Rami is a developer, speaker, and global ambassador for indie games. As the co-founder of Vlambeer, he helped create a string of critically acclaimed titles—including Super Crate Box, Ridiculous Fishing, Luftrausers, and Nuclear Throne—that helped define a new era of independent game development.

Beyond his work on games, he’s become one of the most visible and influential voices in the industry, advocating for accessibility, diversity, and support for developers around the world. Through his public speaking, writing, and tools like presskit() and distribute(), he’s worked tirelessly to empower smaller studios to reach broader audiences.

Links:

Rami Ismail Website

Australia Did It trailer

The Guilt of the Indie Game Millionaires, New Yorker.

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Chris Plante is a journalist, editor, and one of the sharpest voices working in video game media. After studying at New York University, he worked as freelance writer for outlets including The Guardian, Vulture, and Edge before, in 2012, co-founding Polygon, a website blending coverage of pop culture, longform storytelling, and thoughtful games criticism.

Alongside his journalism, he co-wrote the story for the hit podcast series, Limetown, later adapted into a TV series starring Stanley Tucci. In 2017, after a stint overseeing the Culture desk at The Verge, he returned to Polygon as editor-in-chief. In May, after nearly a decade at the site, he left Polygon to launch Post Games, a podcast about why and how we love video games. Smart, funny, and never afraid to challenge the status quo, my guest has helped define contemporary games journalism.

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Claire L. Evans. is an American musician, writer, and artist whose career has spanned music, technology, and cultural criticism. Best known as the co-founder and lead singer of the indie pop group YACHT, she has helped steer the group into bold experiments at the intersection of sound, performance, and digital art.

She’s also the author of Broad Band: The Untold Story of the Women Who Made the Internet, a widely acclaimed history that re-centres the pioneering women whose work shaped our digital world. Beyond that, her essays and criticism have appeared in VICE, Wired, and The Guardian, where she often explores the ways technology and culture collide.

Most recently, she's one of the creators of Blippo+, a TV channel-surfing game for Switch, Steam, and Playdate in which players flip through a surreal lineup of alien broadcasts, lo-fi oddities, and hidden lore, uncovering the strange culture of Planet Blip one channel at a time.

LINKS:

YACHT

Claire' website

Blippo+

Night and the City, Christian Donlan.

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Alexander O. Smith is a translator, writer, and creative producer whose work has brought some of Japan’s most acclaimed stories to audiences around the world. After graduating from Harvard University with a degree in classical Japanese Literature, he went on to become one of the most respected voices in literary and video game translation.

He is best known for his celebrated work on Final Fantasy XII, Vagrant Story, and the Phoenix Wright: Ace Attorneyseries, as well as his translations of Japanese novels and manga, including those by Miyuki Miyabe and Akira Toriyama. With a rare gift for capturing cultural nuance, he has helped define how English-speaking players and readers experience modern Japanese storytelling.

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Charlie Rosen is a Grammy award-winning musician, composer, and arranger whose work sits at the intersection of jazz, pop, and video game nostalgia. As the founder and leader of The 8-bit Big Band, a 35-piece jazz-pops orchestra, he had transformed classic video game soundtracks into virtuosic symphonic showstoppers.

Under his direction, the ensemble has reimagined themes from Super Mario Bros., The Legend of Zelda, and Sonic the Hedgehog, with flair—earning critical acclaim, viral attention, and a devoted global audience. The band’s latest album, Orchestrator Emulator, was named Jazz Album of the Week by The Sunday Times and continues my guest’s mission to build what he calls “The Great Video Game Songbook.”

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Andy Robertson is a veteran journalist, editor, and entrepreneur who has spent his career exploring how video games can bring people together. After graduating from Brunel University with a degree in Computer Science, he worked as a freelance games critic for the BBC before launching Family Gamer TV, a YouTube channel designed to help parents and caregivers confidently navigate the increasingly complex world of games.

An advocate of games in diverse spaces, including the TEDx and Greenbelt festivals, he’s now launched Ludocene, a site described as “Tinder for games”. This clever, card-based video game recommendation platform has been inspired by deck-builder mechanics, and is designed to surface hidden gems beyond algorithmic trends. With a career that sits at the crossroads of games, meaning, and joy—he is a champion of the idea that digital play can be nutritious, life-giving, and wildly fun.

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Lizzie Killian is the lead vocalist and guitarist of Teens in Trouble, an indie rock band known for its anthemic melodies, sharp lyrics, and emotionally charged hooks. Before taking to the stage, she started her career as a writer covering games, then moved into communications, collaborating with titans of the industry such Capcom, EA, and Riot.

In 2022 she released her first E.P. with her band Teens in Trouble, which included the tracks “I’m Not Worried” and “Decomposing,” both of which have been featured in Fortnite. Last year, the band released their debut full-length album ‘What’s Mine’, described by Punk News as an “effervescent, catchy… grand way to make an entrance.”

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Jonathan Jacques-Belletête is a French-Canadian creative director and artist whose work has helped shape some of the most stylish and thought-provoking contemporary video games. After graduating from Dawson College in Montreal, he worked as a commercial illustrator before joining Ubisoft as an artist on the Far Cry, Prince of Persia and Assassin’s Creed series.

In 2007 he joined Eidos Montreal, where he helped reimagine the Deus Ex universe with the games Human Revolution and Mankind Divided, blending cyberpunk aesthetics with deeply human themes. Now, as creative director of Hell is Us, he’s led one of the most intriguing and mysterious projects in development—a game that promises to challenge how we think about conflict and identity.

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