This week's Lilli Palmer Acteurist Oeuvre-view episode is a George Seaton double feature that once again gives us Lilli the sophisticate and Lilli the saint: in The Pleasure of His Company (1961), she plays the ex-wife of Fred Astaire, an absentee father whose plan to recapture his youth by seducing their daughter into becoming his travelling companion she sets out to foil; while in The Counterfeit Traitor, she's a member of the German anti-Nazi resistance who imparts a conscience to William Holden's reluctant spy. And in Fear and Moviegoing in Toronto we cover our final Marguerite Duras viewings: her first film, La Musica, and two from near the end of her filmography, Agatha et les lectures illimitées and the formally radical L'homme atlantique.

Time Codes:

0h 00m 35s: THE PLEASURE OF HIS COMPANY (1961) [dir. George Seaton]

0h 24m 25s: THE COUNTERFEIT TRAITOR (1962) [dir. George Seaton]

0h 45m 10s: Fear and Moviegoing in Toronto: La Musica (1967), L’homme atlantique (1981) and Agatha et les lectures illimitées (1981) – all by Marguerite Duras

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* Listen to our guest episode on The Criterion Project – a discussion of Late Spring

* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise’s piece on Gangs of New York – “Making America Strange Again”

* Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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