Coil was an English experimental group formed in 1982 by John Balance, who was soon joined by his Psychic TV bandmate and former original member of Throbbing Gristle, Peter Christopherson.

Over the years, Coil's work was very diverse exploring various themes including the occult, sexuality, and alchemy while crossing through musical boundaries, styles, and genres such as experimental electronic, industrial, minimalist, dark ambient, noise, and drone among many others.

After the release of their 1984 debut EP How to Destroy Angels, Coil's first album was Scatology in 1985 followed by Horse Rotorvator in 1986, an album considered as one of the most influential industrial records created.

In addition to Balance and Christopherson, who were the only two consistent members of Coil, many contributors would join them over the years.

Following the accidental death of John Balance in 2004, Peter Christopherson would announce the end of the band. There would be one final album and the release of a number of older recordings and compilations. Peter Christopherson died in 2010.

This podcast will tell the story of the band and their experimental work over their career, with a focus on the first two classic albums.

After forming in the mid-1980's, the music of the English band All About Eve fell loosely into the UK goth rock scene. Over the next few years, the music would evolve into a more unique, folk-rock influenced style, all behind the beautiful voice and songwriting of lead singer Julianne Regan.

All About Eve would create four studio albums beginning with the 1988 self-titled debut album that included the hit single "Martha's Harbour". Following the second studio album, guitarist Tim Bricheno left the band was was replaced by Marty Willson-Piper, long time member of The Church. After two albums with Willson-Piper, including one album with a guest appearance from David Gilmour, the band would end their initial run in 1993.

This podcast will talk about the early years of the band, the music of their albums through the 1992 fourth and final studio LP, and their subsequent years.

The 1982 self-titled debut album from A Flock of Seagulls was one about extra-terrestrial invasion and alien abduction with themes of technology and space. This concept album blended synth-pop and post-punk while featuring atmospheric synthesizers, electronic sounds, chiming guitars, along with the iconic songs: "I Ran (So Far Away)" and "Space Age Love Song".

A Flock of Seagulls' music and image, including the distinctive hair style along with innovative music videos, became synonymous with 1980s pop culture and the early years of MTV as the band helped to define and shape synth, dance and electronic music of the era.

This podcast episode will tell the story of the early years of the band, the success of the debut self-titled album, and the music the band created over their next couple of albums.