Caius and Sir Guy (Detroit; he/they) unpack the personal and political layers of Sir Guy’s entertaining (and educational) musical homage to the clitoris, set to an early Dorian Electra single. They talk kinging in flannel, Dolly Parton, lesbian visibility, and the responsibilities kings hold in the performer-audience relationship.

Content warnings: detailed discussion of lesbophobia and caraccident-related injuries. References to genital anatomy and historicalmisogyny.

Special thanks to Maine(void), Homer E. Rodick, and RonnieWrath!

Did you love it? Did you hate it? Do you want to give a dragking a piece of your mind?

Instagram: @kingsontheaux

Email: caiuscrow@gmail.com

Series logo by @twistedtransitioner on Instagram

Opening music & credits: “Sensitive” by gurdonark feat. Ondrej Rosik

Available at ccMixter.org http://dig.ccmixter.org/files/gurdonark/35631

Under CC BY license https://creativecommons.org/licenses/by/4.0/

Caius and AndroNTT (Akron/NEOhio; he/him) analyze thestorytelling and emotional expression of Andro’s “Succession”-inspired Mitski mix, which he has performed exclusively at The Odditorium. They talk speech and debate, the impact of fictional babygirls, growing up a film and TV nerd, and drag as a counterpoint to poetry.

Content warnings: detailed discussion of transphobia, anti-Black racism, misogyny, and misogynoir. Mentions of addiction, parent-child abuse, and sexual assault. Occasional use of the d-slur.

Special thanks to Maine(void), the Twisted Transitioner,Beck E. Bardoux, Homer E. Rodick, and Rocky Switch!

Donate to Andro’s transportation fund here:

Cashapp/Venmo @androntt

Zelle donate@hotcle.org

Credit hotcle.org/act

Did you love it? Did you hate it? Do you want to give a dragking a piece of your mind?

Instagram: @kingsontheaux

Email: caiuscrow@gmail.com

Series logo by @twistedtransitioner on Instagram

Opening music & credits: “Sensitive” by gurdonark feat. Ondrej Rosik

Available at ccMixter.org http://dig.ccmixter.org/files/gurdonark/35631

Under CC BY license https://creativecommons.org/licenses/by/4.0/

Caius and Edward Lygma aka The Rizzler (NYC; he/they) take a deep dive into the politics and aesthetics of “Money” from Cabaret (1998), which Edward performed for the Rock with Me challenge during Kingpin season 2. They talk Doctor Who, operatic form, competition strategy for kings, and why we all love the public library.

Content warnings: detailed discussion of contemporary and historical fascism. Mentions of chronic illness, ableism, homophobia, and anti-Black racism.

Special thanks to Maine(void), Elina Mountanto, Butch Thespian, Adrian Du Visage, Captain Kae, AndroNTT, Kyle Yerself, Homer E. Rodick, the Twisted Transitioner, and Bram Stroke-Her!

Did you love it? Did you hate it? Do you want to give a drag king a piece of your mind?

Instagram: @kingsontheaux

Email: caiuscrow@gmail.com

Series logo by @twistedtransitioner on Instagram

Opening music & credits: “Sensitive” by gurdonark feat. Ondrej Rosik

Available at ccMixter.org http://dig.ccmixter.org/files/gurdonark/35631

Under CC BY license https://creativecommons.org/licenses/by/4.0/