Popular Culture History

In Electronic Dreams, Tom Lean tells the story of how computers invaded British homes for the first time, as people set aside their worries of electronic brains and Big Brother and embraced the wonder technology of the 1980s. This book charts the history of the rise and fall of the home computer, the family of futuristic and quirky machines that took computing from the realm of science and science fiction to being a user-friendly domestic technology.

China tiene un territorio inmenso, una historia milenaria y un variado ambiente natural y humano, por lo que la diversidad de sus viviendas populares es rara vez vista en la historia mundial de arquitectura. En el presente libro, se presenta los patios cuadrángulo profundos de Pekín con muros altos, y la teoría de suerte y beneficios, así como las viviendas finas, elegantes y simples en el sur de Anhui.

"WOW!! I didn't know that!!" - this is what I predict you will say literally hundreds of times as you listen to this book. In fact, in the humblest sort of way, I am confident that you will learn more from this book about the world we live in and interacting with our fellow human beings than you did in all your years of high school and college. I really wish someone would have given me this book before I left school and entered the real world.

Over the past twenty-five years, pop culture has suffered from a perplexing lack of reinvention. We’ve entered a cultural “blank space”—an era when reboots, rehashes, and fads flourish, while bold artistic experimentation struggles to gain recognition. Why is risk no longer rewarded, and how did playing it safe become the formula for success? Acclaimed cultural historian W. David Marx sets out to uncover the answers.

America is more than just a fast food nation. Food Americana is the inside story of how generations of Americans have formed a national cuisine with tastes from all over the world. Fried chicken was a distinctly Southern dish - now it's the Sunday night special at the Chateau Marmont Hotel in Hollywood. A Utah restaurant won Maine's annual Best Lobster Roll competition. And perhaps the ultimate all-American dish, pizza, is served up in 30 different styles, a total of three billion pies a year, an average of 23 pounds for each of us.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

Ce livre est le récit d’une rencontre avec un pays, avec la saisissante diversité géographique et humaine de la France, avec des lieux qui disent : ce que nous sommes, notre héritage, ce qui nous lie et nous relie.

Gay bars have been closing by the hundreds. The story goes that increasing mainstream acceptance of LGBTQ+ people, plus dating apps, have rendered these spaces obsolete. Beyond that, rampant gentrification in big cities has pushed gay bars out of the neighborhoods they helped make hip. Who Needs Gay Bars? considers these narratives, accepting that the answer for some might be: maybe nobody. Greggor Mattson embarks on a journey across the country to paint a much more complex picture of the cultural significance of these spaces, inside "big four" gay cities, but also beyond them.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

Oggi per la Chiesa la situazione è molto difficile. Si tratta di una delle tante crisi che il cristianesimo ha vissuto o di un definitivo declino? È un interrogativo che inquieta anche chi guarda al cristianesimo dall’esterno. Ma crisi non vuol dire necessariamente fine. Può essere un’opportunità per aprirsi al futuro, sapendo che il grande rischio è accontentarsi di sopravvivere, rimpiangendo un passato migliore. La soluzione è vivere nella crisi. La Chiesa oggi è chiamata a una condizione di lotta, questa volta non contro nemici esterni ma contro l’indifferenza e il discredito.

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favorite bands. Anyone who's anyone in the metal scene has featured Kerrang's hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

Легенды и мифы об исчезнувших артефактах и кладах столетиями будоражат воображение искателей сокровищ. Воды морей и океанов, по мнению историков, скрывают богатства сотен потерпевших крушение судов. Они везли фарфор и пряности, ткани, изделия из драгоценных металлов и многое другое.

"Quem nunca pecou que atire a primeira pedra", disse Jesus na Bíblia. Dependendo da intenção de quem a jogasse, este também seria considerado um pecador. Se lançasse a pedra com raiva, certamente teria agido com Ira. Se sentisse prazer com o ato, cairia na Luxúria. Se a pedrada fosse por causa de uma dívida, seria um gesto de Cobiça. Se fosse para ficar com os bens da vítima, seria Inveja. Se fosse para aparecer perante os outros, olha aí a Vaidade. Se precisasse beber para tomar coragem, cometeria a Gula.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

Today’s major technology companies - Google, Facebook, Amazon, Tesla, and others - wield more power than national governments. In this comprehensive, engaging, and prescriptive audiobook, Alexis Wichowski considers their growing and unavoidable influence in our lives, showing in eye-opening detail how these net states are conquering countries, disrupting reality, and jeopardizing our future - and what we can do to regulate and reform the industry before it does irreparable harm to the way we think, how we act, and how we’re governed.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

All societies, in their very different ways, are orderly. The very term 'society' implies the existence of a degree of organisation and predictability to human life. Orderliness, however, is a matter of degree. It is neither total, nor totally absent. In recent times, however, such concerns have largely given way to a greater preoccupation with disorderliness: with significant and disruptive social change; with rising crime and anti-social behaviour; and with a variety of other social problems. But what has really been happening?

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

When a major Hollywood studio released Five Fingers of Death to thrill-seeking Times Square moviegoers on March 21, 1973, only a handful of Black and Asian American audience members knew the difference between an Iron Fist and an Eagle's Claw. That changed overnight as kung fu movies kicked off a craze that would earn millions at the box office, send TV ratings soaring, sell hundreds of thousands of video tapes, influence the birth of hip hop, reshape the style of action we see in movies today, and introduce America to some of the biggest non-White stars.

It was a magical time enhanced by radio as well as the great live performances. Radio and music of the Big Band Era were made for each other, and the so-called Swing Years were a golden age of rhythm. It was not just music that made you want to dance. It was music that made you glow, music that made you want to sing, music that made you come alive, music for falling in love. And, despite the passage of time, it still is.