For this special IBC 2025 edition of A Guy with a Scarf, I spoke with Dan Coffey, Director of Product at Dolby OptiView, about the future of immersive streaming, new ad formats, and the role of consistency in low-latency delivery.Coffey joined Dolby six years ago through the acquisition of Hybrik. Since then, he has been shaping Dolby OptiView’s product roadmap. For him, technology is always in service of a bigger mission: storytelling. “Telling a good story is immersive when you can use the best technology. It’s like putting the right tool for the right task.”At IBC, Coffey presented Dolby’s latest server-guided ad insertion (SGAI) technology. Instead of the traditional one-size-fits-all ad break, Dolby enables multiple non-linear formats: double box, squeeze-back, or full takeover. The result? More ad opportunities and better monetization without breaking the live experience. “It’s really about giving the opportunity for more ad breaks, and that increases the opportunity for more revenue.”The system also powers regionalized and personalized targeting. Ads can be delivered by geography or down to the individual user, with the same mechanism extended to editorial content such as replays. Imagine watching your favorite match and automatically receiving highlights featuring the players you care most about. As Coffey put it, “It’s about personalizing the ad to the user and the experience to the device.”Latency was another central topic. Dolby OptiView has built a streaming stack that doesn’t just chase the lowest possible delay—it delivers predictable, consistent latency. Sub-second delivery works for interactive features, two seconds is tuned for sports betting, and five seconds aligns with broadcast. “What’s really special about our streaming product is that the latency is very consistent—far more consistent than HLS.”Dolby also showcased an SDR-to-Dolby Vision upconversion demo, upgrading standard feeds to premium HDR quality. For platforms managing mixed-source content, this can ensure audiences always get the best possible viewing experience.Key takeaways: – Storytelling drives technology at Dolby OptiView. – Advertising is being reinvented with non-linear formats and regional targeting. – Personalization goes beyond ads, into editorial content. – Consistency is king in latency, tuned to use cases from fan polls to betting. – Quality upgrades like SDR-to-Dolby Vision ensure premium delivery at scale.What emerges is not just a set of features, but a vision for streaming as a unified, orchestrated experience. Ads, latency, personalization, and quality don’t live in silos—they come together to create a seamless and immersive narrative for fans everywhere.

💡 How Server-Guided Ad Insertion (SGAI) Could Redefine the Streaming Ad Experience

Paul Boustead's journey started "as a researcher doing research for telcos in Australia" back in 2000. Hel worked on real-time CDNs during what he calls "a super interesting time" when it was "very hard to actually get good scalable streams out there and working."His path led through gaming technology—"voice communication, massively multiplayer computer games"—before founding a company that Dolby acquired in 2007. This gaming background proved invaluable, as many low-latency challenges in sports streaming mirror early multiplayer gaming requirements.Defining Purpose-Driven LatencyPaul offers a clear framework for 2025: "Ultra low latency to us is sub-second," followed by "very low latency which is around about the sub 3 seconds" and "low latency to us is sub 7 seconds." Each category serves distinct purposes—sub-second for sports betting and auctions where "they sell very expensive objects, even houses," while 3-7 seconds addresses the broader sports streaming market.The business case crystallized during our conversation when I shared watching Wimbledon with my 10-year-old son, who received Sinner's victory notification 30 seconds before we saw it. "I didn't want to ruin it for the family," he later admitted, "but I knew it before."This illustrates Paul's key insight: streaming's primary challenge is "enabling people to watch together without getting spoilers from social media." As Paul notes, "A lot of people have a dilemma. Do I put my phone on silent, put it over there or to watch the game and trying to get younger generations to put their phone away."The Adaptive RevolutionThe breakthrough innovation that Paul describes addresses varying viewer needs within single events. "We have one streaming service that switches between the required technologies to meet the customer use case," he explains. "If you've got someone watching a sports event, the majority of people may want to be below 3 seconds because they're watching it socially. But if someone's betting on it, they might want below a second."This adaptive approach eliminates complexity: "Our streaming solution enables our customers to do one integration and then pick the latency."Technical RealityFor sub-second delivery, Paul relies on "WebRTC... Plus there's Media over QUIC," both using UDP networking for controlled retransmission. However, scale differs dramatically—ultra-low latency supports "250,000 plus" users but "you rarely see something above 100,000 because they're particular events." Broader sports streaming scales to "millions" over existing CDNs.Platform fragmentation remains challenging. As I noted from "doing 14 different platforms for clients," device diversity impacts optimization. Dolby’s response: acquiring THEOplayer to ensure "a reliable player that large sports organizations would be comfortable deploying across all platforms."Quality BalancePaul acknowledges the eternal trade-off: "There's a big limitation with low delay streaming at the moment when you're really trying to get the delay going down. Sub 3 seconds we’re really doing at a high quality." His Dolby heritage shows in prioritizing perceptual improvements: "You want to get things like the colors right and you want it to be in high dynamic range. You want to get all of that right first before you start increasing the pixel count."Future EngagementLooking ahead, Paul sees AI's biggest impact in fan engagement rather than pure streaming optimization. "Your younger generations aren't that used to or not that inclined to watch long form content," he observes, pointing to Thursday Night Football's predictive analytics as early examples of AI-enhanced viewing.ConclusionThe challenge isn't just moving data faster—it's intelligently matching technology to purpose. Adaptive latency solutions represent the next evolution, promising the right experience at the right time for every viewer, preserving sports' communal joy regardless of underlying technology.

Ep. 55: Paul McGrath - From Cannibalization Fears to YouTube Success: How CBC Cracked the Creator Economy CodePaul McGrath, a 20-year CBC veteran now leading strategy in the entertainment department, shared how Canada's national broadcaster evolved from fearing digital cannibalization to embracing the creator economy through scientific methodology.Three Phases of Digital EvolutionPhase One: Cannibalization Concerns"The first phase was concerns about cannibalization," McGrath explained. "There was concerns about publishing on digital services, cannibalizing a linear audience." This decade-old fear dominated industry discussions about digital distribution.Phase Two: DTC LearningCBC invested in their streaming platform, CBC Gem, building new competencies. "We had to learn things like how do you run a DTC model? How do you do all of the customer support and customer service?"Phase Three: Platform StrategyCurrent focus centers on creator partnerships after realizing platform consumption scale, particularly among younger audiences.The Retention RevolutionCBC Gem achieved its best year ever by focusing on audience retention from major events like Olympics and breaking news. "We really looked at what are the retention rates that we're getting off big events," McGrath said. "What percentage of that audience do we keep after one month, after three months, after six months?"This leverages CBC's "superpower" as a premier news brand: "We don't have to do a lot of marketing for audience acquisition because the news events will drive a lot of audience in."Debunking the Cannibalization MythMost compelling was CBC's scientific test of cannibalization fears using 50 titles across control and test groups. Results shocked the industry: "Overall engagement on the streaming service went up, not down. In some cases, some of those titles almost doubled in their engagement on the streaming service after we published on YouTube."The new hypothesis: YouTube's algorithm creates word-of-mouth marketing driving search behavior back to CBC Gem. "We think that word of mouth converted into search, which led more audience into the streaming service."Creator Economy StrategyCBC's three-pronged approach includes:Production partnerships with creators for development and fundingLicensing catalog content from creators for FAST channelsOpening content libraries to let creators access CBC's archiveIndustry ConvergenceMcGrath observed the merger of traditional media and creator economies: "I used to say YouTube was like Hollywood on a different planet... But those two planets are getting closer together."He attributes this to economics: "When traditional television producers realize some creators can garner a million people for an hour at a fraction of the budget of a TV show, that becomes inevitable."Call for CollaborationMcGrath concluded with an industry invitation: "If you're experimenting around this stuff, please reach out. Let's share our results together."His vision: collaborative research moving beyond anecdotal evidence to establish data-driven best practices.CBC's journey proves that embracing scientific methodology and testing assumptions can transform digital fears into growth opportunities.

In episode 54 of "A Guy with a Scarf," host Carlo De Marchis interviews Paolo Pescatore, an industry analyst with over 25 years of experience covering telecommunications, media, and technology convergence.The Analyst's Unique ApproachPescatore has evolved from analyzing mobile devices to examining "the connected user in the converged world." His hands-on methodology is striking: he's converted his living room into an "experience center" with multiple 65-inch TVs, set-top boxes, and devices. "It drives my family insane. They never know which remote control to pick up," he admits, but this allows him to "practice what I preach."Innovation and Adoption ChallengesWhen discussing technological disruption, De Marchis remains skeptical about the next transformative device. "I still believe that the smartphone is the thing that changed our lives," expressing doubt about AR glasses achieving similar adoption. "I've seen a lot of fantastic technology but until they get adopted, like seriously or at a certain level, I don't see it really impacting."Media Fundamentals vs. Distribution RevolutionDespite technological advances, content remains king: "It's still all about unique storytelling, it's all about content and having programs people are willing to watch. That hasn't changed, that will always remain the same."However, distribution has transformed dramatically. Traditional broadcasters slow to embrace cloud workflows have been "left behind," while Netflix has "changed consumer behavior" fundamentally.Streaming Wars: Different Players, Different ChallengesNetflix stands alone: "Netflix has paved the way for everyone... everyone just felt okay, well Netflix has got the playbook, let's copy." Traditional media companies couldn't replicate this success due to legacy challenges.Amazon's strategy varies by region - "opportunistic" in Europe versus "all in on NFL" in the US.Apple faces awareness challenges despite quality investment: "For their part is just driving the awareness and letting people know of the content they have."The Return of the BundlePescatore predicted "the return of the big bundle but being delivered via IP now" - recognizing that while cord-cutting dismantled traditional packages, consumers still want comprehensive content delivered through modern infrastructure.Retention Over AcquisitionIn today's saturated market: "I'm of the opinion there aren't that many subscribers to go out there and acquire. Before you can even think about acquiring customers, all of the focus should be on customer retention."Creator Economy and Generational ShiftsUsing his three daughters (ages 11-17) as a focus group, Pescatore observes: "When you look at the young generation today, they're growing up in this culture where it's very much driven by those social platforms." This represents a fundamental shift in media consumption patterns.Future TechnologyDespite current skepticism, Pescatore is excited about smart glasses potential. The Ray-Ban Meta collaboration represents "version 1.0 which is gravitating extremely well with customers." He envisions devices "tethered to your watch, we may get to a point where we're not having to rely on the smartphone."Pescatore's analysis reveals an industry where technological capabilities exceed adoption rates, and success depends on understanding both legacy constraints and emerging opportunities in an increasingly converged ecosystem.

At 31, when most athletes chase one last payday, Beckham placed a calculated bet on American soccer that would make venture capitalists jealous—and transform him from global icon to business mogul

What if the billion-euro deal you bragged about became the life-raft you never boarded? French football’s about to show us.

French football's Ligue 1 has experienced a dramatic rollercoaster of broadcasting deals that transformed from a record-breaking triumph to a cautionary tale of financial instability. This fascinating story begins in May 2018, when optimism ran high as PSG flourished with Qatari investment and France anticipated World Cup glory. Mediapro emerged with an extraordinary promise: €780-814 million per season for 80% of Ligue 1's broadcasting rights, sparking immediate spending sprees across the league.

The euphoria was short-lived. Mediapro's new channel, Telefoot, struggled to attract viewers, and when COVID-19 hit, the situation deteriorated rapidly. Empty stadiums and plummeting advertising budgets exposed the deal's fragility. Just four months into the deal, Mediapro defaulted on payments, offering a mere €100 million before abandoning ship, leaving clubs facing a billion-euro deficit. This catastrophic failure marked the first major lesson: if a deal seems too good to be true, it probably is.

In the aftermath, Amazon seized the opportunity, acquiring 80% of games for approximately €250 million annually—a fraction of the Mediapro deal. This created significant tension with Canal+, who were locked into paying €332 million for just two matches weekly. The ensuing legal battles reached France's highest court, which acknowledged flaws in the tender process but upheld the contracts. This legal precedent forced broadcasters worldwide to factor in potential litigation costs when bidding on French football rights.

By spring 2022, private equity firm CVC Capital Partners stepped in with a €1.5 billion lifeline for 13% of a new media company. While this investment provided immediate relief to struggling clubs, it came with significant strings attached—perpetual dividends from future rights revenues. The situation grew more complex when investigators raided league and CVC offices in late 2024, damaging reputational standing and raising questions about the deal's structure.

October 2023 marked another low point when the league's attempt to secure new rights with an €800 million reserve price failed to attract a single bid. This unprecedented situation for a top-five European league revealed how severely market confidence had eroded and highlighted the lasting impact of previous failed deals.

The saga continued into September 2024 with DAZN and beIN crafting a €540 million rescue package. However, this arrangement quickly unraveled when DAZN withheld payments over piracy concerns, leading to legal disputes and counteractions. By April 2025, clubs voted to terminate the agreement after just one season, with a potential €240 million break-up fee pending board approval—marking the fastest major rights divorce in European football history.

Currently, Ligue 1 faces a critical juncture with no broadcaster secured for August 2025. The league is considering a Direct-to-Consumer streaming service priced at €25-30 monthly, requiring approximately two million subscribers to break even. This ambitious venture faces numerous challenges, including technical infrastructure development, customer service operations, rampant piracy concerns, and the departure of star players like Mbappé, Neymar, and Messi. However, this necessity-driven innovation might pioneer what wealthier leagues haven't dared to attempt.

Seven crucial lessons emerge from this saga: secure bank guarantees for promised funds; maintain transparent tender processes; treat private equity with caution, understanding it as high-octane fuel that can burn when spilled; account for legal risks in valuations; recognize star players as valuable leverage multipliers; prepare Direct-to-Consumer solutions well in advance; and acknowledge that market memory of broken contracts outlasts financial records.

Scott Gutterman, SVP of Broadcast and Digital Technologies at PGA Tour, offered a fascinating look into the complex technology ecosystem that powers golf broadcasting and digital experiences during the latest episode of "A Guy with a Scarf." Host Carlo De Marchis explored how the PGA Tour leverages cutting-edge technology to bring the sport to fans worldwide.

The PGA Tour's broadcasting operation has evolved significantly in recent years. Gutterman explained that in 2020, they took greater control of their production capabilities. "We actually took over the below the line production," he noted, describing how they now deploy eight trucks to each tournament site, setting up the compound, fiber networking, and camera equipment.

While maintaining an on-course production footprint, they've also embraced centralization. "For the ESPN productions and the PGA Tour Live productions, we manage them from top to bottom," Gutterman said. Much of this work now happens at their headquarters in Ponte Vedra Beach, Florida, where they operate from multiple studios with walking commentators on the course while desk talent works from their central facility.

The digital experience for golf fans has evolved dramatically since Gutterman joined the PGA Tour in 2005, when "it was just pgatour.com." Today, their digital ecosystem spans websites, mobile apps, AR/VR experiences, and emerging platforms.

"Our point of view has become more of really, we want to draw people into the owned and operated platforms, but we also now want to meet everybody wherever they are and however they want to consume golf," Gutterman explained.

For hardcore fans, the PGA Tour offers extremely detailed data through products like Shot Link and Tour Cast. "We have beautiful maps in there of every single hole. Our own teams, the ShotLink teams do mapping capture with lidar and radar across the course weeks and weeks in advance and capture every single object and tree on the course," he noted.

Perhaps most intriguing is how the PGA Tour is leveraging artificial intelligence to enhance storytelling. Gutterman described their innovative use of AWS Bedrock with Anthropic's Claude 3.5 Sonnet models to generate narrative commentary for every shot.

"We were actually able to get to a point where we are telling a story about every single shot, all 30,000 shots," he explained. "Every piece of commentary presents a fact and context."

This AI-generated commentary goes beyond simple metrics. For example, rather than just noting a player hit a drive 385 yards with 125 yards left to the hole, their system might say: "Rory McIlroy just hit a 385-yard drive on the 18th hole. It's his longest drive of the day... And at 125 yards out, he's got a 10% chance of putting it within 10ft."

Implementing this AI system required context services to understand golf in real-time and validation services to ensure accuracy. Gutterman emphasized the need for careful monitoring to maintain high accuracy rates.

The conversation also touched on how AI platforms like Perplexity, Claude, and Gemini are becoming new front ends for sports information. Gutterman noted: "What is that experience going to be like in 24 or 36 months if you're primarily using an Anthropic, if you're using Claude, or if you're using an AWS, Amazon Alexa or you're using a Google Gemini?"

These platforms are already incorporating sports data, with Perplexity launching a dedicated sports vertical. While the PGA Tour doesn't currently have partnerships with these AI platforms, Gutterman believes partnerships will emerge in the coming year.

The PGA Tour has institutionalized innovation throughout its organization. What began as a dedicated innovation program with specific budget and staff has evolved into a culture that permeates the entire organization.

This innovation mindset has led to creative solutions like "drone AR," which uses drones to present live shot trails during broadcasts.