Indigenous Australia

In the past the elders had encyclopaedic memories. They could name all the animals and plants across the landscape and the stars in the sky, too. Yet most of us struggle to memorise more than a short poem. Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world.

This book invites you to step into the magical world of Aboriginal Dreamtime and to share in the world's oldest living culture - its ancient knowledge and spiritual wisdom. Inside are Dreamtime concepts that everyone can understand. Come on a journey with Aboriginal elder Aunty Munya as she guides you in discovering your purpose in life and how to walk in the footsteps of our ancestors. Learn what it means to truly belong and be family to everyone and everything.

Deep in the heart of Australia's high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly's children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection - but it can be harder when Joe's around.

From a young age, Victor Steffensen has had a passion for traditional cultural and ecological knowledge. This was further developed after meeting two Elders, who were to become his mentors and teach him the importance of cultural burning. Developed over many generations, this knowledge shows clearly that Australia actually needs fire. Steffensen's story is unassuming and honest, while demonstrating the incredibly sophisticated and complex cultural knowledge that has been passed down to him, which he wants to share with others.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

“I love food” Nakkiah Lui says, and in the next breath whispers “so give us back our land”. In First Eat, a confrontational, raw and highly personal exploration of food politics, power and body sovereignty, Nakkiah Lui asks how our meals would look different if First Nations people owned the land from which the food came. First Eat is about more than just food, it’s an aural feast for a rich future.

In 1769, Captain James Cook’s historic expedition in the region would lead to an English claim on Australia, but before he reached Australia, he sailed near New Zealand and spent weeks mapping part of New Zealand’s coast. Thus, he was also one of the first to observe and take note of the indigenous peoples of the two islands.

It is a misconception that indigenous Australians meekly accepted the invasion of their country by the British, for they did not. They certainly resisted, but as far as colonial wars during that era went, the frontier conflicts of Australia did not warrant a great deal of attention. Indigenous Australians were hardly a warlike people, and without central organization or political cohesion beyond scattered family groups, they succumbed to the orchestrated advance of white settlement with passionate but futile resistance.

Jamie lives in Dalton's Bay with Aunty Dawn and Uncle Bobby. He spends his downtime hanging out with his mates, Dally and Lenny. Mark Cassidy and his white mates - the Footy Heads - take every opportunity they can to bully Jamie and his friends. On Lenny's last night in town before moving to Sydney, after another episode of racist harassment, Jamie, Dally and Lenny decide to retaliate by vandalising Mark Cassidy's car. And when they discover the keys are in the ignition… Dally changes the plan.

Bianca Hunt has hosted TV shows, rocked runways, given multiple TEDx talks and founded a talent agency - all before her mid-twenties. But while her ambition was to take centre stage in her own life, limiting expectations hadn't always given Bianca top billing in her own story. Not content with the narrative other people had written for her, Bianca embarked on a journey to write her own. Main Character Energy is that story - a witty and relatable ride through her twenties, refreshingly free of traditional timelines and milestones.

Growing up, Miranda often looked for faces like hers on our screens. There weren't many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding. But who the hell co-writes, produces and acts in a film about a wedding in the same year they're having their own? Miranda Tapsell does!

Shane Daniels and Romany Zetz have been drawn into a war that is not their own. Lives will be destroyed, families will be torn apart. Trust will be broken. When the war is over, some will return to a changed world. Will they discover that glory is a lie? Claire G. Coleman's new novel takes us to a familiar world to again ask us what we have learned from the past. The Old Lie might not be quite what you expect.

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

Greg Mullins followed his father into fighting bushfires - it was in the blood. He fought major fires around Sydney and the Blue Mountains for decades, and studied bushfires in Europe, Canada and the US. He risked his life in the 1994 Sydney fires and, later, during our catastrophic Black Summer of 2019-20. As a career firefighter, he worked his way up the ranks to become commissioner of one of the world's largest fire services, Fire and Rescue NSW, for nearly 14 years. When it came to natural disasters there was little, if anything, he hadn't witnessed first-hand.

Miinaa was a young girl when the white ghosts first arrived. She remembers the day they raised a piece of cloth and renamed her homeland 'Bathurst'. Now she lives at Cloverdale and works for a white family who have settled there. The Nugents are kind, but Miinaa misses her miyagan. His brother, Windradyne, is a Wiradyuri leader, and visits when he can, bringing news of unrest across their ngurambang. Miinaa hopes the violence will not come to Cloverdale.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.

Harley, a man of Nyoongar ancestry, finds himself at a difficult point in the history of his country, family and self. As the apparently successful outcome of his white grandfather's enthusiastic attempts to isolate and breed the ‘first white man born', he wants to be a failure. But would such failure mean his Nyoongar ancestors could label him a success? And how can the attempted genocide represented by his family history be told?

When 17-year-old Jonah arrives in a new town – Patience – with his dad and younger brothers, it feels like a foreign place. A new town means he needs to make new friends - which isn't always easy. Especially when he's wrestling with his body image, and his memories of his mother.

In this collection of deeply insightful and powerful essays, Chelsea Watego examines the ongoing and daily racism faced by First Nations peoples in so-called Australia. Rather than offer yet another account of ‘the Aboriginal problem’, she theorises a strategy for living in a society that has only ever imagined Indigenous peoples as destined to die out. Drawing on her own experiences and observations of the operations of the colony, she exposes the lies that settlers tell about Indigenous people.

At just ten years old, Vanessa Turnbull-Roberts was forcibly removed – stolen – from her family, community and kinship systems. After eight years in various out-of-home care placements, Vanessa fled the system, reconnected with kin and returned to country for the very first time.