English Theater

A misfit crew of relic hunters armed with magical weapons set off on a series of action-packed quests. Their mission: Seek out and recover magical artifacts that might be used in the battle against the Dark Lord. They never anticipated that their actions might send their world hurtling toward a dire fate.

Adair Finch is the most powerful warlock in the world, and one of the best private investigators for hire. He has dealt with corporate vampires, murderous werewolves, and even fae royalty. Everything was perfect until he lost one case—the case where he also lost his brother. So Finch retired. From magic. From PI work. From everything. Bree Blackstone, a twelve-year-old witch, doesn’t know or care about any of that except Finch’s reputation. In the middle of the night, she bangs on Finch’s door. Her mother has been murdered, and now the assassin is after Bree as well.

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

It’s Drop Night, the one night every decade when the gods hand out cards to a lucky few. If you get a deck, you’re a deckbearer capable of wondrous feats within the Great Game system. You can control powerful monsters and summon mantles that let you fight alongside your beasts. Ethan Wolfe, top enforcer for the Grimm family mob, has already been overlooked on two previous Drop Nights. People of his ilk seldom receive cards, as the gods tend to favor people who follow their divine mandates, but that doesn’t mean Wolfe can’t hope.

With one major enemy town behind them, the GreenPiece clan marches onward to new conquests. Facing Oren and his monster army are the combined forces of the so-called "civilized races", intent on halting his invasion of their territory. Reality blurs as Oren fights harder than ever to save the trapped players, his clan, and his family.

Although he was once the promising young CEO of a successful corporation, Lucas abandoned everything he knew and retreated from both the real world and his demanding life following a horrific accident. In order to cope with tragic loss, he began spending his time in virtual reality, lazing about in the sun, and living a carefree life. When he learns that his escapist paradise is being threatened and is about to disappear, however, Lucas is once again forced to take action and do what he does best: take charge.

On the cusp of entering the prestigious Lumina Deck-Building Magic Academy, the young mage Alistair harbors a dark secret: within him dwells Ghost. A reborn master assassin hellbent on revenge. Bound together by fate and magic, Alistair and Ghost embark on a dual journey of vengeance and discovery. As Alistair navigates the arcane halls of the academy, mastering battledeck spells and summoning skills, Ghost seeks to unravel the mysteries of his untimely demise.

General George S. Patton, Jr., died under mysterious circumstances in the months following the end of World War II. For almost 70 years, there has been suspicion that his death was not an accident - and may very well have been an act of assassination. Killing Patton will take listeners inside the final year of the war and recount the events surrounding Patton's tragic demise, naming names of the many powerful individuals who wanted him silenced.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

Oli the goblin is the last creature anyone would send on a world-ending quest. But the Dark Lord's under siege and without his doomsday weapon, those pesky forces of Good might just get it done this time. Seizing the long-awaited opportunity to serve their Big Boss, Oli and his cousins strike out on a super secret mission to retrieve the doomsday weap-on a road trip to see their family. With the hopes of every creature sinister and foul riding on them, the goblins hurry directly to their destination. Mostly directly. Okay, so it's more of a zigzag.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the journey to the capital. On the night after Christmas, the city's only theater is packed with holiday revelers. In the middle of a performance, the theater goes up in flames. Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

Theater of Lies provides an in-depth examination of the lies, misinformation, and propaganda in our lives. For centuries, we’ve been persuaded to trust the lies told by our governments, businesses, and religions to manage how we think and act, to their benefit, not ours. Filled with real-life examples, Theater of Lies demonstrates the impact lies and misinformation have had through the centuries and today on topics including racism, gender debates, entrenched political divides, and the status of women.

The secrets of the factory of nightmares are free for the taking...and Dungeon Lord Edward Wright intends to claim them. War is coming to Starevos, delivered by the navy of the Kingdom of Heiliges. The only hope Edward and his friends have at surviving the wrath of the Light is an ancient Factory whose defenses are as deadly as those seeking to conquer it. However, Ed is not the only Dungeon Lord who seeks the power of the factory. To save the Haunt, Ed must face war-forged Dungeon Lords older and crueler than he is, and everything he has learned shall be tested to its utter limit.

Adair Finch, the most powerful warlock in the world, is back in business! But first he must complete his pact with a mischief spirit by finding her a human body. Seemingly no easy task, as the mischief spirit is beyond picky about her future body. But on his way to Oakland, Finch stumbles upon the dead body of a social media star—both a solution and a major problem.

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

The hero of Hanif Kureishi's debut novel is a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving, albeit with some rude and raucous results.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

For generations, the LeChats had kept the mouse problem in the Old Lighthouse Theater under control. But Purrcey LeChat doesn't want to hunt mice—he wants to see his name up in lights!