Classic Noir

Jim Thompson's classic The Grifters is one of the best novels ever written about the art of the con, an ingeniously crafted story of deception and betrayal that was the basis for the critically acclaimed film by Stephen Frears and Martin Scorcese. To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.

Tippy the triceratops was once a little girl's imaginary friend, a dinosaur detective who could help her make sense of the world. But when her father died, Tippy fell into the Stillreal, the underbelly of the Imagination, where discarded ideas go when they're too real to disappear. Now, he passes time doing detective work for other unwanted ideas - until Tippy runs into The Man in the Coat, a nightmare monster who can do the impossible: kill an idea permanently. Now Tippy must overcome his own trauma and solve the case, before there's nothing left but imaginary corpses.

Nicolai Gogol's classic ghost story set in the streets of St. Petersburg in the 19th century.

Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas’s vision of Heaven. It’s a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God.

Le Chat noir relate l'implacable chute d'un homme. C'est l'une des nouvelles qui ont assuré la célébrité d'Edgar Poe, et ont décidé Charles Baudelaire...

It's Valentine's Day and private detective John Justin Mallory is planning on closing up the office early and taking his partner, Col. Winnifred Carruthers, out to dinner, since he's sure no one else will do so. But before he can turn off the lights and lock the door, a panic-stricken Buffalo Bill Brody visits them. It seems that the Eastminster pet show is being held the next day, and his dragon, Fluffy, the heavy favorite, has been kidnapped.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

Aaron Platt has spent every day of his life breaking his back to scrape a living from the rocky, played-out fields of the Adirondack farm he inherited from his sadistic father. One winter morning, he follows footprints in the snow to his barn and discovers a man freezing to death in a horse stall. What unfolds between the two men, past and present, is a brisk, gritty depiction of crime and punishment. But their harrowing story is more than that, exposing the shocking hypocrisy of the people who live in the nearby bucolic town.

L'histoire, racontée à la première personne, est l'autobiographie d'un cheval nommé Prince Noir qui commence sa vie poulain dans une ferme anglaise. Le roman raconte les mésaventures de ce cheval, vendu par ses premiers propriétaires, jusqu'à devenir cheval de fiacre dans les rues de Londres. Tout au long de l'histoire, Prince Noir est confronté à la cruauté ou la sympathie des hommes, et continue à faire le travail qu'on lui demande avec courage.

Dans les houillères épuisées d'Aberfoyle en Ecosse, ne vivent plus que le vieux contremaître Simon Ford, sa femme et son fils.

Nous retrouvons la Dame en noir 20 ans plus tard, toujours seule et cachée du monde. Son fils André a été élevé dans la Maison maternelle avec un orphelin devenu son frère d'adoption Edouard. André fait carrière dans l'administration tandis qu'Edouard essaye désespérément de devenir un peintre reconnu. Mais un sombre personnage revient en France: le comte de Simiane.

William "Kid" Collins was once a respected boxer. Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent - at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: He's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

Venu à Paris après avoir recueilli l'immense fortune que lui a léguée son père, le jeune André Clavière est mortellement blessé dans un duel avec le baron de Simiane, ami du comte de Rosamont. Le comte a, sous le nom de Lucien Gervois, séduit Marie Sorel, amie d'enfance d'André Clavière. Marie va être mère quand Maxime de Rosamont l'abandonne pour épouser Mlle Louise de Noyon. Mais celui-ci ignore la situation de sa maîtresse.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

There's no glass slipper in this fairy tale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies. Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and she needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment.

"Nulle part ailleurs André n'avait vu des roses, des lis, des camélias aussi merveilleux, ni des tulipes aussi diverses de couleurs, depuis les blanches comme du lait jusqu'aux noires comme du charbon ; jamais il n'eût imaginé une telle opulence florale. Le printemps commençait à peine, et les vrais trésors du jardin étaient encore abrités dans les serres chaudes ; mais les plantes qu'on voyait fleurir le long des allées et dans les plates-bandes suffisaient pour transporter le promeneur dans un royaume de couleurs tendres, surtout aux heures matinales où chaque pétale étincelle de rosée."

Charlie Rutland, a womanizing journalist, is found brutally murdered. He worked for a muck-raking gossip magazine and therefore had many enemies. Detective Crow is assigned to Yorkshire where he must eliminate a long list of suspects. And where does the German businessman Conrad Gunther fit in? Mysterious lights at Lockyer Tarn, a homeless man hiding out on the Yorkshire Dales, a stolen Volvo, and a former Gestapo officer are all seemingly linked in some manner. And then the British spy services get involved....

Nine-year-old Jenny Carson is brutally murdered in Kenton Wood on her way from school. Then Charles Lendon is found stabbed to death with a skewer through his heart. He was a ruthless lawyer and something of a womanizer. Jenny's father blamed him for her murder. As the local police struggle, Inspector Crow is called in. Can he connect the two killings? He discovers that several of those closest to Charles Lendon had good reason to hate him: his housekeeper lover, her unstable brother, even the boyfriend of his attractive young colleague Cathy Tennant.

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in 12 monthly installments during 1866. Later, it was published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from five years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing.

Le Chat noir (The Black Cat), publié en 1843, est une autre des nouvelles emblématiques d'Edgar Allan Poe. Comme dans Le Cœur révélateur, cette histoire plonge dans les thèmes de la folie, de la culpabilité et de la violence, tout en explorant les conséquences de l'alcoolisme et du mal-être psychologique. C’est un récit d’horreur qui examine la dégradation d’un homme sous l’influence de ses obsessions et de ses vices.