At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies’ companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie. But Elspeth's home isn’t the comforting haven it seems. Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her.

Shortly after marrying her soulmate and the birth of their son, the lies begin. First, it's the phone calls, always held in secret, always deleted from his phone. Then it's his odd disappearances and the little nagging voice in her head screaming: Something is not right. When Palmer follows her gut - and her husband - she catches him with an unfamiliar woman in the park and in his biggest lie thus far. Learning from her past, she hatches a plan to protect herself and their child.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents - her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer.

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact.

Eva Hansen wakes in the hospital after being struck by lightning and discovers her mother, Kat, has been murdered. Eva was found unconscious down the street. She can’t remember what happened, but the police are highly suspicious of her. Determined to clear her name, Eva heads from Seattle to London - Kat’s former home - for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself.

In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name.

A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this "fast-paced and frightening debut" (Rachel Harrison) about the long shadows cast by family secrets, perfect for listeners of Grady Hendrix or Ashley Audrain.

Addison’s about to get married, but she’s not looking forward to the big day. It’s not her fiancé; he’s a wonderful man. It’s because Addison doesn't know who she really is. A few years ago, a kind driver found her bleeding next to a New Jersey highway and rescued her. While her physical wounds healed, Addison’s memory never returned. She doesn’t know her real name. Or how she ended up injured on the side of a road. Or why she can’t shake the notion that she may have done something very, very bad.

Childhood sweethearts Nicole and Tom are a normal, loving couple—until a massive lottery win changes their lives overnight. Soon they’ve moved into a custom-built state-of-the-art Glass Barn on the stunning grounds of Lancaut Manor in Gloucestershire. They have fancy cars, expensive hobbies, and an exclusive lifestyle they never could have imagined. But this dream world quickly turns into a nightmare when Tom is found dead in the swimming pool. Was Tom’s death a tragic accident, or was it something worse?

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.

Grace Holloway keeps to herself. Since narrowly escaping death at the hands of the man who kidnapped her, she’s thrown herself into the small inn she runs in Rock Harbor, Maine. It’s quiet, quaint and, in the off-season, completely isolated—the perfect place for Grace to keep her own secrets. But Grace isn’t the only one with something to hide, and Rock Harbor isn’t just a sleepy vacation town. Someone is taking young women—girls who look an awful lot like Grace did when she was kidnapped so many years ago.

After a night of fun back in 1992, Abby is responsible for a car crash that kills her beloved brother. It's a mistake she can never forgive, so she pushes away Liam, the man she loves most, knowing that he would eventually hate her for what she's done, the same way she hates herself. Twenty years later, Abby's husband, Nate, is also living with a deep sense of guilt. He was the driver who first came upon the scene of Abby's accident, the man who could not save her brother in time. It's this guilt, this regret, that binds them together. Then, Liam moves into the neighborhood....

All drummer Vienna Taylor ever wanted was to make music. If that came with fame, she’d take it—as long as her best friend, guitarist Madison Pierce, was sharing the spotlight and singing lead. And with their new all-female pop rock band gaining traction, soon everyone would hear their songs… Except, on the way to an event, the Bittersweet’s van careened off an icy mountain road during a blizzard—leaving one member dead and another severely injured. In order to survive the frigid night, the rest took shelter in a nearby abandoned cabin.

Carrie wants a normal life. Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder. Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence - what more could a girl want?

Joe never wanted to come back to Arnhill. After the way things ended with his old gang - the betrayal, the suicide - and what happened when his sister went missing, the last thing he wanted to do was return to his hometown. But Joe doesn’t have a choice, not after a chilling email surfaces in his inbox: I know what happened to your sister. It’s happening again....