Essays Social

As at home with Galileo and his daughter in Florence as he is with Diderot in Enlightenment France, William and Alice James in fin-de-siècle Boston, or the latest research on the genome, Gerald Weissmann distills the lessons of history to guide us through our troubled age. His message is clear: "Experimental science is our defense-perhaps our best defense-against humbug and the Endarkenment."

Whether laughing to tears reading Otherwise Known as Sheila the Great or clamoring for more unmistakable "me too!" moments in Are You There God? It's Me, Margaret, girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, 24 notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women, these writers pay tribute to one of the most beloved authors of all time.

The Souls of Black Folk is a classic work by W. E. B. Du Bois. Originally published in 1903, it contains many essays on race and equality, but is also a piece of seminal history, laying the groundwork for the field of sociology. Some of the essays in the book were even previously published by the Atlantic Monthly magazine. When writing, Du Bois drew from his personal experiences as an African-American in America to highlight the issues of prejudice that were still going on into the 20th century.

A new collection of essays by the legendary literary scholar and critic. In the year of his 100th birthday, preeminent literary critic, scholar, and teacher M. H. Abrams brings us a collection of nine new and recent essays that challenge the reader to think about poetry in new ways. In these essays, three of them never before published, Abrams engages afresh with pivotal figures in intellectual and literary history, among them Kant, Keats, and Hazlitt.

The Good Book collects new pieces by writers from many different faiths and ethnicities, including literary fiction writers (Colm Tóibín, Edwidge Danticat, Tobias Wolff, and Rick Moody); best-selling nonfiction writers (A. J. Jacobs, Ian Frazier, Adam Gopnik, and Thomas Lynch); notable figures in the media (Charles McGrath, Cokie Roberts, and Steven V. Roberts); and social activists (Al Sharpton and Kerry Kennedy).

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

Prudence is not timidity. It is not caution for its own sake. It is the art of knowing when to act and when to wait, when to follow reason and when to trust instinct. In Prudence, Ralph Waldo Emerson reclaims this often-misunderstood virtue, not as mere carefulness but as the wisdom of navigating life with both vision and restraint. For Emerson, prudence is not the enemy of boldness but its quiet architect. It does not stifle ambition but shapes it, guiding passion with clarity and purpose. A mind without prudence rushes blindly; a mind ruled by it never moves at all.

Mark Kurlansky, winner of the James Beard Award for Excellence in Food Writing, leads us on a mouthwatering culinary tour around the world and through history and culture from the fifth century B.C. to the present day. This wonderful collection contains essays by Plato on the art of cooking, Pablo Neruda on french fries, and many other writers on the passions of cuisine.

Der wohl berühmteste und berüchtigtste Text von Thomas de Quincey beginnt mit einer historischen Analyse des Mordes in wissenschaftlichem Gewand, welche gleichermaßen als Parodie der herrschenden Bildungs- wie Religionsstrukturen verstanden werden darf. Im Verlauf der "fiktionalen Vorlesung" ändert das Werk plötzlich seine Richtung und offenbart in Form einer veränderten Stilistik die unterschiedlichen Interpretationsmöglichkeiten von redaktionell aufgearbeiteten Tatsachen, deren Inhalte nur zu leicht an entsprechendes Publikum ausgerichtet und angepasst werden können.

In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in Trump’s America. South Carolina-based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an 18-year stint as a member of a mostly white Evangelical Christian church.

In Body Politic, David Shields looks at contemporary America and its mythology through the lens of professional and college sports. The result is an unusually insightful and provocative book about an empire in denial. Shields relentlessly examines the way we tell our sports stories (both fictional and nonfictional), considers the kinds of athletes we choose as heroes, and delineates the lessons and values we glean from sports.

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.

Marion Winik is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites Glen Rock and Baltimore Book of the Dead have been carefully combined in their proper order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

Rescue offers riveting stories about what happens when things go terribly wrong in some of the world's most perilous places: Himalayan peaks, African plains, vast oceans, remote Arctic wilderness. The result is a collection of first-rate prose read by masterful narrators that makes for compulsive listening.

Als die Achtziger ausbrechen, ist Frank Goosen dreizehn, und als sie enden, vierundzwanzig: Dazwischen werden Zechen und Hochöfen stillgelegt, Schimanski erobert die Fernsehbildschirme und Starlight Express die Rollschuhbahnen. Beste Voraussetzungen also, um erwachsen zu werden! In seinen neuen Stories und Glossen nimmt Frank Goosen uns mit in diese legendäre Zeit des kulturellen Wandels und in seine eigene Jugend.

Martin Suter (Linda Zervakis) und Benjamin von Stuckrad-Barre (Caren Miosga) unterhalten sich über: Badehosen, Glitzer, Äähm, Hochzeiten, LSD, Teufel, Gott, Madonna, Arbeit, Ibiza, Kochen, Rechnungen, Siri, Fotos, Mundharmonika, Geldscheine, Verliebtheit, Wiedersehen. Den Schweizer Songtext im Kapitel "Arbeit" liest Stephan Eicher. Die Mundharmonika im Abspann spielt Martin Suter.

Is wealth inherently good? Is it inherently evil? How much is morally acceptable to enjoy? Should all excess be given away? Do we feel ashamed of having wealth? Do we feel “blessed” by it? In Essays on Wealth, Generosity, and Legacy, Travis C. Mallett invites fellow progressive Christians to struggle with these ancient questions together. Each essay brings the topics of faith, personal finance, and social justice into uncomfortably close proximity with each other. This book calls us to engage with our sacred responsibility to struggle with them.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.