Popular Literature

The Weekly World News team uncovers the definitive and faux-tastic story of Bat Boy, from his hardscrabble origins in the caves of West Virginia to his global influence in the 21st century. Going Mutant reveals how Bat Boy has heeded a call to service that has embarrassed less forthcoming mutants.

An insider and behind the scenes look at investigative reporting from an award-winning investigative reporter. First-hand intimate stories, not only about the workings of local television news, but also events and personalities that shaped the last 50 years including: Presidents Bill Clinton, George H.W. Bush, Ronald Reagan; my experiences in Saudi Arabia with General Norman Schwarzkopf before the First Gulf War; Klan cross burnings and a Klan riot; an insider view of Florida executions including “Old Sparky”, the electric chair.

Службу подпоручика Юрия Ромашова нельзя было назвать гладкой. Постоянные стычки с офицерами, насмешки, порицание и недовольство командования. Все это не добавляло оптимизма в жизнь молодого офицера. Он чувствовал себя одиноко и подавлено. Последний каплей стала гибель солдата в одной из рот.

In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the 20th century.

Briallen Hopper's Hard to Love honours the categories of loves and relationships beyond marriage, the ones that are often treated as invisible or seen as secondary - friendships, kinship with adult siblings, care teams that form in times of illness, or various alternative family formations. She also values difficult and amorphous loves like loving a challenging job or inanimate objects that can't love you back.

In this 1976 collection of essays, Americana icon Tom Wolfe explores the social status strife of the 1970s, eviscerating trends of faux-sympathy and self-absorption, going as far as to coin the term "The 'Me' Decade" to describe the period’s narcissism. And when paired with the clear, confident delivery of storied narrator and stage-and-screen veteran Peter Berkrot, Wolfe’s incisive wit and cynical bite is more blistering than ever.

This is the first biography of Greer for two decades, drawing on unprecedented access to her extensive personal archive, opened at Melbourne University in 2016. Kleinhenz has interrogated Greer's personal and professional files, spoken to people who have known her from her school days onwards, and read every word written by and about her. Beginning with Greer’s troubled early life in 1940s Melbourne, it traces her career, relationships with men and women, her travels and her home life and examines Greer’s work and ideas from The Female Eunuch to the #MeToo movement.

Award-winning writer Bill Schelly relates how comics and fandom saved his life in this engrossing story that begins in the burgeoning comic fandom movement of the 1960s and follows the twists and turns of a career that spanned 50 years. Schelly recounts his struggle to come out at a time when homosexuality was considered a mental illness, how the egalitarian nature of fandom offered a safe haven for those who were different, and how his need for creative expression eventually overcame all obstacles.

Early on July 16, 1945, Joshua Wheeler's great grandfather awoke to a flash, and then a long rumble: the world's first atomic blast filled the horizon north of his ranch in Alamogordo, New Mexico. Out on the range, the cattle had been bleached white by the fallout. Acid West, Wheeler's stunning debut collection of essays, is full of these mutated cows: vestiges of the Old West that have been transformed, suddenly and irrevocably, by innovation. Traversing the New Mexico landscape, Wheeler excavates and reexamines these oddities.

Walt Kelly (1913-1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson ( Calvin and Hobbes), Jeff Smith ( Bone), and Frank Cho ( Liberty Meadows) have all cited Kelly as a major influence on their work. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business.

As he finds himself within spitting distance of middle age, journalist Eric Spitznagel feels acutely the loss of...something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records.

This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects, and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.

As geek culture goes mainstream - from Game of Thrones to the Avengers - it's never been more important to look at the role women play in it and the future they're helping to create. And Kameron is the smart, funny, and profane voice we need to guide listeners through the world of fandom and the coming revolution in pop culture.

A notorious white supremacist named Richard Barrett was brutally murdered in Mississippi in 2010 by a young Black man named Vincent McGee. At first the murder seemed a twist on old Deep South race crimes. But then new revelations and complications came to light. Maybe it was a dispute over money rather than race - or, maybe and intriguingly, over sex.

The plucky “titian-haired” sleuth solved her first mystery in 1930 - and eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women’s libbers) to enter the pantheon of American culture. As beloved by girls today as she was by their grandmothers, Nancy Drew has both inspired and reflected the changes in her readers’ lives. Here, in a narrative with all the page-turning pace of Nancy’s adventures, Melanie Rehak solves an enduring literary mystery: Who created Nancy Drew?

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

От самых ранних сборников "Книги тысячи и одной ночи" сохранились лишь одиночные сказки, не входящие в "египетскую" редакцию и представленные в немногих рукописях отдельных томов "ночей" или существующие в виде самостоятельных рассказов, имеющих, однако, - разделение на ночи.

О процессе пополнения сборника сказок "Тысячи и одной ночи" мы можем судить по сообщению библиографа X века ан-Надима, который рассказывает, что старший его современник, некий Абд-Аллах аль-Джахшияри - личность, кстати сказать, вполне реальная - задумал составить книгу из тысячи сказок "арабов.

Последним компилятором сборника "Тысячи и одной ночи" был неизвестный по имени ученый шейх, который составил в XVIII веке в Египте наиболее позднее по времени собрание сказок "Тысячи и одной ночи".

Предназначая эти сказки исключительно для взрослых, переводчик остался верен стремлению показать русскому читателю "Книгу тысячи и одной ночи" такой, как она есть, и при передаче непристойных мест оригинала.