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In Three Soldiers, Dos Passos introduces listeners to a Harvard aesthete who joins the army out of idealism, and his two buddies. One by one, their illusions crumble under the tyranny, red tape, and boredom of the military. The soldiers' reactions range from bitterness to rage, and - for one - murder in this vivid portrayal of human spirit caught in the grip of war.

This first entry in John Dos Passos's celebrated U.S.A. trilogy paints a grand picture of the United States at the dawn of the twentieth century.

This is the story of the war we won and the peace we lost, told with a clear historical perspective and a warm interest in the remarkable people who guided the United States through one of the most crucial periods. Foremost in the cast of characters is Woodrow Wilson, the shy, brilliant, revered, and misunderstood "schoolmaster", whose administration was a complex of apparent contradictions.

With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of 20th-century America" ( Forum), lauded on publication of the first volume not only for its scope but also for its groundbreaking style. The novel opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl.

Making allusions to Don Quixote's wanderings on his trusty steed Rosinante, American novelist John Dos Passos creates a story of two travelers making their way by foot from Madrid to Toledo in post-World War I Spain. Along the way, they encounter simple, earthy folk on the trail and in taverns, thus providing a convenient backdrop for Dos Passos's observations on the tension between old agrarian ways and new industrial imperatives.

The Big Money completes John Dos Passos's three-volume "fable of America's materialistic success and moral decline" ( American Heritage) and marks the end of "one of the most ambitious projects that an American novelist has ever undertaken" ( Time). Here we come back to America after the war and find a nation on the upswing.

When John Dos Passos published this book in 1921, its explosive portrait of World War I shocked America. Instead of glorifying the Great War, he shows three men caught in a military machine that is as dangerous for them as the foreign terrain and the enemies they fight. Fuselli leaves San Francisco for the front lines in France, anxious to move up the military ladder of success. Chrisfield, a farm boy from Indiana, feels himself swept along as he marches in a sea of other soldiers.

Considered by many to be John Dos Passos' greatest work, Manhattan Transfer is an "expressionistic picture of New York" (New York Times) in the 1920s that reveals the lives of wealthy power brokers and struggling immigrants alike. From 14th Street to the Bowery, Delmonico's to the underbelly of the city waterfront, Dos Passos chronicles the lives of characters struggling to become a part of modernity before they are destroyed by it.

Springing from the author's first-hand experience as an ambulance driver and Red Cross worker during World War I, this autobiographical first novel is noteworthy for its vivid and colorful evocation of France at that time and for its passionate indictment of war. The author's disillusionment with war for a time turned him toward socialism and against capitalism.

Come la Parigi di Baudelaire, la Londra di Eliot e la Berlino di Döblin, la New York di Dos Passos è un universo esiziale, realistico e fantastico al tempo stesso: la città - caleidoscopio di colori, suoni, odori - è un essere vivente fatto di nervi e cuore, un organismo che mette al mondo i propri figli, li cresce ma allo stesso tempo brama di divorarli. "Manhattan Transfer", romanzo lirico e visionario, è opera di linguaggio, di stile, di scrittura ma è anche una riflessione sulla condizione dell'uomo nella metropoli.

Von Konstantinopel aus unternimmt der 25-jährige John Dos Passos 1921 eine Reise durch den Orient. Er sieht die Zerstörungen des Türkisch-Griechischen...

Esta espléndida novela cuenta cómo el protagonista, rodeado de cientos de personas que viven en su ciudad, que actúan junto a él y a veces se cruzan con él, intenta vivir en Nueva York durante los años que anteceden y siguen a la Primera Guerra Mundial.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Durch eine Fülle von Schauplätzen und Charakteren lässt John Dos Passos ein schillerndes Porträt des urbanen New Yorker Dschungels entstehen, in dem das Jagdfieber wütet: Nach Arbeit, Glück und Macht. Die Figuren der Geschichte - ein junger Einwanderer, ein Gewerkschaftsführer, ein Mörder, ein Karrierist, eine nach Selbstständigkeit strebende Frau und andere - scheinen aus der großen Masse der Stadtbewohner herausgerissen, um irgendwann wieder in ihrem Gewühl unterzugehen.

Wohl nie waren so viele berühmte Schriftsteller und Reporterinnen aus aller Welt unter einem Dach versammelt wie in Nürnberg 1946. Sie kamen, um zu berichten – von den Gräueln des Krieges und des Holocaust, die dort vor Gericht verhandelt wurden. Sie wohnten und schrieben auf Schloss Faber-Castell, diskutierten, tanzten, verzweifelten, tranken. Uwe Neumahr erzählt ihre Geschichte in seinem aufregenden und bewegenden Buch. Erich Kästner war in Nürnberg und Erika Mann, John Dos Passos und Martha Gellhorn. Augusto Roa Bastos kam aus Paraguay, Xiao Qian aus China.