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مجموعة شعرية تكشف عن الحب الكبير للوطن ومرارة الابتعاد عنه، والشوق والحنين إلى منابع الطفولة، وذكرياتها التي تشكلت بتأثير من طبيعته الساحرة، حيث ينهل الشاعر قصائده من بيئته وتجاربه الخاصة ، ليعبر عن الحب والاشتياق بإيقاع سريع للجمل والمفردات، والكثير من الوجد والصور.

Words of a Goat Princess is the debut poetry collection about life’s struggle and triumphs from Grammy-nominated and JUNO-award winning songwriter Jessie Reyez. With the authenticity and heartbreaking relatability that her fans know and love her for, Reyez brings the breadth of her lived experience to book form as few recording artists can. At times ethereal and visceral, these 43 poems are carefully painted moments that expertly explore love, loss, and identity with an artistry that leaps to life with every turn.

From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a wondrous new collection of poems focused on the joy and mystery of daily life.

Marina’s talent for powerful, evocative song lyrics finds a new outlet in her poetry. Each poem resonates with the same creative melodies and emotional depth that have made her an artistic sensation. Hailed by The New York Times for “redefining songs about coming of age, and the aftermath, with bluntness and crafty intelligence,” Marina delves even further into trauma, youth, and the highs and lows of relationships in these profound, autobiographical poems to form a collection that transcends the boundaries of music and literature.

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

Romeo and Juliet has descriptive copy which is not yet available from the Publisher.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

A poetry collection about the beautiful and disorienting period of new motherhood, exploring an experience both otherworldly and very, very human.

Poetry and science, as Popova writes in her introduction, "are instruments for knowing the world more intimately and loving it more deeply." In 15 short essays on subjects ranging from the mystery of dark matter and the infinity of pi to the resilience of trees and the intelligence of octopuses, Popova tells the stories of scientific searching and discovery.

Originally published in 1954 to honor Stevens’ 57th birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.

From poet Courtney Peppernell comes the story of a very long winter, a month of dark and unforgiving Sundays, that will make you question your strength and the purpose of living.

This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas. Originally sung and chanted, before being translated into prose—and now, for the first time, translated back into verse by Michael Bazzett—this is a story of the generative power of language. A story that asks not only Where did you come from? but How might you live again? A story that, for the first time in English, lives fully as “the phonetic rendering of a living pulse.”

Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination. Giles’ visual poetics create an unusually dynamic listening experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.

Do you feel like you live life looking in from the outside? From the way you speak, to the color of your skin, to the way you vote, or the way you pray, you don't fit the mold. And yet you find yourself still trying to prove yourself to others. In Set Me Free, New York Times bestselling author Lecrae invites you on a poetic and artistic exploration of how you can persevere against the lies of unworthiness to experience the freedom given to you in Jesus.

Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961–2023 assembles Atwood’s most vital poems in one essential volume.

Harlem Renaissance poet Langston Hughes was most well-known for his poems, novels, and plays that highlight Black American life in post-slavery America. James Mercer Langston Hughes was born on February 1, 1901, in Joplin, Missouri and began writing poetry when he moved to Lincoln, Illinois. After graduating from high school, he spent a year in Mexico followed by a year at Columbia University. During this time, he worked as an assistant cook, a launderer, and a busboy.

Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love.

Bringing the Shovel Down maps the long and arduous process of being inculcated with the mythologies of state and power, the ramifications of that inculcation (largely, the loss of our humanity in the service of maintaining those mythologies), and finally, what it might mean, what it might provide us, if we were to transform those myths. The book, finally, has one underlying question: How might we better love one another?

I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.