Showing results by publisher "Deadtree Publishing" in Arts & Entertainment

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Stage Door starring Ginger Rogers and Rosalind Russell.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's The Front Page starring Walter Winchell and Josephine Hutchinson.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Mildred Pierce starring Rosalind Russell and Zachary Scott.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Suspicion starring Joan Fontaine and Brian Aherne.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Strangers on a Train starring Ray Milland and Ruth Roman.

In The Six-Shooter James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Shyama Perara is a writer and journalist who writes clearly, succinctly and passionately on a number of issues. In this collection she turns her knowing eye and insightful mind to British Theatre and the recent plays that come before audiences from the largest of West End theatres to the smallest of pop-ups. It’s a treat!