
Edmund Spenser's The Faerie Queene: A Prose Rendering, Volume III
A Text-Faithful Prose Rendering of the 1590s Epic Poem
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Narrateur(s):
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Simon Vance
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Auteur(s):
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Rebecca K. Reynolds
À propos de cet audio
Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This richly illustrated, text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.
Through these realms stride Spenser’s unforgettable knights—brave yet fallible, powerful yet vulnerable—as they confront ferocious monsters, cunning wizards, beguiling enchantresses, and even encounter young Prince Arthur, who wanders Faerie Land consumed by his passion for Gloriana, the elusive Faerie Queene.
Many have attempted to read Spenser’s original masterpiece only to retreat, daunted by language that was deliberately archaic even in Elizabethan times. Classical educator Rebecca K. Reynolds bridges this gap, crafting a prose adaptation that gradually introduces more of Spenser’s distinctive vocabulary and diction. By the final volume, listeners will find themselves prepared to engage directly with Spenser’s original text with confidence and delight.
For four hundred years, Spenser’s realm has captivated powerful creative minds, igniting literary movements and inspiring countless works. So, take a few first steps with us through the mist-shrouded edges of Faerie Land. As C.S. Lewis wisely observed: “The Faerie Queene never loses a reader it has once gained... Once you have become an inhabitant of its world, being tired of it is like being tired of London, or of life.”
VOLUME THREE:
BOOK FIVE:
Sir Artegall, champion of justice, and his merciless iron companion Talus embark on a mission that has troubled readers for centuries. Here Spenser’s allegory becomes most explicitly political, presenting a problematic defense of English policies that has challenged even his most devoted admirers. Yet within this controversial framework lie profound meditations on the nature of justice itself—questions about mercy versus rigid law, order versus freedom, and the corrupting nature of power. Book Five’s tensions and ambiguities are capable of both warning and guiding all who seek to wield power in a strange new world.
BOOK SIX:
Spenser’s pastoral roots burst forth in this tale of Sir Calidore, the knight of courtesy. Within Book Six, the most civilized knight of Faerie Land finds himself lured away from his solemn quest to capture The Blatant Beast, a monster representing slander and malicious gossip. In this last complete tale of The Faerie Queene, our weary poet seems to shed the constraints of courtly flattery, turning instead to celebrate the authentic beauties of rural life. Amidst shepherds and rustic dances, Spenser reveals some of his most profound insights, suggesting that true courtesy might flourish most naturally far from the calculated manners of court.
This set also contains a rendering of Spenser's alternate ending to Book Three as well as a rendering of the Cantos of Mutabilitie, a fragment contained after Spenser's death.
Ce que les critiques en disent
“Reynolds’s new rendering of The Faerie Queene was made for people like me—for those of us who time and again have heard of Spenser’s great poem but were too intimidated to read it. We’re drawn to the feeling of adventure, mystery, danger, and beauty conjured merely by mention of the title, but fear that maybe we aren’t smart enough or wise enough or brave enough to enter in to a old tale so revered by so many.
Enter Rebecca Reynolds’s incredible mind and mastery of language, coupled with hospitality toward the reader; enter also Justin Gerard, a master artist whose gifts are perfectly suited to a vision like Spenser’s. Rather than turned away at the door to elfland, I found myself welcomed in to its wonders by Reynolds’s clear and careful handling of the original text—along with her generous footnotes and Gerard’s stunning illustrations—and was at once surrounded by knights and warhorses, dwarves and dragons, high beauties and heavy skies. This book does a great service not just to Edmund Spenser, but to those of us who will encounter this grand story for the first time.”
Andrew Peterson
Author of The Wingfeather Saga (Andrew Peterson)
Jonathan Rogers
PhD in 17th Century Literature
Author of the Wilderking Trilogy (Jonathan Rogers)