Épisodes

  • Episode Nine: They Look Like People (2015) & The Invitation (2015)
    Jul 13 2025

    Episode Nine: The Look Like People (2015) & The Invitation (2015). Urban paranoia, independent cinema and the horrors of friendship

    Welcome to episode 9 of the Horror Double Bill, the podcast where each week we put two films together to create something far greater than the sum of its parts.

    This week we are unwrapping the horrors of friendship, with two films from 2015 that ask the questions, what do you do when people you once thought you knew are no longer the people you remember, and how long should you stick around to find out exactly who they have become?

    First up is They Look Like People, the debut from director Perry Blackshear, a film which explores the bonds of male friendship and the impacts of male insecurity as two friends reunite in New York for the first time since college.

    Then we head over to the west coast for another reunion, this time in LA, with The Invitation from director by Karyn Kusama, a study of paranoia and the impact of grief, depicting a group of old friends meeting for a dinner party where everything rapidly falls apart.

    Both of this week’s films are shining examples of American Independent Cinema, and draw, to a greater or lesser degree, from the notion of replacement horror – the idea that someone close to you has been substituted by someone or something else, creating a heightened sense of paranoia and raising questions as to whether perceptions are reality or indeed reliable.

    Instagram: thehorrordoublebill

    email: thehorrodoublebill@gmail.com

    Sources used for this weeks episode:

    Replacement Horror:

    Invasion of the Body Snatchers: A Tribute edited by Kevin McCarthy and Ed Gorman

    Don Siegel Director by Stuart M Kaminsky

    They Look Like People:

    interviews with the cast and crew on the 2022 Yellow Veil Pictures Blu Ray release as well as the director and cast commentaries

    https://www.scifinow.co.uk/interviews/they-look-like-people-is-a-horror-that-spans-genres/

    https://screenanarchy.com/2015/01/slamdance-2015-review-they-look-like-people-the-nightmare-of-self.html#:~:text=The%20other%20marvel%20to%20take,which%20also%20intelligently%20explore%20the

    https://screenanarchy.com/2022/04/perry-blackshears-psychological-horror-debut-they-look-like-people-gets-a-blu-ray-release-from-yello.html#:~:text=,Audience%20Award%2C%20Nashville%20Film%20Festival

    The Invitation:

    interviews and commentaries with the writers, cast and crew on the blu ray release from Second Sight films

    Karyn Kusama at the Directors Guild of America:

    https://youtu.be/_n-a7f1UBNc?si=s8h8wweCBmiC-5Vl

    Karyn Kusama at Frightday:

    https://youtu.be/7TDAUxznVhM?si=ba5PpGqGBk-jce_9

    An interview with Logan Marshall Green:

    https://dailydead.com/exclusive-interview-with-the-invitations-logan-marshall-green/#:~:text=Logan%20Marshall,view%20the%20audience%20sits%20in

    Filmmaker Magazine

    https://filmmakermagazine.com/97782-framing-is-its-own-dark-art-karyn-kusama-on-the-invitation/#:~:text=Kusama%3A%20Phil%20Hay%20and%20Matt,horrifying%20element%20of%20the%20story

    Go Into The Story:

    https://gointothestory.blcklst.com/go-into-the-story-interview-matt-manfredi-and-phil-hay-f5925c5923a

    https://gointothestory.blcklst.com/interview-written-karyn-kusama-and-phil-hay-the-invitation-c2690e24e97a

    The Guardian:https://support.theguardian.com/uk/guardian-ad-lite?returnAddress=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2016%2Fapr%2F05%2Fthe-invitation-film-review-karyn-kusama-suspense






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    1 h
  • Episode Eight: Isle of the Dead (1945) & Martin (1977)
    Jul 6 2025

    Episode Eight: Isle of the Dead (1945) & Martin (1977) : There's no such thing as a vampire.

    Welcome to episode 8 of The Horror Double Bill – the podcast where we put two films together to create something greater than the sum its parts.

    This week we are unpacking 2 rather unusual takes on vampire mythology. First up is Isle of the Dead from 1945, produced by Val Lewton, who we discussed back ion episode two, and starring the legendary Boris Karloff. Then we jump forward 32 years to 1977 and Martin from director George A Romero’s, which marks the first time that Romero would work with special effects wizard Tom Savini. This is a character study of a young man who believes himself to be a vampire, or then again maybe he doesn’t, and was one of the director’s favourites of all his films.

    Contact and socials

    IG: the horrordoublebill

    email: thehorrordoublebill@gmail.com

    References used for this episode:

    Boris Karloff & Isle of the Dead:

    Karloff.com

    Val Lewton The Reality of Terror by Joel E Siegel

    Universal Horror by Tom Weaver, Micheal Brunas and John Brunas

    Dreams of Darkness by Jp Telotte

    Icons of Grief, Val Lewton’s Home Front Pictures by Alexander Nemerov

    American Gothic: Six Decades of Classic Horror Cinema by Jonathan Rigby

    George A Romero & Martin

    George A Romero Interviews, edited by Tony Williams

    George A Romero on Screen by Chris Wade

    The American Nightmare (documentary):

    https://www.youtube.com/watch?v=k5v03a_zCSM&t=3928s

    Various special features and commentaries on the Blu Ray release of the film from Second Sight films and the Immortal Edition DVD release from Arrow Video


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    1 h et 20 min
  • Episode Seven: Village of the Damned (1960) & Who Can Kill a Child (1976)
    Jun 29 2025

    Episode Seven: Village of the Damned (1960) & Who Can Kill a Child (1976). There's something very wrong with the children....

    Welcome to The Horror Double Bill, the podcast where we combine two films, and fall down several rabbit holes, to create something greater than the sum of its parts.

    First up is Village of the Damned, from 1960 starring George Sanders and Barbara Shelley, in which group of mysterious children take control of a small English village. Then we are heading to another village, only this time in Spain, for Who Can Kill a Child from 1976, which even in its very title, poses the question of how far would you go to protect yourself… when the danger comes from those that society has sworn to protect?

    Join us every Sunday for a new pairing and a new discussion

    Instagram: @thehorrordoublebill

    #horrorpodcast #horrorcinema #spanishhorror #britishhorror #1970shorror #1960shorror #cultcinema #horrormovies


    Sources:

    Evil Seeds The Ultimate Movie Guide to Villainous Children edited by Vanessa Morgan

    Historical background and context:

    https://learn.genetics.utah.edu/content/cloning/clonezone/
    https://www.history.com/news/juvenile-delinquency-1950s-culture
    https://www.psychologytoday.com/gb/blog/surviving-the-female-psychopath/202308/the-genesis-of-william-marchs-the-bad-seed
    https://william-golding.co.uk/lord-of-the-flies-and-the-second-world-war
    https://sf-encyclopedia.com/entry/bixby_jerome
    https://en.m.wikipedia.org/wiki/Jerome_Bixby
    https://www.history.com/news/cold-war-paranoia-in-pop-culture
    https://retroreport.org/video/population-bomb-the-overpopulation-theory-that-fell-flat/
    https://en.m.wikipedia.org/wiki/The_Population_Bomb#
    https://www.britannica.com/event/baby-boom
    https://tangentonline.com/interviews-columnsmenu-166/interviews-columnsmenu-166-interviews-columnsmenu-166/classic-ray-bradbury-interview/#:~:text=TANGENT%3A%20Ray%2C%20you%20have%20a,and%20just%20about%20everything%20since.

    Village of the Damned:

    English Gothic: Classic Horror Cinema 1897 – 2015 by Jonathan Rigby
    https://www.theguardian.com/books/2008/jun/10/johnwyndham#:~:text=Critical%20verdict
    https://www.theguardian.com/film/2003/dec/05/2
    https://en.wikipedia.org/wiki/The_Midwich_Cuckoos
    https://reactormag.com/village-of-the-damned-killer-kiddos-from-outer-space/#:~:text=Upon%20its%20move%20to%20the,that%20unfortunate%20driver%20smashes%20into
    https://culturevulture.net/film/village-of-the-damned/#:~:text=The%20Midwich%20Cuckoos%20alludes%20not,a%20heresy%20to%20Catholic%20dogma
    https://en.wikipedia.org/wiki/George_Sanders
    https://en.wikipedia.org/wiki/Tom_Conway
    https://www.imdb.com/name/nm0001694/
    https://www.theguardian.com/film/filmblog/2010/jul/14/george-sanders-centenary

    Who Can Kill A Child:

    “Who Can Kill a Child?” Mondo Macabro Blue Ray release special features: Interview with Narcisso Ibanez Sarrador, Interview with Kim Newman
    Spanish Horror Film by Antonio Lazzaro-Reboll
    https://en.wikipedia.org/wiki/Who_Can_Kill_a_Child%3F




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    1 h et 9 min
  • Episode Six: Night of the Eagle (1962) & The Devil Rides Out (1968)
    Jun 22 2025

    Episode Six: Night of the Eagle (1962) & The Devil Rides Out (1968). Must be the season of the witch......

    Welcome to The Horror Double Bill, the podcast where we combine two films, and fall down several rabbit holes, to create something greater than the sum of its parts.

    First up is Night of the Eagle, from 1962, released in the US as Burn Witch Burn, in which professional rivalries on a college campus spill over into something far more primal and far more ancient. We follow that with my favourite hammer movie, The Devil Rides Out from 1968, which was released in the US as The Devil’s Bride, in which Christopher Lee, rather unusually representing the forces of good, battles for the soul of a young friend against the power of darkness.

    Along the way we will be discussing the rise of interest in the occult in the 1960s, changing attitudes in British censorship, the career and work of Richard Matheson, the life of notorious occultist and the ‘wickedest man in the world’ Alistair Crowley, and more.

    Sources:

    Background:

    https://www.theguardian.com/books/2013/jun/25/richard-matheson
    https://www.washingtonpost.com/entertainment/richard-matheson-dead/2013/06/24/7c1bc0f6-dd38-11e2-9844-8979d66cdd71_story.html
    https://variety.com/2013/film/news/richard-matheson-dies-at-87-1200505071/
    https://en.wikipedia.org/wiki/Richard_Matheson
    https://www.mopop.org/science-fiction-fantasy-hall-of-fame/inductees/richard-matheson/
    English gothic classic horror cinema 1897 to 2015 by Jonathan Rigby

    Night of the Eagle:

    Audio commentary and special features on the special edition Blu-ray release of Night of the Eagle from Imprint films
    https://www.bostonmovienews.com/burn-witch-burn-revival
    https://www.blackgate.com/2014/02/15/lust-women-and-the-devil-seven-decades-of-conjure-wife
    PeterWyngard.uk

    The Devil Rides Out:

    Various features from the Criterion Blu Ray release of The Devil Rides Out, including cast commentaries and the documentary “Black Magic The Making of the Devil Rides Out’ Devil is a Gentleman: The Life and Times of Dennis Wheatley by Phil Baker
    Hammer Complete: The Films, the Personnel, the Company by Howard Maxford
    The Hammer Story: The Authorised History of Hammer Films by Marcus Hearn and Alan Barnes
    Hammer And Beyond: The British Horror Film by Peter HutchingsA History of Magic – Richard Cavendish
    Aleister Crowley: The Biography – Tobias Churton
    “The Neverendingly Occulted Aleister Crowley” – Marco Pasi, Numen
    https://www.bl.uk/people/aleister-crowley
    https://www.bbc.co.uk/archive/aleister-crowley/zvjvscw

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    1 h et 9 min
  • Episode Five: The House With Laughing Windows (1976) & Don't Torture a Duckling (1972)
    Jun 15 2025

    Episode 5: The House with Laughing Windows (1976) and Don't Torture a Duckling (1972) : Rural Giallo, Postwar Italy, and the Haunted Landscape

    In this episode of The Horror Double Bill, we journey deep into the unsettling beauty of the Italian countryside to explore The House with Laughing Windows (1976) and Don’t Torture a Duckling (1972). These two standout examples of rural gialli capture a nation in flux—reflecting the tension, suspicion, and isolation brought about by post-war migration from the south to the north of Italy.

    We unpack the social, cultural, and historical upheaval that followed World War II, as Italy’s rural communities were transformed by internal migration, superstition, and deepening class divides.

    Expect thematic analysis, behind-the-scenes details, historical research, and a deep dive into how horror can expose the fractures in national identity.

    References & Sources used for this episode:

    Books

    So Deadly, So Perverse by Troy Howarth
    La Dolce Morte : Vernacular Cinema and the Italian Giallo by Mikel J Koven
    Italian Gothic Horror Films, 1970–1979 by Roberto Curti
    Beyond Terror: The Films of Lucio Fulci by Stephen Thrower
    Milking the Moon by Eugene Walter
    The Palgrave Handbook of Contemporary Gothic edited by Clive Bloom

    articles

    https://brightlightsfilm.com/brutal-nobility-painting-death-house-laughing-windows-pupi-avati-1976/

    Blu Rays

    Don't Torture a Duckling Arrow video special edition blu ray - interviews and commentary
    The House with Laughing Windows Shamless Entertainment special edition DVD - interview with Pupi Avati

    #cultcinema #giallo #horrorpodcast #1970shorror #cinephile #classichorror #darioargento #eurohorror #luciofulci #pupiavati #eurohorror #europeanhorror #1970shorror

    🔗 Subscribe for new episodes every Sunday, and follow us on social media for more horror history, film theory, and obscure recommendations.

    📸 thehorrordoublebill

    📍 Available wherever you get your podcasts

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    1 h et 9 min
  • Episode Four: And Soon The Darkness (1970) & The Hitcher (1986)
    Jun 8 2025

    Episode 4 – The Horror Double Bill: And Soon the Darkness (1970) & The Hitcher (1986)

    In this episode of The Horror Double Bill, we explore two chilling roadbound nightmares that turn travel into terror. First, we examine And Soon the Darkness (1970), a sun-drenched British thriller where isolation in the French countryside gives way to dread. Then, we dive into The Hitcher (1986), a haunting, nihilistic American horror-thriller in which a lone driver picks up far more than he bargained for on the open road.

    Both films use beautiful yet empty landscapes to generate feelings of isolation, and in this episode we discuss the use of space, cinematography, casting, and production stories, as well as the original critical reception and later re-evaluation of both films.

    sources used for this episode:

    And Soon the Darkness

    StudioCanal Blu-ray (2021 edition):
    https://www.studiocanal.com/

    British Film Institute (BFI):
    https://www.bfi.org.uk/features/and-soon-darkness-daylight-thriller

    Little White Lies retrospective:
    https://lwlies.com/articles/and-soon-the-darkness-1970-retrospective/

    Film Stories article:
    https://filmstories.co.uk/features/and-soon-the-darkness-1970-british-thriller/

    Hammer and Beyond blog:
    https://hammerandbeyond.blogspot.com/2012/06/and-soon-darkness-1970.html

    Newspaper archives: The Guardian, The Times, The New York Times,

    The Hitcher

    The Hitcher (1986) – Second Sight Films 4K UHD Blu-ray Special Features (2024) : Interviews with Robert Harmon, Eric Red, C. Thomas Howell, Jennifer Jason Leigh, Mark Isham, and John Seale:

    https://secondsightfilms.co.uk/

    "The Hitcher - How do these films get made" - feature included in the Momentum special edition DVD release.

    Chris Broughton, “How we made chiller classic The Hitcher,” The Guardian, Oct 7, 2024:
    https://www.theguardian.com/culture/2024/oct/07/rutger-hauer-chiller-classic-the-hitcher-thomas-howell

    Roger Ebert, “The Hitcher,” Chicago Sun-Times review, 1986
    https://www.rogerebert.com/reviews/the-hitcher-1986#:~:text=%E2%80%9CThe%20Hitcher%E2%80%9D%20grants%20the%20Hauer,movie%20is%20diseased%20and%20corrupt.

    Newsweek review by Jack Kroll (quoted in Los Angeles Times, 1986)
    Daily Variety & The Hollywood Reporter reviews (1986), quoted in Los Angeles Times

    https://www.latimes.com/archives/la-xpm-1986-02-23-ca-10847-story.html

    📸 thehorrordoublebill
    📧 thehorrordoublebill@gmail.com

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    1 h et 5 min
  • Episode Three: Frightmare (1974) & Possum (2018)
    Jun 1 2025

    The Horror Double Bill Episode Three: Frightmare (1974) & Possum (2018) British suburban gothic, moral outrage, and the horror of family values.

    This week on The Horror Double Bill, we’re digging into the unsettling world of British horror with a pairing that’s as psychologically disturbing as it is politically charged: Frightmare (1974), directed by Pete Walker, and Possum (2018), the bleakly brilliant debut from Matthew Holness.

    Join us as we chew over themes of madness, repression, and inherited trauma, exploring how these two films capture a peculiarly British horror – one rooted in decaying institutions, Victorian legacies, and a deep distrust of the family unit. We also cast a critical eye on 1970s Britain, from Mary Whitehouse and the Festival of Light to the eerie legacy of public information films and the uncanny weirdness of kids’ TV.

    Subscribe for more deep-dive horror analysis each week.

    📸 thehorrordoublebill
    📧 thehorrordoublebill@gmail.com

    artwork by Justin Parker
    📸 jpkr_illustration

    A Gun for George by Matthew Holness: https://youtu.be/Fq0xt_gbVH0?si=EV_TxxWEVeUf-GB2

    Sources used for this episode:

    Frightmare:

    • Making Mischief: The Cult Films of Pete Walker by Steve Chibnall
    • English Gothic: Classic Horror Cinema 1897–2015 by Jonathan Rigby
    • Nightmare Movies by Kim Newman
    https://youtu.be/nrJNpitX-Fc?si=5PNxx36KdpSNFpGQ
    https://youtu.be/1Rn3t0CsIiU?si=dUCwoXYBdwo7LRRX
    https://youtu.be/L2nGhSZRXRE?si=-ppxESgGEmOsi87g
    https://youtu.be/O2piqstEaTI?si=H-XOt-pnyZ-KwL2j
    https://youtu.be/oswUssXzFlY?si=xR4owVtVEO5TyUTL

    Possum:

    • Film4 (2018) Interview with Matthew Holness
    • Essay: “Waking up, is it?”: Childhood Trauma, Repression, and Freud’s Uncanny in POSSUM (Father, Son, and Holy Gore, by C. H. Newell) : fathersonholygore.com/2019/04/10/essay-waking-up-is-it-childhood-trauma-repression-and-freuds-uncanny-in-possum/#:~:text=He%20uses%20the%20Uncanny%20to,if%20that's%20at%20all%20possible.
    https://youtu.be/c8Hkh1yYX7g?si=J4aSRI2hC-64FUtM
    https://youtu.be/_BskDyQra1o?si=RzXkltifcbv8x7Ad

    #cultcinema #britishhorror #1970shorror #petewalker #possum #frightmare #exploitationmovies #horror #podcast

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    1 h et 1 min
  • Episode Two: The Leopard Man (1943) & Four Flies on Grey Velvet (1971)
    May 25 2025

    The Horror Double Bill Episode 2: The Leopard Man (1943) & Four Flies on Grey Velvet (1971) Guilt, madness and the Italian Giallo

    Welcome to The Horror Double Bill, where horror is a feeling, not just a genre.

    In this episode, we delve into The Leopard Man (1943), a moody psychological thriller from producer Val Lewton. Then we leap into the stylised paranoia of Dario Argento’s Four Flies on Grey Velvet (1971)

    We explore the legacy of Val Lewton’s “suggestive horror,” the evolution of giallo cinema, and how both films capture dread through style, sound, and suggestion.

    Subscribe for more horror pairings, cult film deep dives, and a bit of film history

    Sources used for this episode:

    The Leopard Man:

    Dreams of Darkness by J.P. Telotte
    Val Lewton: The Reality of Terror by Joel E. Siegel
    Icons of Grief: Val Lewton’s Home Front Pictures by Alexander Nemerov.
    Fear: The Autobiography of Dario Argento

    Four Flies on Grey Velvet

    Four Flies on Grey Velvet by Luigi Cozzi
    Broken Mirrors, Broken Minds by Maitland McDonagh
    Dario Argento: The Man, the Myths & the Magic by Alan Jones.

    📸 thehorrordoublebill
    📧 thehorrordoublebill@gmail.com

    artwork by Justin Parker
    📸 jpkr_illustration

    #HorrorPodcast #TheLeopardMan #FourFliesOnGreyVelvet #Giallo #DarioArgento #ValLewton #ClassicHorror #PsychologicalThriller #HorrorDoubleBill #FilmAnalysis #CultCinema

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    1 h et 6 min