Family Genre

Years after an Easter weekend tragedy devastates a family, they return to the house they grew up in to unearth the many secrets hidden within the nooks and crannies of home.

It was a typical evening at a mall outside Portland, Maine. Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video game store tended to customers. Then the shooters arrived. The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever.

On a scorching day in August 1954, 13-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family’s black maid, Mary Luther. For as long as Jubie can remember, Mary has been there - cooking, cleaning, compensating for her father’s rages and her mother’s benign neglect, and loving Jubie unconditionally.

Sal seems to appear out of nowhere - a bruised and tattered 13-year-old boy claiming to be the devil himself answering an invitation. Fielding Bliss, the son of a local prosecutor, brings him home, where he's welcomed into the Bliss family, who assume he's a runaway from a nearby farm town. When word spreads that the devil has come to Breathed, not everyone is happy to welcome this self-proclaimed fallen angel. Murmurs follow him, and tensions rise along with the temperatures as an unbearable heat wave rolls into town right along with him.

Luke Richardson has returned home after burying Natalie, his beloved wife of sixteen years, ready to face the hard job of raising their three children alone. But there's something he's not prepared for - a blue envelope with his name scrawled across the front in Natalie's handwriting, waiting for him on the floor of their suburban Michigan home.

Nestled into the cliffs in southern Italy's Amalfi coast, Positano is an artist's vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent 18th-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago.

Dan West wonders which is more important to him: Helping his long-time friend win back his business after being accused of stealing money from the company, or coaching his 11-year-old son’s soccer team trying to win an improbable championship. Money and prestige don’t motivate Dan. Rather, family, work and coaching soccer are the underpinnings of his life. He revels in the simple joys like hanging out with his wife Jill, mentoring a young lawyer at his firm, and watching the boys connect on three passes before drilling the ball into the back of the net.

"Se pourrait-il que ce soit ça, Cette bête noire qui remue dans ma poitrine Piétine, déchire, ronge tout autour d’elle, Avec la férocité d’une hyène, Ne me laissant qu’un trou béant dans le cœur Et une sécheresse dans la gorge ? La culpabilité… Se pourrait-il que ce soit ça, Aimer malgré soi ? Aimer mal Aimer sans savoir pourquoi Aimer...".

In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

After her grandmother Arlette's death, Betty is finally ready to begin her life. She had forfeited university, parties, boyfriends, summer jobs in order to care for Arlette. Now she's ready for whatever life throws at her, and, since the will included a beneficiary unknown to her who lives in the city, she heads there to find the mysterious woman. In 1920s London, Arlette is starting her new life in a time of postwar change. Beautiful and charismatic, she's drawn into a hedonistic world, but then tragedy strikes, and she flees back to her childhood home....

The year is 1796, and a trading ship arrives in the vibrant trading town of Newburyport, Massachusetts. But it's a ghost ship - her entire crew has been decimated by a virulent fever which sweeps through the harbor town, and Newburyport's residents start to fall ill and die with alarming haste. Something has to be done to stop the virus from spreading further.

This magnificent novel - which secured for its author the 1955 Nobel Prize in Literature - is now available to contemporary American audiences. Although it is set in the early 20th century, it recalls both Iceland's medieval epics and such classics as Sigrid Undset's Kristin Lavransdatter. And if Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to achieve independence is genuinely heroic and, at the same time, terrifying and bleakly comic.

In the romantic tradition of The Notebook and Nights in Rodanthe, number-one New York Times best-selling author Nicholas Sparks returns with a story about a chance encounter that becomes a touchstone for two vastly different individuals - transcending decades, continents, and the bittersweet workings of fate.

In the beginning was the Oak, its hungry roots reaching deep into the earth, its gnarled limbs searching the distant heavens. Two hundred years ago, Obediah Magrute worshipped the Oak and died violently beneath it, feeding it with his blood and bone, shouting his chilling curse to the skies. Now, Laura and Mark Avery have come to the bustling little Vermont village.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments.

The Grey sisters had only each other when their mother died years ago. Their father provided for them physically on Water's Edge, the ranch that had been in their family for three generations, each of them however, longed for their father's love.

The scion of a family of wealthy timber barons, David Burkett has grown up with a father who is a malevolent force more than a father and a mother made vague and numb by alcohol and pills. He and his sister Cynthia, a firecracker who scandalizes the family at 14 by taking up with the son of their Finnish-Native American gardener, are mostly left to make their own way.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.