Addison’s about to get married, but she’s not looking forward to the big day. It’s not her fiancé; he’s a wonderful man. It’s because Addison doesn't know who she really is. A few years ago, a kind driver found her bleeding next to a New Jersey highway and rescued her. While her physical wounds healed, Addison’s memory never returned. She doesn’t know her real name. Or how she ended up injured on the side of a road. Or why she can’t shake the notion that she may have done something very, very bad.

One day, a woman turns up in a remote coastal village. She's bought a crumbling, long-vacant cottage and calls herself Charlie Miller. Charlie keeps to herself, reluctant to integrate with the locals. If they ever find out who she really is, and what she's done, she'll lose what little she has left. Charlie served two years in prison for providing a false alibi for a murderer. It was the mistake of a woman in love, a woman who couldn't believe her boyfriend was guilty - or lying to her. All she desperately wants now is a fresh start.

Laura has returned to work at Morris and Wood after her maternity leave, only to discover that the woman she brought in to cover for her isn’t going anywhere. Despite her close relationship with the agency’s powerful CEO, she feels sidelined - and outmaneuvered - as she struggles to balance the demands of work and motherhood.

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact.

Fifteen years ago, Lilith Wade was arrested for the brutal murder of six women. After a death row conviction, media frenzy, and the release of an unauthorized biography, her 30-year-old daughter Edie Beckett is just trying to survive. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother. Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed - or failed - to move on. But she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.

Rebecca and Brian Unsworth appear to have it all. A nice house in the suburbs of Washington, DC. Two well-behaved, healthy teenage children. Important government jobs - Rebecca working in counterterrorism for the FBI, Brian serving as a coder for the NSA. Seeking to revive their strained relationship, they decide for their 20th wedding anniversary to take their two kids, Kira and Tony, on a European getaway. They have a blast…until one night in Barcelona when Kira doesn’t come home from a dance club. She’s gone. Abducted.

J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice.

After her grandmother Arlette's death, Betty is finally ready to begin her life. She had forfeited university, parties, boyfriends, summer jobs in order to care for Arlette. Now she's ready for whatever life throws at her, and, since the will included a beneficiary unknown to her who lives in the city, she heads there to find the mysterious woman. In 1920s London, Arlette is starting her new life in a time of postwar change. Beautiful and charismatic, she's drawn into a hedonistic world, but then tragedy strikes, and she flees back to her childhood home....

Confronted by a restraining order and the threat of a lawsuit, failed journalist Leah Stevens needs to get out of Boston when she runs into an old friend, Emmy Grey, who has just left a troubled relationship. Emmy proposes they move to rural Pennsylvania, where Leah can get a teaching position and both women can start again. But their new start is threatened when a woman with an eerie resemblance to Leah is assaulted by the lake, and Emmy disappears days later.

Childhood sweethearts Nicole and Tom are a normal, loving couple—until a massive lottery win changes their lives overnight. Soon they’ve moved into a custom-built state-of-the-art Glass Barn on the stunning grounds of Lancaut Manor in Gloucestershire. They have fancy cars, expensive hobbies, and an exclusive lifestyle they never could have imagined. But this dream world quickly turns into a nightmare when Tom is found dead in the swimming pool. Was Tom’s death a tragic accident, or was it something worse?

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents - her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer.

At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies’ companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie. But Elspeth's home isn’t the comforting haven it seems. Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her.

Newlyweds Lina and Cain don’t make it out to their property on gorgeous Lake Tarawera as often as they’d like, so when Cain suggests they rent the house out to vacationers, Lina reluctantly agrees. While the home has been in her family for generations, they could use the extra money. And at first, Lina is amazed at how quickly guests line up, and at how much they’re willing to pay. But both Lina and Cain have been keeping secrets, secrets that won’t be put off by fresh paint or a new alarm system. And someone has been watching them.

In the vein of Big Little Lies and Reconstructing Amelia comes an emotionally charged domestic suspense novel about a mother unraveling the truth behind how her daughter became brain-dead. And pregnant.

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.