Titres dans Artistes, architectes et photographes

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed - street boys, prostitutes, the poor, the aged - was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.

A witty and beautifully written account of the lives of Gertrude Stein and her wife Alice B. Toklas and a fascinating look into early 20th century Paris and the development of modernist culture.

Diane Arbus brings to life the full story of one of the greatest American artists of the 20th century, a visionary who revolutionized photography and altered the course of contemporary art with her striking, now iconic images. Arbus comes startlingly to life here, a strong-minded child of unnerving originality who grew into a formidable artist. Arresting, unsettling, and poignant, her photographs stick in our minds. Why did these people fascinate her? And what was it about her that captivated them?

The MacArthur Foundation awards the "Genius Grant" every year to the most compelling scientists, educators and artists in the country. But who are these "geniuses," really? Host Bob Garfield sits down with fellows, including writer and producer David Simon, radio producer Jad Abumrad, and inventor Amy Smith, to learn what events shaped their life, how they became leaders in their fields, and what they imagine our shared future looks like.

When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.

Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Prodigy Akiane Kramarik shares her artwork, poetry, and the fascinating story surrounding her talent. Growing up in a home with an atheistic mother and a non-participating Catholic father did not stop four-year-old Akiane Kramarik from finding God. This girl's dreams began a conversation in the home that has eventually brought them all to Christianity and the world's attention. Akiane: Her Life, Her Art, Her Poetry is a collection of the best of Akiane's full-color paintings and poetry created from ages 4 to 10.

P. T. Barnum's career of showmanship and charlatanry was marked by a surprising undercurrent of honesty and forthrightness. His exuberant autobiography forms a happy combination of all those traits, revealing the whole story of his world-famous hoaxes and publicity stunts. Here is a pageant of 19th-century America's gullibility and thirst for marvels, as told by the master of revels himself.

Peter Cook has been a pivotal figure within the architecture world for over half a century. Suffused with Peter’s infectious energy, enthusiasm, and charm, this intriguing memoir explores major themes in architecture through the lens of his life and work. Taking the listener on a journey through his colorful and wide-ranging career, it touches on his early years and architectural education, his relationships with key figures within the architecture community, and his work teaching and lecturing internationally.

Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of 98. Her vivid visual vocabulary, sensuous flowers, bleached bones against red sky and earth, had a stunning, profound, and lasting influence on American art in this century.

The Post-Impressionist artist and writer Paul Gauguin led an extraordinary, troubled and restlessly itinerant life; he came late to painting and spent most of his last decade in the Pacific islands of Tahiti and the Marquesas, where he produced paintings loosely based on Polynesian tradition that heralded the emergence of primitivism and would exert a profound influence on modernist artists from Picasso and Matisse to Jackson Pollock. But his art, despite its growing popularity following Gauguin’s death in 1903, has provoked mixed responses.

When Roxana Robinson’s definitive biography of O’Keeffe was first published in 1989, it received rave reviews and was named a New York Times Notable Book of the Year. This new edition features a new foreword by the author, setting O’Keefe in an artistic context over the last thirty years since the book was first published, as well as previously unpublished letters of the young O’Keeffe to her lover, Arthur MacMahon. This book also relates the story of Robinson’s own encounter with the artist.

This intimate account offers a new, unexpected understanding of the artist’s work and of the vibrant 1930s surrealist scene.

Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering.

Avec une honnêteté désarmante, le "Boss" se livre et, pour la première fois, fait le récit des combats personnels qui ont inspiré ses meilleures chansons. Le livre d'une époque, et d'un véritable écrivain. "Se raconter est une drôle d'affaire. Dans un projet comme celui-ci, l'auteur fait une promesse : laisser le lecteur entrer dans sa tête. C'est ce que j'ai essayé de faire au fil de ces pages." Bruce Springsteen, dans les pages de "Born to Run".

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring.