1. Introduction

• Purpose: Distill the artistry, culture, and history of street dance for dancers and enthusiasts.
• Sources: Historical accounts, academic research, dancer oral histories.
• Key themes: “Street dance,” being “well-rounded,” “cultural preservation,” “educate before you recreate.”

2. Hip-Hop Dance Origins: The Bronx (1970s)

• Hip-hop pillars: DJing, rapping, graffiti, breakdance.
• DJ Kool Herc: Jamaican roots, innovated “break beats” at Bronx block parties, inspiring new dance forms.
• Dance traits: Musical “bounces/rocks,” social dances like Running Man, Dougie, and original Harlem Shake.
• Misconceptions: Not all street dance is hip-hop or “breakdancing”—80s movies blurred many styles. Breaking (Bronx) ≠ Funk styles (West Coast).

3. West Coast Funk Styles: California (1970s–80s)

• Boogaloo: Oakland; fluid, “boneless” cartoon-inspired rolls and dime stops.
• Popping: Fresno; sharp muscular “hits/pops”—Electric Boogaloos (Boogaloo Sam, Popin’ Pete) popularized it. Includes “waving.”
• Locking: Don Campbell invented “lock”—sudden freezes, splits, points—popular on Soul Train. Tony Basil helped form Campellock Dancers. Emphasis on tradition and the problem of “slop lockers” (inaccurate imitators).
• Waacking: Gay clubs, LA (1970s disco); rotational arms, dramatic posing, Hollywood glamour. Rooted in Black & Latino LGBTQ+ resilience.

4. East Coast Innovations: NY (Late 70s–2000s)

• Breaking: Bronx; athletic spins, flips, freezes. Key crew: Rock Steady Crew. 1981 Lincoln Center battle mainstreamed the style. “Settle beef in the circle” culture.
• Vogue: Harlem, late 80s; Black/Latinx LGBTQ+ ballroom scene. “Houses” as competitive families. Three styles: Old Way (geometry, “pinning” duels), New Way (flexibility, arm illusion), Vogue Femme (fluid, exaggerated femininity). Pioneers: Paris Dupree, Willi Ninja. "Paris Is Burning" controversy and "no game" critique emphasize authenticity.
• House Dance: 1980s Chicago/NY clubs (Frankie Knuckles); fast footwork, torso “jacking,” expansive moves. Innovators: Frankie Knuckles, Brian “Footwork” Green. Community-focused, improvisational.
• Lite Feet: Harlem, 2000s; quick, weightless footwork, hat/shoe tricks. Seen in subways, reflecting Harlem identity. Uptempo beats (100–110 bpm).

5. Becoming a Well-Rounded Dancer

• Master the groove/bounce first; break down moves, drill for muscle memory, focus on one style.
• Use resources: YouTube, Steezy, Funk In Focus, workshops, local groups.
• Attend cyphers/jams for improvisation and community; “dance like no one is watching.”
• Listen to foundation music (funk, soul, hip-hop, disco).
• Observe but don’t copy—find icons for inspiration.
• Know freestyle (flowing improv), choreography (set routines, often from freestyle), and battling (creative pressure).

6. Mindset & Authenticity

• Set small, consistent goals; practice alone or with supportive peers.
• Prioritize authenticity: Learn origins, respect communities (“educate before you recreate”). Study from history if OG access isn’t possible.

7. Conclusion

• Recap journey: From Bronx hip-hop, West Coast funk, to NY’s Vogue, House, and Light Feet.
• Each style = local roots and evolving culture, tightly linked to its music.
• Street dance uplifts identity, community, and self-expression—reinvented yet anchored in tradition.
• Closing thought: What music or “dance” shapes your life? Understanding origins deepens connection. Always “educate before you recreate”—in dance, and beyond.