics and leaders across the world. In Chanakya and the Art of Getting Rich, Radhakrishnan Pillai brings out the inherent lessons from Arthashastra to present a strategic and practical way of wealth creation. This is a holistic study, written for anyone and everyone.

In this stunning debut collection, award-winning voice actor and cultural critic Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn’t always follow through.

The last 20 years have brought us the rise of the Internet, the development of artificial intelligence, the ubiquity of once unimaginably powerful computers, and the thorough transformation of our economy and society. Through it all, Ellen Ullman lived and worked inside that rising culture of technology, and in Life in Code she tells the continuing story of the changes it wrought with a unique, expert perspective.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

Known for his meaty seriocomic novels–expansive works that are simultaneously lowbrow and highbrow–Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

Here is Virginia Woolf at her most entertaining and informative, relishing the portraits and insights she presents as she surveys a varied collection of individuals in English society and English literature. In The Common Reader Volume 2, (published in 1932), the essay lives on and even more so in this sensitive and engaging book by Georgina Sutton.

Embodiment is not an easy business. From violence to illness, sexuality to racism, the fact of a body can be impossibly hard to inhabit. Olivia Laing draws on her own background in protest and alternative medicine to investigate the reasons why. Laing’s exploration of the complexities of bodily life takes in some of the most significant and beguiling figures of the past century, among them the psychoanalyst Wilhelm Reich, the painters Francis Bacon and Agnes Martin and the singer and civil rights activist Nina Simone.

This edition brings together some of Ephron’s most famous writing on a generation of women (and men) who helped shape the way we live now, and on events ranging from the Watergate scandal to the Pillsbury Bake-Off. In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous "A Few Words About Breasts" to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.