Author Memoirs

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem.

From the best-selling author of The Professor and the Madman, The Map That Changed the World, and Krakatoa comes a truly wonderful celebration of the English language and of its unrivaled treasure house, the Oxford English Dictionary.

In this dazzling memoir, the acclaimed writer behind Babylon 5, Sense8, Clint Eastwood’s Changeling, and Marvel’s Thor reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder, and a terrible secret.

Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game". Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.

Part of John Muir's appeal to modern audiences is that he not only explored the American West and wrote about its beauties but also fought for their preservation. His successes dot the landscape and are evident in all the natural features that bear his name: forests, lakes, trails, and glaciers. Here collected are some of Muir's finest wilderness essays, ranging in subject matter from Alaska to Yellowstone, from Oregon to the High Sierra.

" Je rêvais d'être ma propre cause et ma propre fin ; je pensais à présent que la littérature me permettrait de réaliser ce vœu. Elle m'assurerait une immortalité qui compenserait l'éternité perdue ; il n'y avait plus de Dieu pour m'aimer, mais je brûlerais dans des millions de cœurs. En écrivant une œuvre nourrie de mon histoire, je me créerais moi-même à neuf et je justifierais mon existence. En même temps, je servirais l'humanité : quel plus beau cadeau lui faire que des livres? Je m'intéressais à la fois à moi et aux autres"

In her midforties and settled into the responsibilities and routines of adulthood, Dani Shapiro found herself with more questions than answers. Was this all life was - a hodgepodge of errands, dinner dates, e-mails, meetings, to-do lists? What did it all mean? Having grown up in a deeply religious and traditional family, Shapiro had no personal sense of faith, despite repeated attempts to create a connection to something greater.

" Ce n'est que bien plus tard que je découvris l'effet le plus surprenant de ma nouvelle vie scolaire : ma famille, ma chère famille, n'était plus le centre de mon existence. " Annoncé comme " à paraître " dès la sortie du Temps des secrets, Le Temps des amours sera différé par Pagnol pris par d'autres projets et qui, peut-être, retardait le moment de quitter les héros de son enfance. Personne n'y croyait plus lorsque, trois ans après la mort de l'écrivain, ses proches trouvèrent dans ses dossiers un certain nombre de chapitres achevés qui, mis bout à bout, constituaient ce Temps des amours.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

The universal appeal of Laura Ingalls Wilder springs from a life lived in partnership with the land, on farms she and her family settled across the Northeast and Midwest. In this revealing exploration of Wilder's deep connection with the natural world, Marta McDowell follows the wagon trail of the beloved Little House series. You'll learn details about Wilder's life and inspirations, pinpoint the Ingalls and Wilder homestead claims on authentic archival maps, and learn to grow the plants and vegetables featured in the series. Excerpts from Wilder's books, letters, and diaries bring to light her profound appreciation for the landscapes at the heart of her world.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

In The Light of the World, Elizabeth Alexander finds herself at an existential crossroads after the sudden death of her husband, who was just 50. Reflecting with gratitude on the exquisite beauty of her married life that was, grappling with the subsequent void, and feeling a reenergized devotion to her two teenage sons, Alexander channels her poetic sensibilities into a rich, lucid prose that describes a very personal and yet universal quest for meaning, understanding, and acceptance.

Almost There begins at that moment when Nuala O'Faolain's life began to change. It tells the story of a life in subtle, radical, and unforeseen renewal. It is a tale of good fortune chasing out bad - of an accidental harvest of happiness. But it is also a provocative examination of one woman's experience of the "crucible of middle age."

Depuis Les Fourmis : 30 romans, 30 ans, 30 traductions, 30 millions de lecteurs... Bernard Werber, c'est une vie à part et une œuvre mondialement reconnue où se croisent des anges, des dieux, des chats, des templiers, des fourmis et des abeilles..., où la science nous initie au "savoir relatif et absolu" du professeur Wells.

Set in Provence, London, and New York, this is a daughter’s wonderfully evocative and witty memoir of her mother and stepfather—Dee Wells, the glamorous and rebellious American journalist, and A. J. Ayer, the celebrated and worldly Oxford philosopher—and the life they lived at the center of absolutely everything.

"I don't want you to rehabilitate me," Philip Roth said to his only authorized biographer, Blake Bailey. "Just make me interesting." Granted complete independence and access, Bailey spent almost 10 years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and listening to Roth's own breathtakingly candid confessions. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of postwar American culture.

John Hay, Lincoln's private secretary and later secretary of state under presidents McKinley and Roosevelt, and Samuel Langhorne Clemens, famous as "Mark Twain", grew up 50 miles apart on the banks of the Mississippi River in the same rural antebellum stew of race, class, and want. This shared history drew them together in the late 1860s, and their mutual admiration never waned in spite of sharp differences.

Growing up on the Upper West Side of New York City in the 1970s, in an apartment filled with dazzling literary and artistic characters, Priscilla Gilman worshiped her brilliant, adoring, and mercurial father, the writer, theater critic, and Yale School of Drama professor Richard Gilman. But when Priscilla was ten years old, her mother, renowned literary agent Lynn Nesbit, abruptly announced that she was ending the marriage.

Long days of boredom in confinement, the general inefficiency of prison bureaucracy and a critically over-stretched prison service. The tediousness of prison life kicks in for prisoner FF8282, also known as author Jeffrey Archer, in the second volume of his best-selling series The Prison Diaries. Still his fellow inmates show inspiring spirit and courage, amid an otherwise gloomy prison landscape, revealing that even in the darkest hours light can always be found.

"J'ai voulu l'oublier cette fille. L'oublier vraiment, c'est-à-dire ne plus avoir envie d'écrire sur elle. Ne plus penser que je dois écrire sur elle, son désir, sa folie, son idiotie et son orgueil, sa faim et son sang tari. Je n'y suis jamais parvenue." Dans "Mémoire de fille", Annie Ernaux replonge dans l'été 1958, celui de sa première nuit avec un homme, à la colonie de S dans l'Orne. Nuit dont l'onde de choc s'est propagée violemment dans son corps et sur son existence durant deux années.