British Crime Mystery

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

No one would ever accuse famous opera star Dame Serena Levante of lacking a flare for the dramatic. Unfortunately, it's curtains down on the dysfunctional diva when she's found dead at the bottom of a staircase in her elegant home. Solving an opera singer's murder may not be the typical hairdresser's aria of expertise. But Dame Serena was the mother of Daisy's best friend Floria, so Daisy must do-or-dye her best to get to the roots of the case.

A week's holiday in a luxurious hotel is just what Scotland Yard's Superintendent Duncan Kincaid needs. But his vacation ends dramatically with the discovery of a dead body in the whirlpool bath. Despite a suspicious lack of cooperation from the local constabulary, Kincaid's keen sense of duty won't allow him to ignore the heinous crime, impelling him to send for his enthusiastic young assistant, Sergeant Gemma James. But the stakes are raised significantly when a second murder occurs....

When a body is discovered floating in a Thames river lock one dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to Chiltern Hills. The dead man is Connor Swann, son-in-law of two of London's most renowned opera personalities. And prints on the corpse's neck suggest that Swann was strangled.

When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally. But their visit is marred by family tensions exacerbated by the unraveling of Duncan's sister Juliet's marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet's discovery of a mummified infant's body interred in the wall of an old dairy barn.

When Fergus tells Diana he's taking her on a flower-arranging retreat for her birthday, she should have been more suspicious. Especially when he announces that he's coming with her. After discovering the whole truth about the retreat, Diana is still considering how to murder Fergus...when one of their fellow flower arrangers is found dead - stabbed in the back with a mystery weapon. With the retreat on complete lockdown, Diana and Fergus have a mystery to solve that wasn't part of the itinerary. Will they find the killer before the clock runs out?

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

A young woman is dumped, injured and unconscious, in a private hospital's parking lot. She is an amnesiac with no memory prior to her discovery by hospital personnel. Detective Inspector Peter Diamond of the Bath homicide squad is unwilling to become involved. He has other, more important cases to solve: a woman has plunged to her death from the roof of a local landmark while half the young people of Bath partied below, and an elderly farmer has shot himself.

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

They call him the gourmet detective; the only thing sharper than his mind is his palate. When chefs need a rare ingredient, an ancient wine, or simply a new idea to gain that extra Michelin-star boost, they come to the detective's cozy London office and plead for his help. For top-notch cooking, he is always happy to lend his taste buds to the cause.

Jo told him the phone call had been about a woman who wanted to have her husband declared dead. Smith thought for a moment and then said, 'Hmm. There must be a few million women in this country who feel like that. I take it her husband's been missing for a while and she's decided it's time to move on. In the absence of a body, which is always a nuisance, she wants Diver and Diver to confirm there's no proof he's alive. And I've told Jason a dozen times I'm not getting involved in anything matrimonial. I have enough trouble sorting out my own relationships.'

A woman dies in a burglary in Fitzrovia. A man is murdered in an opium den in Limehouse. Gutsy Fleet Street reporter Penny Green suspects the two deaths are connected, but how can she prove it? The answer may lie in Whitehall where the India Office reaps the benefits of Britain's opium trade. But when Inspector James Blakely of Scotland Yard begins investigating, an unforeseen danger looms. Soon Penny is forced to act alone and is put to the ultimate test when her quest becomes personal.