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Oryx and Crake

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Oryx and Crake

Auteur(s): Margaret Atwood

Narrateur(s): Campbell Scott

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À propos de cet audio

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief.

With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter. This is Margaret Atwood at the absolute peak of her powers.

Margaret AtwoodCampbell ScottAudible StudiosThe MaddAddam Trilogy (Published Order)The MaddAddam Trilogy

Dystopique

Fiction

Fiction de genre

Fiction littéraire

Post-apocalyptique

Science-fiction

Voix de femmes

Émotionnellement captivant

Dystopique Fiction Fiction de genre Fiction littéraire Post-apocalyptique Science-fiction Voix de femmes Émotionnellement captivant

Ce que les critiques en disent

"Absorbing...expertly rendered...Virtuosic storytelling [is] on display." (The New York Times)

"Chesterton once wrote of the 'thousand romances that lie secreted in the Origin of the Species.' Atwood has extracted one of the most hair-raising of them all, and one of the most brilliant." (Publishers Weekly)

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of speculative fiction, here is a tale full of strange and sickeningly familiar futures, deeply flawed technocratic geniuses, genetic contortionism, and a capitalist world rocketing towards the post-post-apocalyse.
Terrifying. Beautiful. Dryly hilarious. Tragic.
Heck, it's Atwood at her finest, making us laugh and whimper at the future while holding a bitter mirror to the present.

Also, the narrator is as perfectly dry as Atwood herself, and suits the story well. (Although I cannot understand why he keeps pronouncing "feral" as "fearal". I twitched every time)