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Story

Substance, Structure, Style, and the Principles of Screenwriting

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Story

Auteur(s): Robert McKee
Narrateur(s): Robert McKee
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À propos de cet audio

For more than 15 years, Robert McKee's students have been taking Hollywood's top honors. His “Story Seminar” is the world's ultimate seminar for screenwriters, filmmakers, and novelists. Now, Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting reveals the award-winning methods of the man universally regarded as the world's premier teacher on screenwriting and story. With Hollywood and publishing companies paying record sums for great stories, and audiences clamoring for originality, McKee's Story gives you the strategies you need to win the war on clichés.

Story is about form, not formula. McKee's insights cut to the hidden sources of storytelling, the decisive differences between mediocrity and excellence.

This audio goes well beyond the essential mechanics of screenwriting and is packed with examples from such film classics as “Casablanca” and “Chinatown.” Then, scene by sequence by act, he illuminates the principles of story design that take a writer's vision to brilliant realization. Story elevates the craft of screenwriting to an art form.

Take it from the pros; if you're serious about your writing, this is the audio that will help you to get your story from page to screen.

©1997 Robert McKee; (P)1997, 2005 HarperCollins Publishers, Inc. Cinéma et télévision Divertissement et arts de la scène Théâtre Divertissement Star Wars
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Les plus pertinents
I loved it so much I listened to it twice. The last 15 minutes is quite valuable knowledge.

A great book for new screenwriters

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Aside from the odd Star Wars lines, McKeeis very informative. I will be coming back to this anytime I need to get unstuck.

Very informative

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I don’t know every movie mentioned in this audio book, but I know The Empire Strikes Back very well, and the author misquotes it often and constantly misunderstands the events in the film. Recognizing that makes it impossible to believe he knows what he’s saying about the other movies he referenced.

If you want a good book about script writing look for Blake Snyder’s Save The Cat.

Not a good story

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I think some of the content is useful but the entire book refers to each theoretical character as “he” and also refers to every writer as “he”. It just feels like something written in the 50’s where only men can be heroes and only men can be authors.

Kind of just ruined it for me.

Assumes everyone is a man

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