Résultats de "Elly Griffiths" dans Toutes les catégories

Jane Marple is an elderly lady from St Mary Mead who possesses an uncanny knack for solving even the most perplexing puzzles. Now, for the first time in 45 years, Agatha Christie’s beloved character returns to the page for a globe-trotting tour of crime and detection. Join Marple as she travels through her sleepy English village and around the world. In St Mary Mead, a Christmas dinner is interrupted by unexpected guests; the Broadway stage in New York City is set for a dangerous improvisation.

Forensic archaeologist Ruth Galloway has excavated a body from the grounds of Norwich Castle, a forbidding edifice that was once a prison. She believes the body may be that of infamous Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged in 1867 for the murder of five children in her care. DCI Harry Nelson has no time for long-dead killers.

Shortlisted for the CWA Dagger in the Library. Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer.

Ali Dawson and her cold case team investigate crimes so old, they're frozen—or so their inside joke goes. Ali’s work seems like a safe desk job, but what her friends—and even her beloved son—don’t know is that her team has a secret: they can travel back in time to look for evidence. So far, Ali has only made short trips to the recent past, so she’s surprised when she’s asked to investigate a murder in 1850. The killing has been pinned on an aristocratic patron of the arts and antiquities, and member of a sinister group called The Collectors.

Brighton, 1950. The body of a girl is found cut into three pieces. Detective Inspector Edgar Stephens is convinced the killer is mimicking a famous magic trick—the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old war friend of Edgar’s. They served together in a shadowy unit called the Magic Men, a special ops troop that used stage tricks to confound the enemy. Max is on the traveling show circuit, touring seaside towns with ventriloquists, sword-swallowers and dancing girls.

Elizabeth II's coronation is looming, but DI Edgar Stephens is busy investigating the death of a local fortune-teller. Meanwhile, his old pal, the magician Max Mephisto, is rehearsing for his television debut, a Coronation Day variety show. But upon hearing that their wartime commander, Colonel Cartwright, has been found dead in his flat, the two men join forces to find out what happened. While Max is stuck in rehearsals, Edgar finds himself heading to New York, hot on the trail of a mesmerist he's sure has valuable information for them.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern—the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily’s Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared—Ruth’s friend Cathbad.

Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he’s the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she’s fond of saying, and none have come the agency’s way. That is until local writer Melody Chambers dies.

Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent - a sign they were boiled soon after death. Once more she finds herself at the helm of a murder investigation.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

When Cassie Fitzgerald was at school in the late 90s, she and her friends killed a fellow student. Almost twenty years later, Cassie is a happily married mother who loves her job—as a police officer. She closely guards the secret she has all but erased from her memory. One day her husband finally persuades her to go to a school reunion. Cassie catches up with her high-achieving old friends from the Manor Park School—among them two politicians, a rock star, and a famous actress.

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they?

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

It’s Christmastime in Brighton, and the city is abuzz about magician Max Mephisto’s star turn in Aladdin. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were found in the woods alongside a trail of candy—a horrifying scene eerily reminiscent of “Hansel and Gretel.” Edgar has plenty of leads. Annie, a dark child, wrote gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her final script? Or does the macabre staging of the bodies point to the theater and the capricious cast of Aladdin?

It’s the holiday season, and Max Mephisto and his daughter Ruby have landed a headlining gig at the Brighton Hippodrome, the biggest theater in the city, an achievement only slightly marred by the less-than-savory supporting act: a tableau show of naked “living statues”. But when one of the girls goes missing and turns up dead not long after, Max and Ruby realize there’s something far more sinister than obscenity afoot in the theater.