The 58th episode brings back the excellent Dr. Dianne Luce to discuss with us McCarthy’s 2006 play The Sunset Limited (or is it a novel in dramatic form?). Produced first by the Steppenwolf Theater in Chicago in May of 2006, it later went on to open in New York. Dianne Luce saw it in Chicago during that opening run and we’ve both seen the Tommy Lee Jones directed film version which aired on HBO in 2011. The play shows two men, a cynical, atheist white professor and an evangelical Black ex-con, who debate faith, whether life has meaning or consequence, and whether suicide is a viable option.

Returning guest Dianne Luce has appeared previously on Reading McCarthy with discussions of The Orchard Keeper, Suttree, and McCarthy’s legacy, among others. She is a founding member and past president of the Cormac McCarthy society. Together with Edwin Arnold she edited two seminal collections of essays on McCarthy’s work, Perspectives on Cormac McCarthy and A Cormac McCarthy Companion: The Border Trilogy. Additionally she is the author of Reading The World. Cormac McCarthy’s Tennessee Period, University of South Carolina Press, 2009, and Embracing Vocation: Embracing Vocation: Cormac McCarthy's Writing Life, 1959-1974, USC Press 2023. She is currently working on a second volume of Cormac McCarthy's Writing Life, covering 1974-1985.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. Film trailer for The Sunset Limited, directed by Tommy Lee Jones, 2011.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll follow along. Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts. If you’re agreeable it’ll help us if you provide favorable reviews on these platforms. To contact us, please reach out to readingmccarthy(@)gmail.com.

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Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This past December your not-so-intrepid host was able to make a pilgrimage to San Marcos, Texas, to visit the Wittliff Collection in the Alkek Library at Texas State University and plumb its treasure trove of McCarthy archives. My guest in this episode is Katie Salzmann, who has been Lead Archivist at The Wittliff Collections at Texas State since 2004. Prior to that, she worked with literary and historical manuscript collections at Southern Illinois University and Howard University. She holds a BA in English from The College of Wooster in Ohio, and a Masters in Library and Information Science from the University of Texas-Austin. Katie oversees all areas of The Wittliff's archival program, and her talented team process collections, provide reference and instruction, and digitize select materials. Katie processed the original Cormac McCarthy collection acquired in 2007 and is currently working on the latest accrual anticipated to open in Fall of 2025 .

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society If you’re agreeable it’ll help us if you provide favorable reviews on your favored platforms. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. The website is at readingmccarthy.buzzsprout.com.

Listen on: Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This episode has a history that winds like a West Texas border road. My guests are the Brothers Elmore, and we originally recorded it in April but one of the tracks went bad. So finally at the end of our collective academic semesters, we once again discussed No Country for Old Men, speculating about its origins, its commentary on neo-liberalism, the film adaptation, and how some critics tried to read the author through the novel. Twin brothers, the Elmores collaborate on their work on McCarthy.

Jonathan Elmore is Associate Professor of English at Louisiana Tech University and the Managing Editor of Watchung Review.. He is the editor of Fiction and the Sixth Mass Extinction: Narrative in an Era of Loss (Lexington) and co-author of An Introduction to African and Afro-Diasporic Peoples and Influences in British Literature and Culture before the Industrial Revolution (ALG). His scholarship has been published in The Cormac McCarthy Journal, Mississippi Quarterly, The British Fantasy Society Journal, Orbit, The Journal of Liberal Arts and Humanities, and The Criterion, among others.

Thanks as well to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope that like Hank Williams they will someday see the light. Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts. If you’re agreeable it’ll help us if you provide favorable reviews on these platforms. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. The website is readingmccarthy.buzzsprout.com.

Listen on: Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...