Nathan and Ryan hit the backroads of horror with Jeepers Creepers (2001), the cult-favorite creature feature that introduced audiences to the Creeper. A brother and sister’s road trip turns into a nightmare when they stumble across a centuries-old monster with a taste for human parts. The hosts discuss the film’s creepy atmosphere, iconic opening act, and unforgettable creature design—while also unpacking how the movie’s legacy has been complicated by its infamous director. Is Jeepers Creepers still an effective scare-fest, or has time dimmed its headlights?

Nathan and Ryan sink their teeth into The Last Vampire on Earth, a no-budget oddity that feels like a bootleg Twilight mixed with soap opera melodrama. Marketed as a brooding vampire romance, this ultra-cheap production delivers awkward performances, questionable editing, and an atmosphere that makes it one of the strangest attempts at a vampire movie ever made. Is it so-bad-it’s-good fun, or just a painful watch? The hosts break down all the bloody (and baffling) details.

Nathan and Ryan take on one of the most infamous box office bombs of the early 90s: Hudson Hawk. Bruce Willis stars as a wisecracking cat burglar who times his heists to classic songs while getting wrapped up in a conspiracy involving Leonardo da Vinci’s secret inventions. With cartoonish villains, tonal whiplash, and a soundtrack of absurdity, this oddball action-comedy has become a cult favorite for some and a headache for others. The hosts break down whether Hudson Hawk is an underrated gem or an overindulgent disaster.

Nathan and Ryan dive into Albert Pyun’s Brain Smasher… A Love Story, the offbeat action-comedy where Andrew Dice Clay plays a tough bouncer who finds himself protecting a supermodel (Teri Hatcher) from a gang of “not ninjas” in Portland. The hosts break down the film’s strange blend of romance, martial arts parody, and Pyun’s signature low-budget flair, while asking the big question: is this secretly a charming cult gem or just a bizarre 90s curiosity?

Nathan and Ryan take a trip back to 1950 with I Was a Shoplifter, a cautionary crime drama that mixes noir style with moral messaging. Following a young woman caught stealing who gets pulled into a slick shoplifting ring, the film balances pulpy thrills with a heavy dose of “crime doesn’t pay” melodrama. The hosts discuss the movie’s place in the era’s crime film cycle, its campy mix of sincerity and exploitation, and how it fits into the tradition of morality tales disguised as B-movies.

Nathan and Ryan dive into Samuel Fuller’s hard-edged noir classic Pickup on South Street (1953). When a pickpocket (Richard Widmark) unknowingly swipes microfilm containing government secrets, he becomes entangled in a dangerous game of espionage, betrayal, and survival on the streets of New York. The hosts unpack the film’s gritty style, its Cold War anxieties, and Fuller’s sharp mix of pulp thrills and political tension.

Nathan and Ryan take on one of the strangest and most ambitious entries in the Godzilla franchise: Godzilla vs. Biollante (1989). Blending sci-fi, horror, and a dash of plant-based madness, this sequel pits the King of the Monsters against Biollante—a genetically engineered kaiju born from roses, human DNA, and Godzilla’s own cells. The hosts discuss the film’s experimental tone, its Cold War-era science fiction themes, and whether or not Biollante deserves more love as one of Godzilla’s most unique foes.

Nathan and Ryan dive deeper into the twisted world of Jigsaw with Saw III (2006), the sequel that cranks up the gore, the traps, and the moral dilemmas. As Amanda’s role expands and John Kramer’s story takes center stage, the hosts unravel the film’s shocking twists, its place in the Saw franchise, and why this entry cemented the series’ reputation as the ultimate horror endurance test. Expect plenty of discussion on inventive kills, psychological torment, and how far is too far when it comes to horror sequels.