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Screenwriting 101: Mastering the Art of Story

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Screenwriting 101: Mastering the Art of Story

Auteur(s): Angus Fletcher, The Great Courses
Narrateur(s): Angus Fletcher
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À propos de cet audio

Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand. And as a key faculty member in Project Narrative, a think tank devoted to using cognitive science to study the effects of stories on the human mind, Professor Fletcher offers unique insight into storytelling from both a neuroscientific and a literary perspective.

Despite what you may have been told, writing a great script is not about formulas and three-act structure. Great scripts - great stories - are those that create the desired emotional response in audiences, something that can only be achieved by knowing which methods are most effective and how they suit the story you want to tell. As you study the work of over a dozen great screenwriters and several television shows, each story you encounter will use different tools to achieve a variety of psychological and emotional responses. From the redemption arc of the Western Unforgiven to the romantic longing of Annie Hall, each story offers invaluable insights you can bring to your own writing - and viewing - experiences.

There is no cookie-cutter formula for writing scripts and no checklist for what makes a film or television show great. What Screenwriting 101 offers instead is an infinitely flexible storytelling tool that has worked for the greats - from Euripides to Shakespeare to Pixar - and a selection of resources to show you how to put it to use. How you decide to use these limitless creative possibilities is up to you.

PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.

©2017 The Teaching Company, LLC; 2017 The Great Courses
Cinéma et télévision Divertissement et arts de la scène Éducation
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More than the typical 'how to'. The author provides great insight into film and TV scripts with clear examples.

An outstanding screenwriting resource

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This book was very inspirational. It is a great resource for writers of any kind.

Excellent Guidance

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I have found some of the Great Courses could have used an editor; the term “great” referring to length instead of quality. This is NOT like that! It was an “easy” listen, whether you wish to write a screenplay or just get a new appreciation for films and TV written by others.

Good listen

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Screenwriting 101 is my anchor in a stormy sea, looking to conquer the world of TV, and this feels like a beautiful start.
#Audible1

Sound and Practical Guide

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Highly recommend.

I’ve consumed a lot of helping audiobooks on screenwriting while driving around for a living: save the car, hero with 1,000 faces, Syd Field’s book and a couple others I can’t remember, but this was the most enjoyable, most engaging, most entertaining and most comprehensive thing I’ve listened to. Which makes sense because these are lectures written to be orated.

The lecturer’s tone, inflections and conviction are all 10/10 for me. A lot of the other books had useful information, but this is the way to deliver that information in a way that is exciting and inspiring.

The lecture on Tone is brilliant, the reviews and analysis of scripts is original and creative and the whole thing is just awesome. About halfway through now and felt like leaving a review.

Exceptional

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It was easy listening and I learned a lot about screenwriting. It's a must-own. Period.

Awesome

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THIS STORY IS ABOUT CONCEPTS OF ALREADY WRITTEN SCRIPTS OF GREAT MOVIES THEN BACK TRACKING TO SHOW WHAT THEY ARE ABOUT ITS NOT ABOUT LEARNING HOW TO WRITE A SHOW SCRIPT WHICH I THOGHT IT WAS ABOUT WELL PRESENTED VOICE VERY GOOD BUT THIS WOULD INTEREST ONLY ALREADY SCRIPT WRIITERS NOT PEOPL WHO WANT OT LEARN HOW TO DO IT

THE BOOK NOT ABOUT WRITING ABOUT CONCEPTS

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This is film analysis at best - trivia mostly. Nothing helpful for aspiring screenwriter. I was hoping for something more insightful with technical trick and specifics pitfalls and cliché to avoid. Nothing, just rambling about masterpieces...

Not practical

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I mean, I was loving it until the author fully mixed up the definitions of sympathy & empathy. Such a glaring error - I just can't get over it.

Yeah, but...

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