Modern Fiction

At one point or another, we’ve all been asked to name five people, living or dead, with whom we’d like to have dinner. Why do we choose the people we do? And what if that dinner was to actually happen? These are the questions Rebecca Serle contends with in The Dinner List. When Sabrina arrives at her 30th birthday dinner she finds at the table not just her best friend, but also three significant people from her past, and well, Audrey Hepburn. As the dinner table conversation begins, it becomes clear that there’s a reason these six people have been gathered together.

Rome, 1955. The artists gather for a picture at a party in an ancient villa. Bear Bavinsky, creator of vast canvases, larger than life, is at the center of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Each of the best-selling writers represented in Legends II return to the special universe of the imagination that its author has made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing stand-alones (perfect introductions to the work of their authors) and indispensable additions to the epics on which they are based.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin, Flem. "For all his concern with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." This volume includes a new introduction to the trilogy by acclaimed novelist George Garrett, author of Death of the Fox and The Succession.

Going to Cabin Green alone after the death of his fiancee was Ben's first mistake. His second mistake was tempting fate by saying, "There's no such thing as an evil building." Now he's caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head.

Slide "Further Under the Duvet", get yourself comfortable, and let Marian take you places you've never been before. Places like the Irish air-guitar championships, a shopping trip to Bloomingdales with a difference, and Cannes with a chronic case of Villa-itis. Along the way you'll encounter knicker-politics, fake tans, sticky-out ears and passionate love affairs both with make-up and Toblerones.

In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion. In Mississippi ten years earlier, a convict risks his one chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

Now, Emma is a back-to-school PhD student with bigger and better things to worry about. That is, until one night, exhausted, slightly tipsy, and on her way home from a party, the glaring white light of a car comes crashing toward her, changing her life forever. Instead of waking up in a 21st-century hospital, she finds herself waking up in the backwaters of London, Victorian England, 1881.

How to Win an Election is an ancient Roman guide for campaigning that is as up-to-date as tomorrow's headlines. In 64 BC when idealist Marcus Cicero, Rome's greatest orator, ran for consul (the highest office in the Republic), his practical brother Quintus decided he needed some no-nonsense advice on running a successful campaign.

Death. Betrayal. Destruction. This was Alaya's destiny, written in the stars on the night she was born. She should have been killed because of it. She wasn't. The once crown prince of the highest throne in Sundolia is now the high king, and all of his advisors agree on one thing: He should have destroyed that dangerous Dragon woman when he had the chance. He didn't. Now war spreads like a wildfire from the southern kingdom. The empire is burning. The day of prophecy is arriving.

When a surprise nuclear attack forces Aidan from hiding, he finds the world to be a much different and more deadly place. Now, he'll traverse a post-apocalyptic landscape populated by violent redneck looters, rogue military factions, and an army of hungry undead.... After two combat tours in the Middle East, Aidan Sullivan just wants to be left alone on his family’s ranch in the Texas Hill Country. But when the bombs fall and the dead walk, Aidan risks life and limb to rescue his aging parents from the zombie horde.

After the devastating battle at the East Homestead, Sean’s family regroups and makes some new alliances; however, with those growing bonds, new risks arise. Colonel Harris struggles to feed the 31st Regiment while attempting to offer assistance to the locals and contemplates risking his own life for the future of his country. A stranger arrives in Tionesta with unknown aspirations, and an ominous looting force the size of a small army entrenches nearby. Despite the emerging prospects for a new beginning, a shadow looms over the fresh buds of optimism.

Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite.

When a catastrophic solar storm brings about the collapse of modern civilization, an Amish community in Pennsylvania is caught up in the devastating aftermath. Once-bright skies are now dark. Planes have plummeted to the ground. The systems of modern life have crumbled. With their stocked larders and stores of supplies, the Amish are unaffected at first. But as the English (the Amish name for all non-Amish people) become more and more desperate, they begin to invade Amish farms.

The Will to Power is an audiobook of notes compiled from the literary remains of Friedrich Nietzsche. The title derives from a work that Nietzsche himself had intended to write. The "will to power", a prominent concept in his philosophy, describes what Nietzsche believed to be the main driving force in humans.

Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world's preeminent experts.