Showing results by author "Hunter S Thompson" in All Categories

Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado; creating the seminal road book Fear and Loathing in Las Vegas; twisting political reporting to new heights for Rolling Stone; and making sense of it all in the landmark Fear and Loathing on the Campaign Trail '72.

Originally published in 1979, the first volume of the best-selling "Gonzo Papers" is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson's largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s.

This enormously eccentric book takes listeners on a crazy journey with renowned gonzo journalist Hunter S. Thompson. The Curse of Lono is to Hawaii what Fear and Loathing was to Las Vegas: the crazy tales of a journalist's "coverage" of a news event that ends up being a wild ride to the dark side of Americana. Originally published in 1983, The Curse of Lono features all of the zany, hallucinogenic wordplay for which Hunter S.Thompson became known and loved.

Fear and Loathing in Las Vegas author Hunter S. Thompson rocked the literary world with his mind-bending style of Gonzo journalism. First published in 1966, Hell’s Angels is Thompson’s up-close and personal look at the infamous motorcycle gang during the time when its moniker was most feared.

An iconic and controversial figure in American literature, Hunter S. Thompson displayed a brilliance that forever changed journalism. Thompson’s follow-up to The Proud Highway, this second volume of private, never-before-published letters spans the years 1968 through 1976. Addressed to such luminaries as Tom Wolfe, Kurt Vonnegut, and Jimmy Carter, this incisive collection showcases Thompson’s raw and starkly honest thoughts on a pivotal era in U.S. history.

“Buy the ticket, take the ride,” was a favorite slogan of Hunter S. Thompson, and it pretty much defined both his work and his life. Fear and Loathing at Rolling Stone showcases the roller-coaster of a career at the magazine that was his literary home.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Dr. Thompson is at his apocalyptic best - covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP's obsession with drugs and drug abuse; while at the same time capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, and CNN - 24 hours of mainline news.

Here is the private and most intimate correspondence of one of America's most influential and incisive journalists - Hunter S.Thompson. In letters to a who's who of luminaries, from Norman Mailer toCharles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez - not to mention his mother, the NRA, and a chain of newspaper editors - Thompson vividly catches the tenor of the times in 1960s America and channels it all through hisown razor-sharp perspective.

Gonzo journalist Hunter S. Thompson penned groundbreaking works as outrageous—and provocative—as the author himself. His memoir Kingdom of Fear provides compelling insight into his life and literary output.

The Rum Diary was begun in 1959 by a then-22-year-old Hunter S. Thompson. It was his first novel and he told his friend, the author William Kennedy, that The Rum Diary would "in a twisted way...do for San Juan what Ernest Hemingway's The Sun Also Rises did for Paris."

With Thompson's trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in Thompson's freewheeling, inimitable style. Spanning four decades - 1950 to 1990 - Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem", and finally, detailing his infamous lifestyle bust.

New York Times best-selling author and acclaimed Gonzo journalist Hunter S. Thompson is known for such groundbreaking works as Fear and Loathing in Las Vegas. A provocative collection of rants and reflections from Thompson’s columns at ESPN.com, Hey Rube offers outrageously brilliant insight on topics ranging from the 2000 election to his unconventional take on professional sports (“eliminate the pitcher” to improve Major League Baseball).

A pioneer of the New Journalism movement, Hunter S. Thompson wrote with a fire that captured the attention of millions. Here Thompson delivers a mind-bending view of the 1992 presidential race, packed with all the horror, sacrifice, lust, and glory that made this campaign so utterly fascinating.

Hunter Stockton Thompson (July 18, 1937 - February 20, 2005) was an American journalist and author who founded the gonzo journalism movement, a style in which the writer becomes a central figure and participant in the events of the narrative. He rose to prominence with the publication of Hell's Angels (1967) and Fear and Loathing in Las Vegas (1972). The following is from a 1975 interview on gonzo journalism.

Au début des années soixante, Thompson, alors journaliste à San Francisco, est fasciné par les Hell's Angels. Son article sur ces seigneurs de la route fait sensation, il se lance dans la version longue : un an passé à rouler et à écrire à leurs côtés. Mais l'équipée se termine sauvagement : parce qu'il refuse de partager ses royalties, les Angels abandonnent l'homme de lettres sur une route, à moitié mort et le crâne défoncé à coups de pierres.

Hunter S. Thompson's notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of 300 fine collectors' copies and 26 leather-bound presentation copies. Only the first of the three pieces included here - "Mescalito", published in Thompson's 1990 collection Songs of the Doomed - has been available to the public, making the audio edition of Screwjack a major publishing event.

"Atenție, nelegiuiții pe două roți nu mai sunt la porțile orașului! Sunt chiar printre noi!" Așa ar fi sunat titlul vreunui ziar local din America anilor 1960 după ce Hell’s Angels ar fi dat năvală în oraș, doar ca să se distreze în stilul lor caracteristic: motoare, raiduri, femei, droguri și bere. Mituri, exagerări sau adevăruri îngrozitoare? Prejudecăți sau fapte dovedite? Ziariștii îi adorau pentru că le ofereau subiecte de scandal, iar publicul era fascinat de aerul lor amenințător și, într-un fel, misterios de răzvrătiți și antieroi neînțeleși.

The Hell’s Angels Letters: Hunter S. Thompson, Margaret Harrell and the Making of an American Classic is an important revelation in the legacy of Thompson, with letters that survived precarious shipping and travel over decades, cloaked away from the public. “If Hell’s Angels hadn’t happened I never would have been able to write Fear and Loathing in Las Vegas or anything else . . . I felt like I got through a door just as it was closing,” Hunter told Paris Review.