Essays Social

The Souls of Black Folk is a classic work by W. E. B. Du Bois. Originally published in 1903, it contains many essays on race and equality, but is also a piece of seminal history, laying the groundwork for the field of sociology. Some of the essays in the book were even previously published by the Atlantic Monthly magazine. When writing, Du Bois drew from his personal experiences as an African-American in America to highlight the issues of prejudice that were still going on into the 20th century.

The Good Book collects new pieces by writers from many different faiths and ethnicities, including literary fiction writers (Colm Tóibín, Edwidge Danticat, Tobias Wolff, and Rick Moody); best-selling nonfiction writers (A. J. Jacobs, Ian Frazier, Adam Gopnik, and Thomas Lynch); notable figures in the media (Charles McGrath, Cokie Roberts, and Steven V. Roberts); and social activists (Al Sharpton and Kerry Kennedy).

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

Prudence is not timidity. It is not caution for its own sake. It is the art of knowing when to act and when to wait, when to follow reason and when to trust instinct. In Prudence, Ralph Waldo Emerson reclaims this often-misunderstood virtue, not as mere carefulness but as the wisdom of navigating life with both vision and restraint. For Emerson, prudence is not the enemy of boldness but its quiet architect. It does not stifle ambition but shapes it, guiding passion with clarity and purpose. A mind without prudence rushes blindly; a mind ruled by it never moves at all.

Der wohl berühmteste und berüchtigtste Text von Thomas de Quincey beginnt mit einer historischen Analyse des Mordes in wissenschaftlichem Gewand, welche gleichermaßen als Parodie der herrschenden Bildungs- wie Religionsstrukturen verstanden werden darf. Im Verlauf der "fiktionalen Vorlesung" ändert das Werk plötzlich seine Richtung und offenbart in Form einer veränderten Stilistik die unterschiedlichen Interpretationsmöglichkeiten von redaktionell aufgearbeiteten Tatsachen, deren Inhalte nur zu leicht an entsprechendes Publikum ausgerichtet und angepasst werden können.

In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in Trump’s America. South Carolina-based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an 18-year stint as a member of a mostly white Evangelical Christian church.

In Body Politic, David Shields looks at contemporary America and its mythology through the lens of professional and college sports. The result is an unusually insightful and provocative book about an empire in denial. Shields relentlessly examines the way we tell our sports stories (both fictional and nonfictional), considers the kinds of athletes we choose as heroes, and delineates the lessons and values we glean from sports.

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.

Marion Winik is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites Glen Rock and Baltimore Book of the Dead have been carefully combined in their proper order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

Rescue offers riveting stories about what happens when things go terribly wrong in some of the world's most perilous places: Himalayan peaks, African plains, vast oceans, remote Arctic wilderness. The result is a collection of first-rate prose read by masterful narrators that makes for compulsive listening.

Als die Achtziger ausbrechen, ist Frank Goosen dreizehn, und als sie enden, vierundzwanzig: Dazwischen werden Zechen und Hochöfen stillgelegt, Schimanski erobert die Fernsehbildschirme und Starlight Express die Rollschuhbahnen. Beste Voraussetzungen also, um erwachsen zu werden! In seinen neuen Stories und Glossen nimmt Frank Goosen uns mit in diese legendäre Zeit des kulturellen Wandels und in seine eigene Jugend.

Martin Suter (Linda Zervakis) und Benjamin von Stuckrad-Barre (Caren Miosga) unterhalten sich über: Badehosen, Glitzer, Äähm, Hochzeiten, LSD, Teufel, Gott, Madonna, Arbeit, Ibiza, Kochen, Rechnungen, Siri, Fotos, Mundharmonika, Geldscheine, Verliebtheit, Wiedersehen. Den Schweizer Songtext im Kapitel "Arbeit" liest Stephan Eicher. Die Mundharmonika im Abspann spielt Martin Suter.

Is wealth inherently good? Is it inherently evil? How much is morally acceptable to enjoy? Should all excess be given away? Do we feel ashamed of having wealth? Do we feel “blessed” by it? In Essays on Wealth, Generosity, and Legacy, Travis C. Mallett invites fellow progressive Christians to struggle with these ancient questions together. Each essay brings the topics of faith, personal finance, and social justice into uncomfortably close proximity with each other. This book calls us to engage with our sacred responsibility to struggle with them.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

Jørgen Leth kan det hele: Han er digter, filminstruktør, tv-kommentator, cykelsportsekspert, enfant terrible, levemand og æstetiker. At han også skulle være etiker, vil nok overraske mange, men det er faktisk lige det, filosoffen Finn Janning påstår i sin nye bog. Finn Janning argumenterer i sit essay for, at Leth er en gavmild etiker. Han viser, at digterens skrift og liv hænger sammen i kroppen. Og kroppen er det sted, hvor digterens erfaringer sætter sig og spreder sig.

"Was macht eigentlich das Unterschichtskind auf dem Roten Teppich?", fragt eine Besucherin auf dem Münchner Filmfest in meine Richtung. Ja, was macht sie da? Sie ist auf einer Mission. Die Tussi suggeriert durch ihre Erscheinung ein grenzüberschreitendes Begehren. Es geht um Kitsch, Glamour, Trash, es geht um Camp. Es geht um Körper, Identitäten. Es geht um Strass, um Klasse und um künstliche Fingernägel. Pleasure ist eine atemberaubend eloquente Tour de Force durch die Luxus-Triade Schlaf (meterlange Hotelbett-Laken!), Nahrung (Schlemmermaus!) und Kleidung (Dior, aber fake!).

Kiss Tomorrow Hello brings together the experiences and reflections of women as they embark on a new stage of life. The 25 stellar writers gathered here explore a wide range of concerns, including keeping love and sex alive, discovering family secrets, negotiating the demands of illness and infertility, letting children go, making peace with parents, and contemplating plastic surgery. The tales are true, the confessions candid, and the humor infectious.

What defines Boston? Its history? Its landmarks? Its sports teams and shrines? Perhaps the question should be, who defines Boston? From Henry David Thoreau to Dennis Lehane, Boston has been beloved by many of America's greatest writers, and there is no better group of men and women to capture the heart and soul of the Hub. In Our Boston, editor Andrew Blauner has collected both original and reprinted essays from Boston-area writers past and present, all celebrating the city they love.