Art Horror

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

This manual provides a review of the tactical combat advantages enjoyed by zombies and gives the listener a step-by-step guide to adopting them for him or herself. Have you wondered where the great military leaders of modern history have found their collective inspirations? Well look no further. It is the walking dead upon whom the most important tactical infantry innovations of the last three hundred years have been based.

Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy. But if Bod leaves the graveyard, then he will come under attack from the man Jack - who has already killed Bod's family…

A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. As our story opens, a horrific family tragedy sets 16-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. And somehow—impossible though it seems—they may still be alive.

Nobody Owens is an unusual boy who inhabits an unusual place - he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings - such as the ability to Fade so mere mortals cannot see him.

It's been exactly 10 years since the murders at Freddy Fazbear's Pizza, and Charlotte (Charlie for short) has spent those 10 years trying to forget. Her father was the owner of Freddy Fazbear's Pizza and the creator of its four adult-sized animatronic animals, and now Charlie is returning to her hometown to reunite with her childhood friends on the anniversary of the tragedy that ripped their town apart.

In Your Favorite Scary Movie, journalist Ashley Cullins examines the legacy and making of the Scream films with behind-the-scenes insight from cast, creators, and crew, as well as sharp analysis on how the movies’ special blend of gruesome violence and humorous self-awareness rewrote the horror playbook.

Schrei nicht, wenn du das Echo nicht verträgst. Das Highlight des Jahres, der traditionelle Sommerurlaub einer eingeschworenen Clique, führt tief in die Bayerischen Alpen. In dem idyllischen Dorf Oberstgruben wandelt sich die ausgelassene Stimmung jedoch schleichend in blanken Horror, als die fünf jungen Leute nichts ahnend auf die Existenz einer uralten, erbarmungslosen Macht stoßen. Zerrissen von Zweifeln und Angst wird ihre Freundschaft und alles, woran sie je glaubten, auf eine mörderische Probe gestellt. Wie weit werden sie gehen, um einander zu retten?

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his life... and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends who vow to discover the truth of van Gogh's untimely death.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important?

Torture porn, shock-for-shock’s sake, violence that doesn’t serve the plot, and characters you hate — what was going on in the 2000s in horror cinema? And why were audiences hungry for it? Millennial Nasties takes a critical but appreciative look at an oft-ignored subset of horror. This book dissects the English-language horror films of the 2000s and the cultural events they were responding to.

Something is terrorizing the villages of the county. People are dying - covered in blood, their faces frozen in fear. But with not a wound on their bodies. Battling creatures of the dark is the job of the local spook, but 17-year-old Thomas Ward never finished his apprenticeship. It will be no easy task to earn the trust of the villagers and to defeat a monster that no one has ever seen. Yet Jenny - a seventh daughter of a seventh daughter - knows an awful lot about this new evil. And she's willing to share what she's learned with Tom…if he takes her on as his apprentice.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Dark Adventure Radio Theatre presents Robert E. Howard's tale of horrors in Eastern Europe in a 1930s-style radio drama. Charlie Tower seeks refuge from the horrors of the Great War in Berlin's most notorious nightclubs. There a chain of events is set in motion that will lead him across Europe to investigate the mysterious Black Stone. Is it merely a creation of superstitious peasants, or is it a nexus for hideous gods of the ancient world to set foot into ours?

For 16-year-old Dan Crawford, a summer program for gifted students is the chance of a lifetime. No one else at his high school gets his weird fascinations with history and science, but at the New Hampshire College Prep program, such quirks are all but required. Dan arrives to find that the usual summer housing has been closed, forcing students to stay in the crumbling Brookline dorm - formerly a psychiatric hospital.

With Blumhouse celebrating its 15th anniversary throughout 2025, Horror’s New Wave captures the company’s journey to become a powerhouse in the horror and thriller film genres—taking you through the process of conception to premiere for films like Five Nights at Freddy’s, Split, Get Out, Glass, now-classic franchises like The Purge, and so much more.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

Sixteen-year-old Juliet Moreau has built a life for herself in London - working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true. Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward - both of whom she is deeply drawn to - Juliet travels to the island, only to discover the depths of her father's madness.