Social Media Study

Der Ton wird schärfer, die Probleme nicht kleiner - in Deutschland wird heftig diskutiert. Die Lager stehen sich zunehmend unversöhnlicher gegenüber. "Alte weiße Männer", denen die Meinungsvorherrschaft abgesprochen wird, auf der einen Seite, junge schwarze Frauen, die, kaum gehört, der Ideologie verdächtigt werden. Dazwischen Wutbürger, Verschwörungserzähler, pöbelnde Klakeure. Vor allem in den sozialen Medien geht es hoch her, niemand will mehr zuhören, alle senden, keiner will empfangen. Zwischen grenzenloser Empörung und großer Empfindlichkeit wabern die Debatten hin und her.

Was Massenmedien berichten, weicht oft von den Ansichten und Eindrücken großer Teile der Bevölkerung ab – gerade, wenn es um brisante Geschehnisse geht. So entsteht häufig der Eindruck, die Massenmedien in Deutschland seien von der Regierung oder "dem Staat" manipuliert. Aber die heutige Selbstangleichung der Medien hat mit einer gelenkten Manipulation nichts zu tun. Die Massenmedien in Deutschland sind keine Vollzugsorgane staatlicher Meinungsmache.

More than a decade ago, counterterrorism expert Rita Katz began browsing white supremacist and neo-Nazi forums. The hateful rhetoric and constant threats of violence immediately reminded her of jihadist militants. Now, years of attacks committed by extremists radicalized online—including at a synagogue in Pittsburgh and mosques in New Zealand, as well as the Capitol siege—have brought home the danger. From ISIS to QAnon, Saints and Soldiers pinpoints the approaches needed for a new era in which arrests and military campaigns alone cannot stop never-before-seen threats.

Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong argues that the ideal of passionate work sustains a condition of cruel optimism.

Sonic Encounters: The Islamic Call to Prayer recounts the author’s experience gathering field recordings of the Islamic Call to Prayer. It touches on key questions and problems faced along the way, as well as discussing technologies and methods for recording, what it means to develop art from ethnographic research, and the ethics and considerations of working with Islamic communities around the globe. The book uses a sound studies framework to explore artistic research methods and practices in ethnography as they relate to religious recitation.

In this most original examination of America's post-9/11 culture, Susan Faludi shines a light on the country's psychological response to the attacks on that terrible day. Turning her observational powers on the media, popular culture, and political life, Faludi unearths a barely acknowledged but bedrock societal drama shot through with baffling contradictions. Why, she asks, did our culture respond to an assault against American global dominance with a frenzied summons to restore "traditional" manhood, marriage, and maternity?

Through the voices of key disabled media makers and collaborators, the author highlights the ways in which their contributions are changing society's understanding of disability and shaping mass media and culture. Spanning a range of media formats—television/streaming productions, performances, podcasts, TED Talks, films, reality TV, graphic novels, and social media channels—the book illustrates how disabled people are confronting the marginalization they have faced in mass media for decades.

The American Revolution was not only a political contest for liberty, equality, and independence (for white men, at least); it was also a contest to define certain accounts of reality to be truthful while defining others as false and dangerous. Misinformation Nation argues that we must also conceive of the American Revolution as a series of misperceptions, misunderstandings, and uninformed overreactions.

Hoy en día las redes sociales son mucho más que simples herramientas de entretenimiento, información y socialización: una parte de nuestras vidas transcurre dentro de ellas. Han ampliado nuestra capacidad de comunicación de forma inaudita, le han dado voz a personas que antes no la tenían y, sobre todo, permiten que la información fluya con una velocidad y en volúmenes sorprendentes.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

As redes sociais são provavelmente o maior experimento coletivo da humanidade. Mas qual o impacto delas no mundo? São ferramentas que apenas refletem a natureza das pessoas, ou estimulam comportamentos extremistas? A partir dessas perguntas, o repórter investigativo Max Fisher disseca o funcionamento das grandes empresas de tecnologia, construindo um panorama estarrecedor e dando um alerta para que repensemos com urgência nossa relação com as redes.

Plastic bags are cheap and easy to use. But what happens when a bag breaks or is no longer needed? In Njau, Gambia, people simply dropped the bags and went on their way. One plastic bag became two. Then 10. Then a hundred. The bags accumulated in ugly heaps alongside roads. Water pooled in them, bringing mosquitoes and disease. Some bags were burned, leaving behind a terrible smell. Some were buried, but they strangled gardens. They killed livestock that tried to eat them. Something had to change.

As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? In Drawing the Line, Erich Hatala Matthes argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators.

When ships under the command of white Europeans first sailed into the Delaware Bay in 1609, southeastern Pennsylvania's documented history of the strange and unusual began. This book tackles seven true "dark histories" from Chester and Delaware counties, which include tales of murder, witchcraft, cannibalism, tragic accidents, and macabre events that actually happened in the Greater Philadelphia region. All stories are meticulously researched and placed within the greater context of Pennsylvania and world history.

Tom Wolfe comandó una generación de escritores dispuestos a dinamitar las convenciones de la sociedad tradicional. Estaban allí para contarnos cosas de nosotros mismos de un modo hasta entonces inaudito. Se convirtieron en nuestros sabios orientadores, nuestros heraldos, incluso en nuestra conciencia moral: eran los nuevos periodistas.

Counter-Cola charts the history of one of the world's most influential and widely known corporations, the Coca-Cola Company. It tells the story of how, over the past 130 years, the corporation has tried to make its products and brands physically and culturally a central part of global daily life in over 200 countries. Through this story of Coca-Cola, Amanda Ciafone reveals the pursuit of corporate power within the key economic transformations-liberal, developmentalist, neoliberal - of the 20th and 21st centuries. A story of global capitalism, it is not without contest.

Influencer – das ist für eine ganze Generation inzwischen ein ernsthafter Berufswunsch, wenn nicht sogar ein Traumberuf. Es klingt auch zu verlockend: Ein bisschen posieren vor der Kamera, ein paar Likes und schon kommen die gut bezahlten Werbekooperationen wie von selbst. Sie filmen sich beim Schminken, reisen an paradiesische Orte, halten sich fit mit Sport und teilen ihre Tipps mit Fans. Doch dahinter steckt ein profitorientiertes Business, das große Begehrlichkeiten und Abhängigkeiten auf der Seite der Nutzer schafft.

A behind-the-scenes look at how conservatives - and even iconoclasts who don't consider themselves conservative - are overthrowing the liberal media and political correctness. From the bloggers who demolished Dan Rather, to the Swift Boat veterans who sank John Kerry, to the gleeful anti-political correctness of such comedic send-ups as South Park and Team America, the American media landscape has suffered an earthquake.

Facebook, Google, X (Twitter) & Co., die "Big Tech" genannten IT-Riesen aus dem Silicon Valley, glauben, die Kommunikationsstandards von Milliarden Menschen über ihre Richtlinien und Standards vorschreiben zu können. Diese Anmaßung erfolgt ohne jede demokratische Legitimation. Durch ihre geradezu monopolistische Stellung bestimmen sie die Rahmenbedingungen öffentlicher Kommunikation. Mit dramatischen Konsequenzen: tausendfacher Rechtsbruch, digitale Massenvernichtung freier Rede und drastische Eingriffe in die Meinungsfreiheit sind die Folge.

New England's history is marked with witch executions, curses, and an untold number of cemeteries hiding mysteries beneath their stones. In this sometimes harsh landscape, the truth is often stranger than fiction. Examine the footprints burned into the ledge of Devil's Foot Rock in Rhode Island. Spend a night at the Kennebunk Inn in Maine, where the mischievous specter of Silas Perkins still resides.