Épisodes

  • Hymn to Hanuman

    Hymn to Hanuman
    Sep 11 2025
    "As a child I lived in a hostel away from my parents and I was always scared so my parents told me to recite the Hanuman Chalisa. That's how the text entered my life. Recently, I met a delegation from Trinidad and Tobago who said that the one thing they desperately needed was a singable translation of Indian spiritual texts as they can no longer read the original Awadhi or Hindi. So then I decided to do a translation that was not only literary but could also be sung with music. The Hanuman Chalisa teaches us ultimate humility; to approach everything with the notion that you do not know anything. Everytime I read it, it has a fresh angle. That's the beauty of Tulsidas' work. It's a tool for mindfulness and focus and it's also a text of diplomacy. It is amazingly condensed and layered and I'd like people to explore it not only as a spiritual text but also as an introduction to Indian sutra traditions."- Abhay K, poet, diplomat, translator of The Hanuman Chalisa Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 min
  • Following her own beat

    Following her own beat
    Sep 5 2025
    "When we write about music history, we are mostly talking about artists. There are also fewer biographies, autobiographies and memoirs by instrumentalists. But can the instrument itself become the protagonist to tell us our story? This has been one of my concerns as a practitioner. The ghatam is present in music across the country. It is an instrument with personality and has a central role in folk music. But, in classical music, it takes a back seat. My quest was to foreground a lot of things that are not spoken about in writing about music. This is an attempt to make visible things that are not visible to readers and listeners. These microstories would be good for people to know. This book also comes from a strong conviction that women need to write their own stories; otherwise they don't get written. Difficult things come back to you while writing a memoir but you also make many beautiful discoveries on the way. For me, my ghatam embodies everything that has gone before. My entire life is held in the pot now; it holds my singing as well. All the things I used to express a singer, I now express on the matka," says Sumana Chandrashekar, author, Song of the Clay Pot; My Journey With the Ghatam, Here, she talks to Manjula Narayan about everything from her relationships with her guru Sukanya Ramgopal, her guru's guru Vikku Vinayakram, and master ghatam maker Meenakshi Amma to how appearance plays a big role in the image of a performing artist, misogyny in Carnatic music circles, and the effect of unplanned urbanisation on instrument making. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 min
  • Brayed of tongue

    Brayed of tongue
    Aug 29 2025
    "Generally in India, the moment you see deviant behaviour, you immediately label the person 'mad'. But at least now, in some circles, the attitude towards seeking psychological help is changing. Some of these stories show how women with mental health issues become especially vulnerable. We see this so often in news articles. So these stories are right out of the society we live in." - Nabanita Sengupta and Nishi Pulugurtha, editors, Bandaged Moments; Stories of Mental Health by Women Writers from Indian Languages, talk to Manjula Narayan about putting together this collection of 26 stories from 17 Indian languages, what's lost and found in the process of translation, and about presenting in English the accurate cultural nuances of such varied tongues as Telegu, Hindi, Malayalam, Marathi and Tamil and dialects like Magahi, Bhojpuri and Silchar Bangla. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    56 min
  • Of public chaos and amateur Indians stranded on islands of privilege

    Of public chaos and amateur Indians stranded on islands of privilege
    Aug 21 2025
    "I feel India's politics is the revenge of the poor; it's why things are the way they are. They might not look at it as a violent act but it emerges from some kind of violence against us, the middle class. Whatever politicians do, usually there is local support. So it's a peep into human nature. We were always paying a price to escape India. Now, it costs a lot of money to fully escape. Now, it seems even if you pay 200 crores for a flat, you can't escape the air! We look much poorer than we are while most nations look much richer than they are. Unconsciously, India has developed an optical device to comfort the poor to whom public places belong. If there's too much order in India it would upset the poor. India's public chaos is the only thing going for them; it kind of resembles their lives. What the elite wants is some kind of aesthetics, which they are unable to persuade the political class to execute" - Manu Joseph, author, Why The Poor Don't Kill Us; The Psychology of Indians talks to Manjula Narayan about urban chaos, poverty being relative, and why intellectuals are invariably wrong Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 min
  • Of Hawa Hawai and writing for his life

    Of Hawa Hawai and writing for his life
    Aug 15 2025
    "People know about what sometimes happens to girls growing up in the kotha; but no one knows what happens to boys. Nobody's written about it as such so I thought I might as well do it. A kotha for tawaifs is not a place for sex work. There aren't really any pimps. If they turn up at the gates in the evening it's to usher in patrons for the song and dance, the entertainment, not for soliciting sex. The kotha is run entirely by women. As they know the world outside, they know how to protect their young ones. It is a protective bubble. But then, you grow up and see that the world is not as kind as your mother who is doing so much to keep you away from those elements. My mother would not dance in front of me because she did not want me to be influenced by her art. She wanted me to focus on my studies. So I used Sridevi on television to be my role model, to teach me the dance that my mother was denying me because she wanted a better life for me. Whether it was being the naagin from Nagina or thunder thighs in Tohfa, back then, Sridevi was everywhere. I looked at her and said she's my guru, my masterni, my mother! Even now, there isn't a day when I don't think of Sridevi. The tawaifs enjoyed my performances and clapped when I danced but it was different at boarding school, being a queer schoolboy. But education gave me the voice of privilege that I didn't have. Now, I'm lucky that my profession became my therapy. Writing healed me"- Manish Gaekwad, author, Nautch Boy; A Memoir of My Life in the Kothas, talks to Manjula Narayan about growing up surrounded by courtesans, unlearning the false sense of privilege he picked up at boarding school, and the power of writing Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 min
  • Homage to the fruit of the gods

    Homage to the fruit of the gods
    Aug 8 2025
    "In India, in the Philippines, and in the Caribbean, in places where the mango grows, it's viewed with universal adoration. We Americans are good at thinking that we have the best of everything; but not mangoes! We get these mangoes that look really good but they're more like an apple! It was a real aha! moment when we realised that we don't have the best mangoes!" Constance L Kirker and Mary Newman, authors, Mango; A Global History talk to Manjula Narayan about everything from Harappan mango curry and the fantastically expensive Miyazaki mangoes of Japan to the Gujarati dentist who ships Alphonso mangoes out to the Indian diaspora in the US, and how Americans generally think that unless mangoes are red, they aren't ripe enough to be eaten! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 4 min
  • Awe-inspiring ophiolatry

    Awe-inspiring ophiolatry
    Aug 1 2025
    "If you look at primordial deities, they are serpents, eggs, the sun and the moon - early humans associated divinity with these things that they could see. So, serpent worship existed everywhere across the world. In India, you see a common pattern whether it's in the south, or in Uttarakhand and Kashmir and even further north in Tibet - there are elements and iconography that's similar. Scholars believe serpent worship was the original form of worship, that it was pre-Dravidian, and that the Nagas themselves were pre Aryan and pre Dravidian people. We can only speculate. Perhaps what it tells us is that gods fade but whatever culture is preserved will remain. As with all kinds of belief and faith, there's no way to "prove" anything, and it's easy to disprove" -- K Hari Kumar, author, Naaga; Discovering the Extraordinary World of Serpent Worship talks to Manjula Narayan about ophiolatry in general, Naaga iconography in Indic religions, the figure of the naagin, stories of Ulupi and Iravan in myth and folk belief, the sacred serpent groves of Tulunad and Kerala, vyalimukhams across the country, and the challenges that emerge while documenting folklore. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h et 8 min
  • The Hymn to Nikkal, Einstein's violin, musical space odysseys and beyond

    The Hymn to Nikkal, Einstein's violin, musical space odysseys and beyond
    Jul 25 2025
    "Music connects us with something deeper. We know there's stuff around us that science cannot explain. Consciousness, for example, is hard to explain through science alone. Music seems to connect you somehow with what this other thing is. The emotional impact that music has and how it connects people together is also very profound. Music was absolutely central to Einstein too and if he got stuck in something when he was theorising, he would go away and play his violin and that would transport him into a different world and give him ideas. He likened music to science and scientific discovery. Musicians, he believed, didn't create music; they received it. I believe that as well. The music is out there and you act as an aerial/valve/funnel. Einstein believed that about scientific discovery too -- it's not like you create these theories; you receive them. So, by playing music by composers he loved -- like Bach -- who he believed received music, it put him in that frame of mind for discovery. Other great scientists like Max Planck, who were also good musicians, have said that as well. Science, music and mathematics have been woven throughout history. It's natural because, what is music? It is sound. Sound is a physical phenomenon and it's got mathematical rules. There is something unique about music, something different from anything else, and that's' what makes it so fascinating!" -- David Darling, author, A Perfect Harmony; Music, Mathematics and Science talks to Manjula Narayan about everything from Mesopotamian music from 1400 BCE, the Bull-Headed Lyre of Ur, and the compositions of the Abbess Hildegard of Bingen to dementia choirs and the tannerin used by the Beach Boys Learn more about your ad choices. Visit megaphone.fm/adchoices
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    52 min