Dystopian Women

The Feral Women’s Institute is a secret underground organization of older women loosely descended from witches. You'll find them everywhere, but due to their special talents for hiding in plain view and speaking without being heard, you may not notice them. Rose is their lingerie designer. Her life's work is to find the elusive comfortable bra for the older woman. The trouble begins with a genetically engineered parasite. This one only eats Lycra. With her work in ruins, Rose has no option but to find the source of the problem and put a stop to it. Will Rose find the culprit?

Zuri dreams of being invited to the city island of VainGlory, where she can rise to the top of her field. Everyone knows that in VainGlory, fame is the name of the game. The most elite athletes, artists, and entertainers live in VainGlory. Designed for luxurious living, the state of the art promotes living in individual personal bubbles. Able to go anywhere virtually, the wealthy rarely leave home.

Charlie Tannehill and her twin sister, Maggie, are just eight years old when an unfortunate scientific discovery upends their world—and the world order. The revelation? Extinction, encoded in every creature’s DNA. The expiration date for humans? Only four generations away. A decade later, unsure of what tomorrow holds, Charlie and Maggie enroll as counselors in a government-run human-husbandry program.

Centuries after the Cutoff, the secluded island of Sansara has perfected the roles of women. All girls attend the Institute where they are ranked, judged, and trained, and their paths are chosen for them. Elora’s destiny is to rise to the top. Rose wants to make her family proud. Odette dreams of happiness. But in a society that eats women alive, even dreams can turn out to be bitter fruit. All are trapped in a system that values their appearances, not who they are. Will they be crushed by the machine that oppresses them, or will they dare to break free and live on their own terms?

Although she’s legally an adult, 18-year-old Meryn Flint must live at home until her stepfather, Ray, finds her a husband. That’s the law. But when Ray kills her mother and Meryn must flee for her own safety, she quickly discovers there’s no safe place in the CSA for a woman on the run. Unless she’s willing to marry her former boyfriend—a man who’s already demonstrated his capacity for violence—she’ll be forced to live on the street. And that’s a dangerous option for a woman alone.

When the space station erupts into violence, Detective Sofie Allen races to find the trigger. Someone is pushing the workers to riot, and that means profits are dropping. Interference with commerce is the biggest crime you can commit on the Mallet.

London, the near future. GRM, a shadowy company running private prisons, has introduced a programme to alter prisoners’ memories, removing those that led to their criminal behaviour. When journalist Antonia Conti hears rumours that the technology has deadly side effects, she decides to investigate.

With no desire to live in a world void of all human life, Faye sets a goal of making it home to die. Then she encounters Dodge and two young boys, who ignite a spark long lost in her: the will to live. Following radio calls, they discover they are not alone and decide to join a growing camp of survivors. But another discovery threatens their new-found safety and the rules begin to change. As they desperately try to find a safe haven and figure out their place in this new world, Faye must weigh the decision of what she wants to do against what she should do.

As Antonia Conti continues to make waves in London’s criminal underworld with her fearless investigative work, Rick Grainger, a star reporter for a rival newspaper, brings her a lead nobody else will touch—for good reason. The story reveals corruption at the highest level of government, and she quickly discovers that the people involved will do anything to bury it. And just when Antonia thinks she’s won her battle, Grainger disappears. Can she and her old friend DI Russell Chapman uncover the connection with her investigation and bring Grainger’s abductors to justice?

Finlandia se ha convertido en un estado totalitario llamado Republica Eusistocratica, que ha priorizado la salud nacional y ha prohibido todo lo que pueda dar placer o causar adicción. Bueno, casi todo: el estado ha creado una nueva subespecie humana: una especie receptiva, sumisa y siempre dispuesta a tener relaciones sexuales. Solían llamarse mujeres. Desde los años 40 varios científicos junto con el gobierno han puesto en marcha un plan de selección artifical que solo permite la reproducción a las mujeres más dóciles.

La granja Golden Oaks está lista, o así lo cree su gerente empresarial, Mae Yu, para convertirse en el nuevo y gran avance de la economía de la fertilidad. Allí, la progenie de los súper ricos inicia su vida en el útero con lo mejor de lo mejor: dietas equilibradas a base de alimentos orgánicos, listas de reproducción seleccionadas en base a su placer auditivo... y matrices jóvenes, sanas (y optimizadas con cortisol) donde gestarse. A sus anfitrionas -es así como se llama a estas madres sustitutas- se les ofrecen contratos de arrendamiento de nueve meses.

In Scotland, in the not too distant future, Elaine, a partially sighted woman in her 60s, enters an exit facility. Down on her uppers, she is in search of a swift, free, and dignified death so that she can preserve her last remaining asset–a small flat–for her daughter to inherit. But once Elaine has checked in and finds her “Exit” delayed, the enforced wait leads her to question her choice and, more importantly, the state’s motives.

Melbourne, February 2100. Emma Cartwright has 28 days left to find work, otherwise she must report to the Productive Citizens Bureau and accept any vacancy, regardless of location, pay, or conditions. At 70, Emma could opt for voluntary euthanasia, but she has her student son Jack to support. After a chance meeting with the eccentric Cal Ritchie, founder of the clandestine group Citizens’ Voice and supporter of those fleeing repressive laws to live in bush camps, Emma is determined to escape her life of compliance.

Red Clocks: A Novel: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! * Five women. One question. What is a woman for? In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the...

Serena McKay, PI, won't be your grandmother's favorite female sleuth, but she might be yours. She’s certainly not of the Jessica Fletcher ilk, and this is not a cozy mystery. It's a dark, dystopian crime story like none other, where Serena McKay kicks some serious butt. Once a detective, now a private eye, she is paid to investigate, to snoop, and to get to the bottom of things. She finds missing persons and explores child abductions.

Winter is over and Lena is ready to leave the relative safety of Pearl Two, a closed community in Portland. A member of her party is missing. The woman they trusted for months is lying. She can’t be sure of anyone. With each step, she confronts the physical threats lurking in the wilderness and struggles to hold onto her dream of creating alliances to heal their future. Haunted by memories of the past and driven by the hope for a better future, she searches for the strength to built unity from the growing anarchy.

Louise O’Neills prisvindende bestsellerroman 'Skabt for dig' er en dystopisk-feministisk fortælling om en verden, hvor kvinder betragtes som genstande, der oplæres, eller snarere opdrættes, med det ene formål at kunne tjene og tilfredsstille mænd bedst muligt. "Evaer er designet, ikke født. Skolen oplærer dem til at være perfekte: smukke, gode og Altid Villige. Og til ikke at tænke for meget. Det bryder ingen mænd sig om."

We Are Unprepared is a novel about the next big storm, the one that changes our relationship to nature and each other...the superstorm that threatens to destroy a marriage, a rural Vermont town, and the Eastern Seaboard when it hits. But the destruction begins months earlier, when fear infects people's lives and spreads like a plague.

Cien al día. Ni una más. Esa es la cifra de palabras que la neurolingüista Jean McClellan y el resto de mujeres tienen derecho a pronunciar cada día. Una sola palabra por encima de esa cifra y cientos de voltios de electricidad recorrerán las venas de cualquier mujer que se atreva a sobrepasarla. Ese es el mandato del nuevo gobierno. Las mujeres no pueden escribir, los libros les han sido prohibidos, sus cuentas bancarias han sido transferidas al hombre de la familia más cercano y se han suprimido todos los empleos para las mujeres.

רפובליקת גלעד מציעה לשֶלְפְרֶד אופציה אחת בלבד: ללדת ילדים. אם לא תעשה זאת, היא צפויה, כמו כל מתנגדי המשטר, להיתלות על החומה או להישלח אל אחת המושבות ולמות שם מוות אטי ממחלת קרינה. אבל גם תנאי חיים דכאניים אינם יכולים למחוק את התשוקה המינית - לא שלה עצמה ולא של שני הגברים שעתידהּ תלוי בהם. סיפורה של שפחה, חזון מבריק של אמריקה במאה ה-21, כתוב באירוניה מזעזעת ונותן ביטוי מלא לכישרונה האדיר של מרגרט אטווד, לשנינותה ולכושר ההבחנה החודר שלה. זהו תרגיל מופלא במדע בדיוני כמו גם סיפור מוסר כן במיוחד.