British Police Procedural

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

When Detective Inspector Bridget Hart returns to her old Oxford college for a reunion dinner, she's hoping for a fun weekend catching up with old friends. But the reunion takes a macabre turn when body parts are served up at the college feast, and one of her friends is found murdered. With Bridget's arch rival Inspector Baxter leading the murder inquiry, and herself a potential suspect, Bridget is forbidden from taking part in the investigation. But that doesn't stop her from carrying out her own private inquiries. Bridget soon realizes that the murderer is someone known to her.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

Jo told him the phone call had been about a woman who wanted to have her husband declared dead. Smith thought for a moment and then said, 'Hmm. There must be a few million women in this country who feel like that. I take it her husband's been missing for a while and she's decided it's time to move on. In the absence of a body, which is always a nuisance, she wants Diver and Diver to confirm there's no proof he's alive. And I've told Jason a dozen times I'm not getting involved in anything matrimonial. I have enough trouble sorting out my own relationships.'

When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn.

When reclusive artist Gabriel Quinn is gunned down outside a gallery on Oxford High Street, Detective Inspector Bridget Hart investigates the world of contemporary art, where paintings can change hands for millions in the auction room. Bridget is convinced that the last words spoken by the artist - a mysterious code of eight digits and a letter - are key to unraveling the mystery of his death.

A young woman is dumped, injured and unconscious, in a private hospital's parking lot. She is an amnesiac with no memory prior to her discovery by hospital personnel. Detective Inspector Peter Diamond of the Bath homicide squad is unwilling to become involved. He has other, more important cases to solve: a woman has plunged to her death from the roof of a local landmark while half the young people of Bath partied below, and an elderly farmer has shot himself.

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

When a police detective is taken off life support after falling into a coma, only an autopsy reveals the murderous act that precipitated her death. She'd been working on a special task force within North London's Nigerian community, and Acting Detective Superintendent Thomas Lynley is assigned to the case, which has far-reaching cultural associations that have nothing to do with life as he knows it.

When local fisherman Horace Boller decided to row his boat out on the tidal backwash of the river one morning, he couldn't have meant to land a catch like this. What he ended up with was a body floating on the river's surface. And judging by the state of the corpse, the death was not a recent one. The strange thing is, the coroner report indicates that drowning was not the cause of death. It's up to the intrepid C. D. Sloan - and his markedly less intrepid assistant, Constable Crosby - to investigate.

Seven years ago, Thomas Frost was arrested for the murders of five women in the Manchester area, and Detective Sergeant Blake Harte was the officer in charge of his arrest, saving the life of Kerry Nightingale in the process. Now, Frost has promised that Kerry was never safe, and she'll be dead within a few days. Sure enough, somehow, Kerry is found dead in her top floor apartment - a place that was being guarded by Blake and the apartment's security. How is it possible for Kerry to have been murdered in her apartment when nobody could have gotten in or out?

When Octavia Garamond passed away, she left explicit instructions in her will: The police must be present at her funeral, and the coroner should be exceptionally thorough when examining her body. Amelia Kennerly is perplexed to find herself the sole executor of her great-aunt's will, as she barely knew her. Further questions arise when the local parson is anything but happy to conduct Octavia's service. Then someone breaks into Octavia's home and tears the house apart. It seems the old lady's words may have been eerily prescient: "Hell is empty, and all the devils are here."

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

St Abra's church is harboring a dark secret. Several elderly parishioners have been found dead in the church's confessions booth, all appearing to have suffered fatal heart attacks. But when another, much younger body is discovered in exactly the same way, Detective Sergeant Blake Harte must investigate how it is possible for the confessions booth to be killing off its occupants. Dark forces are at play, forcing Blake to believe it's more than just tragic coincidence.